{"title":"The Complete Pooja Room | पूरा पूजा घर","description":"\u003cp\u003eEvery metal object in the catalogue that belongs in a mandir, in one place: lamps, thalis, bells, kalash, murtis, offering bowls, incense holders and the storage that goes with them. Use it when you are setting up a shrine from nothing rather than adding a single piece.\u003c\/p\u003e\u003cp\u003eSizes and weights differ widely across these pages, from a hundred-gram diya to a seven-kilo murti, so read the gram figure on each page before you plan a shelf. Brass, kansa and copper all appear here and each is cared for differently; the care note on each page states which routine applies.\u003c\/p\u003e","products":[{"product_id":"ganesh-laxmi-idols-with-brass-elephants","title":"Brass Laxmi Ganesh Murti, Set of 4","description":"\u003cp\u003eBrass Laxmi and Ganesh murtis on flat lotus bases, with an elephant standing at either end.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,100 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, brought up by hand on all four pieces\u003c\/li\u003e\n\u003cli\u003eIconography: Four arms and a stepped conical crown on each figure, buds in Laxmi's upper hands, a small hooked implement in each of Ganesh's raised hands\u003c\/li\u003e\n\u003cli\u003eBase: A flat lotus disc under each murti, every petal punched with a dot; the two elephants stand on their own feet with no base\u003c\/li\u003e\n\u003cli\u003eQuantity: Four pieces, two murtis and two elephants\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass Laxmi murti\u003c\/li\u003e\n\u003cli\u003e1 brass Ganesh murti\u003c\/li\u003e\n\u003cli\u003e2 brass elephants\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach figure sits on a lotus cast flat rather than domed, the petals opening out into a disc wider than the figure itself with a punched dot in every petal. Both have four arms and a stepped conical crown. Laxmi lifts a bud in each upper hand and turns a lower palm out over the knee, and Ganesh holds a small hooked implement in each raised hand. The two elephants are cast without bases and stand on their own four feet, trunks curled up over the forehead, each with a worked cloth over the back and down the flanks. They come to about half the height of the seated figures.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eLaxmi and Ganesh are installed together for Diwali pooja, each seated on a lotus with four arms, and the two are bought as one pair far more often than either is bought alone.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The four pieces come to 2,100 g together, which for figures this size is cast brass and not a shell. Weigh the two murtis on their own and the elephants after, and the split tells you the same thing.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe forms repeat. The finish does not, quite. Each piece is polished by hand, so the lotus petals and the elephant cloths can come up brighter on one piece than another within the same set of four.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry both figures straight after, and turn them over, because water gets under the flat lotus petals and sits there where a cloth on the top face will never reach it.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eOne set covers a Diwali pooja for a household. The pair is the unit and the elephants flank it, so nothing here is counted by the head or bought in multiples the way katoris are.\u003c\/p\u003e\n\u003ch3\u003eDo the elephants come with it?\u003c\/h3\u003e\u003cp\u003eBoth do. Four pieces ship together, two murtis and two elephants, and because the elephants have no base of their own they can be set close in or well out from the pair.\u003c\/p\u003e\n\u003ch3\u003eAre the murtis fixed to the lotus bases?\u003c\/h3\u003e\u003cp\u003eEach is cast in one with its base. The lotus is not a separate plate, so nothing lifts off and nothing needs lining up when the set comes out of the box.\u003c\/p\u003e\n\u003ch3\u003eWill they darken over time?\u003c\/h3\u003e\u003cp\u003eUnlacquered brass does darken, first in the recesses and then over the raised work. Lemon and salt bring the shine back if you want it, or leave it and the surface settles into a warmer tone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52939960058178,"sku":"PP-BR-IDL-LAX-086","price":5599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-laxmi-ganesh-murti-peetal-parampara.png?v=1787530595"},{"product_id":"brass-aarti-spoon-engraved","title":"Brass Aarti Spoon with Pierced Handle","description":"\u003cp\u003eA cast brass aarti spoon with a pierced openwork handle and a rosette in the pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the lip pinched out at the edge of the pan\u003c\/li\u003e\n\u003cli\u003eHandle: Long pierced openwork, scrolled and leafed, with a lug underneath that rests it level\u003c\/li\u003e\n\u003cli\u003eUse: Circled in front of the deity during aarti, with oil or ghee and a cotton wick\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass aarti spoon\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe pan is a shallow round dish with a small lip pinched out at one edge for the wick, and a rosette is cast into the floor of it, so the oil sits in a ring outside a raised centre. The handle is a long strip of openwork, scrolled and leafed, with holes cut clean through between the scrolls, narrowing to a blunt point. A short lug drops from under the handle and rests the spoon level instead of letting the pan tip.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn aarti spoon is the handled lamp circled in front of a deity during aarti, the wick lying in the lip of the pan so the flame travels with the hand that carries it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast in one piece with the handle. It weighs 800 g, which is a lot for a spoon, and that weight is what keeps the pan steady at the end of a long arm through a full aarti.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe pattern will. The openings in the handle are cleaned out by hand after casting, so their edges are never twice the same, and the polish sits differently along the scrollwork on each spoon.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an achmani spoon?\u003c\/h3\u003e\u003cp\u003eNo. An achmani is the small plain spoon that lifts water out of a panchpatra. This one is a lamp: the pan holds oil and a wick, and the handle is there so the flame can be carried and circled.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan out while the metal is warm. Soot collects at the lip and in the rosette, and warm water with a soft brush lifts it. Dry the openwork properly, since water sits in the cut edges.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes, and ghee is the usual choice for aarti. It sets solid as the spoon cools, so wipe the pan and the lip out warm and the next wick will sit flat and draw straight away.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940477563202,"sku":"PP-BR-POO-AAR-063","price":2599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165549_jpg.jpg?v=1776518234"},{"product_id":"brass-lotus-diya","title":"Antique Brass Lotus Diya on Scroll Feet","description":"\u003cp\u003eA cast brass lotus diya with one oil cup and two scrolls curving in from the rim.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the single cup at the centre\u003c\/li\u003e\n\u003cli\u003eBase: Cast scroll feet with curled toes\u003c\/li\u003e\n\u003cli\u003eUse: Lit at the mandir, or set out along a ledge at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass lotus diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe petal plate carries three chased rings, a band of beading inside a row of scalloped petals inside the outer points, and it stands high on cast scroll feet with curled toes. Two more scrolls arch in from the rim towards the oil cup, standing proud of the plate rather than lying on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA lotus diya is an oil lamp whose plate or bowl is formed as open lotus petals, lit at the mandir or floated among flowers in a bowl of water at Diwali.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass at 400 g, most of it in the plate and the feet. The gold on the surface is a finish over that brass, and the recesses are left dark rather than filled with anything.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The plate is cast and then chased by hand, so the beading and the petal rows shift a little, and the dark in the recesses sits differently on every piece.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The cup is small and shallow, so a spoon of ghee melts through within a minute of the wick catching and sets hard again as the lamp cools.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the cup out with a dry cloth while it is still warm. Keep lemon and salt off the plate, because the dark in the chasing is the finish and it will strip out and leave the pattern flat.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940490080578,"sku":"PP-BR-POO-LOT-073","price":1899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171705_jpg.jpg?v=1776518857"},{"product_id":"brass-kalash-hanging","title":"Brass Kalash Panel with Mango Leaves","description":"\u003cp\u003eA flat brass kalash panel, cast in relief, with five mango leaves rising at the mouth.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the relief darker in the recesses\u003c\/li\u003e\n\u003cli\u003eIconography: A row of figures either side of a lingam under an arch, over bands of waves\u003c\/li\u003e\n\u003cli\u003ePanels: Five mango leaves at the mouth, a beaded collar and a band of triangles at the neck\u003c\/li\u003e\n\u003cli\u003eUse: Stood or hung in the mandir as the kalash form, rather than filled with water\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass kalash relief panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe five leaves at the mouth are cast with a raised midrib and a fan of side veins, and the two outer ones curl over at the tips. Under a beaded collar and a band of triangles, the belly carries a crowd of small figures in relief standing either side of a lingam under an arch, with rows of wave lines running beneath them. Across the foot there is a raised inscription in Devanagari script. The back is flat.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA kalash is the round-bellied, narrow-necked pot set at the centre of a rite and dressed with mango leaves at the mouth. Cast flat as a panel, the same form becomes a piece to stand or hang rather than to fill.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast in one piece. A flat panel this size at 850 g is thick metal, which is why the figures along the belly hold their edges instead of reading as a shallow stamping.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe relief will. How dark the recesses sit will not, because the figure band and the wave lines take polish unevenly and each panel is finished by hand after it comes out of the mould.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja kalash?\u003c\/h3\u003e\u003cp\u003eNo. A pooja kalash is a pot you fill with water and dress with leaves and a coconut. The panel is cast flat and closed, so it stands for the kalash rather than doing its job.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the raised areas is usually enough. If roli or ash has settled into the wave lines and the figure band, use a soft dry brush rather than water, which sits in the deeper relief.\u003c\/p\u003e\n\u003ch3\u003eCan I fill it with water?\u003c\/h3\u003e\u003cp\u003eNo. There is no opening anywhere in it. The mouth and the leaves are cast solid, so keep water, rice and the coconut in a separate pot and let the panel stand behind them.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940493521218,"sku":"PP-BR-POO-KAL-062","price":2799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165810_jpg.jpg?v=1776518977"},{"product_id":"brass-decorative-diya","title":"Brass Peacock Diya on Turned Pedestal","description":"\u003cp\u003eA cast brass peacock diya with one spout in the pan and a banded pedestal foot.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 450 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the punched detail darker in the recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the squared spout pulled out at the side of the pan\u003c\/li\u003e\n\u003cli\u003eBase: A turned pedestal in three beaded rings, punched with triangles and dots\u003c\/li\u003e\n\u003cli\u003eUse: Filled with oil and lit at the mandir or on a pooja thali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe pan is wide and shallow with one spout pulled out to a squared point at the side, and a band of fine vertical strokes runs the whole way round under its rim. The foot is turned in three swelling rings, each edged with beading, and the middle one is punched with a row of triangles and dots. The peacock stands on a small baluster at the centre of the pan, tail curling up behind its head, wing feathers cut in short strokes.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA figural diya sets the oil cup on a cast stand and puts a bird or a deity above it, so the lamp reads as an object on the shelf even before it is lit. The cup itself holds oil and a cotton wick.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 450 g the pedestal carries most of the weight, which is what stops a lamp with a bird on top from going over when the pan is full. A plated one would be light and top-heavy.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form will. The peacock is cast and then filed, so the feather strokes on the wing and the curl of the tail differ a little, and the punched band on the foot never lands twice the same.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eNo. A standing diya is a tall lamp raised on a long stem for a doorway or a floor. The pan here sits low on a short pedestal, at the height of a shelf, and it takes a single wick rather than several.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan warm before the oil sets. Soot gathers at the spout and at the foot of the bird, and warm water with a soft brush lifts it. Dry the punched band on the pedestal properly.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is wide and shallow, so a spoonful spreads thin and burns down quickly. Top it up during a long pooja rather than filling it to the rim and letting it spill at the spout.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945196450114,"sku":"PP-BR-POO-PEA-064","price":2599.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171428_jpg.jpg?v=1776506605"},{"product_id":"brass-shankh-diya","title":"Brass Shankh Diya, Multi Wick, 800 g","description":"\u003cp\u003eA flat brass shankh diya with a row of round wick holes along the scalloped border.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eMotif: A conch in relief, the whorl coiled at the centre and the lip opening to one side\u003c\/li\u003e\n\u003cli\u003eUse: Set flat on a mandir shelf or on a pooja thali and lit at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass shankh diya plate\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe conch lies flat, its whorl coiled at the centre and the lip of the shell opening out to one side, with the surface behind it cut in fine parallel strokes so the light breaks up across it. Round wick holes are set into the scalloped border that edges the shell, each one ringed with a fluted collar and dished out in the middle to take oil and a wick. The apex stands proud at the far end as its own pointed lobe.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA shankh diya is an oil lamp whose body takes the form of a conch, the shell that is blown at the opening of a rite, so the object carries the emblem and the flame at the same time.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast in one piece. At 800 g for a flat plate this size the metal is thick enough that the wells are sunk into it rather than pressed through it, which a kitchen scale will bear out.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe shape will. The colour may not, because the piece was shot under a bright light that pulls the polished shell paler than it reads in a room. The relief and the wells are the same on every one.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a real conch shell?\u003c\/h3\u003e\u003cp\u003eNo. It is brass, cast in the form of a conch and left flat at the back so it sits on a shelf. A real shankh is a shell, it is hollow, and it can be blown. This one is a lamp and holds oil.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each well out while it is still warm so the oil does not set into the fluting. For soot at the rims, warm water and a soft brush, then dry the whole plate before it goes back on the shelf.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The wells are small, so a spoon of ghee to each one is enough for an evening. Clear the last of it out while the plate is warm or it hardens into a ring you have to scrape.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945234067778,"sku":"PP-BR-POO-SHD-060","price":2899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_170857_jpg.jpg?v=1776506605"},{"product_id":"brass-antique-loban","title":"Brass Loban Dhoop Dani with Peacock Lid","description":"\u003cp\u003eA cast brass dhoop dani with a pierced domed lid and a peacock standing on top.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast pattern darker in the recesses\u003c\/li\u003e\n\u003cli\u003eLid: Domed and pierced, lifting clear off the bowl, with a peacock top on a turned collar\u003c\/li\u003e\n\u003cli\u003eBase: Cast feet under the bowl and two winged side scrolls that reach down to the shelf\u003c\/li\u003e\n\u003cli\u003eUse: Loban or dhoop resin burned over a coal in the bowl, with the lid on\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass loban dhoop dani bowl\u003c\/li\u003e\n\u003cli\u003e1 pierced brass lid with peacock top\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe lid is domed and carries two bands of cast pattern, a running key fret at the crown and a row of scrolls below it, with a ring of round holes punched between them for the smoke. The bowl underneath is left plain and unworked. Two wings scroll up from the sides and come down again to feet that touch the shelf, holding the bowl clear of it. The peacock on top perches on a turned collar with its tail curling back over its head.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA loban dhoop dani is the lidded, pierced vessel in which loban or dhoop resin is burned over a coal, the holes in the lid letting the smoke out while the ash stays down in the bowl.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than spun. Bowl, lid and top together weigh 750 g, well past what a plated shell of the same size would come to, and a kitchen scale will tell you so in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The lid pattern is cast and then cleaned up by hand, so the holes vary a little in size and the darkening that sits in the key fret is deeper on some pieces than others.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an agarbatti stand?\u003c\/h3\u003e\u003cp\u003eNo. An agarbatti stand holds burning incense sticks upright and catches the ash in a tray. A dhoop dani is a covered bowl for loose loban or dhoop resin burned over a coal, the smoke coming up through the lid.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLet it go cold first. Tip the ash out, wipe the bowl with a dry cloth, and lift any resin that has set hard with warm water and a soft brush. Dry the inside fully before the lid goes back on.\u003c\/p\u003e\n\u003ch3\u003eWill the brass get too hot to hold?\u003c\/h3\u003e\u003cp\u003eYes. Brass carries heat, and the bowl, the feet and the side wings all warm through once a coal is in there. Move it with a cloth over the wings, or leave it to cool where it stands.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945261199682,"sku":"PP-BR-POO-DHO-057","price":3199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171214_jpg.jpg?v=1776506604"},{"product_id":"brass-kamdhenu-ji","title":"Brass Kamdhenu Murti with Calf, 850 g","description":"\u003cp\u003eA cast brass Kamdhenu murti, the cow standing over a calf at the udder.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, the ground plate left rough from the casting\u003c\/li\u003e\n\u003cli\u003eIconography: Cow standing head down over a suckling calf, seated figure in relief on the caparison\u003c\/li\u003e\n\u003cli\u003eMotif: Bead and bell harness at the neck, banded caparison, rosette on the calf's blanket\u003c\/li\u003e\n\u003cli\u003eBase: One irregular oval plate carrying both animals, cast to read as ground rather than a base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Kamdhenu murti with calf\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHer head is down and turned in towards the calf rather than lifted, so the horns come forward at the level of the base and the whole silhouette runs long and low. The caparison over her back carries a relief panel with a small crowned figure seated cross-legged inside it, and the calf underneath wears a banded blanket of its own with a rosette on the flank. The plate they stand on is an irregular oval, pitted and left rough so it reads as ground.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eKamdhenu is the cow named in the old texts as the mother of all cattle, and a murti of her is always cast with the calf beneath, both standing on one plate, the cow's back carrying figures worked in relief.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. 850 g sits in a piece you can close one hand over, and the calf standing free under the cow's belly is a load a plated shell would not carry at the legs.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe sculpt repeats. The ground plate does not, since it is left rough off the casting, so the pitting under the hooves falls differently on every one and the edge is never quite the same oval.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, the brass is bare. Water collects in the gap between the calf and the udder and in the harness beads at the neck, so tip the murti and take a dry cloth to both spots afterwards.\u003c\/p\u003e\n\u003ch3\u003eIs the calf a separate piece?\u003c\/h3\u003e\u003cp\u003eNo. Cow, calf and ground plate come out of one mould, so the calf cannot be moved or lost. Even the gap between the calf's mouth and the udder is cast in rather than assembled.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945287741762,"sku":"PP-BR-IDL-KAM-097","price":2699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171322_jpg.jpg?v=1776506603"},{"product_id":"brass-ganesha-on-leaf-coloured","title":"Hand Painted Brass Ganesha on Leaf","description":"\u003cp\u003eA brass Ganesha on a leaf, with orange and brown colour worked into the crown.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass with applied colour, unlacquered where the metal is bare\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Hand painted over polished brass\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha with a fanned crest, a banded crown, ridged ears and the trunk curling to the right\u003c\/li\u003e\n\u003cli\u003eMotif: Overlapping leaf tips, each veined with fine cut strokes\u003c\/li\u003e\n\u003cli\u003eUse: Hung on a wall or at a doorway as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 hand painted brass Ganesha leaf plaque\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eColour is used only at the top. The crest above the crown is filled orange, the crown itself brown with an orange band under it, and the eyes are picked out pale against bare metal; everything below the tusks is left as it came from the mould. The leaf is not one leaf but a stack of them, tips showing at the shoulders and sides, and the hanger is a scroll turned over at the top with the hole through it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesha on leaf is a flat plaque in which the elephant-headed figure is cast or raised on the form of a peepal leaf, hung at a doorway or in a hall. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWipe with a soft dry cloth. For marks, a barely damp cloth and nothing else. Dry it straight away.\u003c\/li\u003e\n\u003cli\u003eThe colour is a surface layer over the metal. Lemon, salt, tamarind and brass polish all lift it — the same things that bring bare brass back to a shine will take the pattern off this piece. Keep them away from the painted areas.\u003c\/li\u003e\n\u003cli\u003eAny bare brass on the foot, rim or underside can be cleaned the normal way with lemon and salt. Work around the colour, not over it.\u003c\/li\u003e\n\u003cli\u003eDo not soak it, do not scrub it, and keep steel wool and scouring pads away from it entirely.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKeep it out of long direct sunlight. Applied colour fades where bare brass would only darken.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eThe brass is solid under the colour, cast and then painted. The paint is a surface layer, not a metal coating, and the 800 g on the scale is the casting itself.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The colour is brushed on by hand, so the reach of the orange on the crest and the depth of the brown on the crown vary, and no two crowns are shaded the same way.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eA leaf plaque of this kind is usually hung at the entrance, in a hall, or above the mandir shelf where it faces the room. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid cast metal, flat at the back, with the figure raised at the front. Nothing is packed behind the relief; the weight you feel is brass, and the colour adds none of it.\u003c\/p\u003e\n\u003ch3\u003eWill the colour come off?\u003c\/h3\u003e\u003cp\u003eNot with ordinary handling. It is a surface layer over the metal, so lemon, salt and brass polish will lift it. A soft dry cloth is the whole routine, and the polish stays for the bare metal only.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945329062210,"sku":"PP-BR-VAS-GNL-175","price":2999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162526_jpg.jpg?v=1776689367"},{"product_id":"brass-ganesha-on-leaf","title":"Brass Ganesha on Leaf with Branch Hanger","description":"\u003cp\u003eA cast brass Ganesha on a peepal leaf, hung from a branch laid across the top.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cut lines left bright\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha with fanned ears, a crown, two hands below the trunk and a round mark on the brow\u003c\/li\u003e\n\u003cli\u003eMotif: Peepal leaf cut with radiating veins and short chevron strokes\u003c\/li\u003e\n\u003cli\u003eUse: Hung on a wall or at a doorway as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesha leaf plaque\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe branch is the hanger. It runs the full width of the leaf as a cast twig with cut ends and one round hole through the middle, and the leaf hangs off it with two open gaps either side of the stem. Ganesha is raised almost to the depth of a finger at the trunk, the ears combed into ridges and a round mark set on the brow. Where the relief leaves off, the leaf is cut with veins and short strokes.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesha on leaf is a flat plaque in which the elephant-headed figure is cast or raised on the form of a peepal leaf, hung at a doorway or in a hall. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed from sheet. A pressed plaque this wide would weigh a fraction of 1,000 g, which is the whole reason the weight is printed on the page.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The veins and strokes across the leaf are cut by hand after casting, so their spacing and depth change, and the polish takes differently on each face.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eA leaf plaque of this kind is usually hung at the entrance, in a hall, or above the mandir shelf where it faces the room. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid cast metal throughout, with no filler behind the relief. It is a plaque rather than a figure, so it has a flat back and hangs close against the wall.\u003c\/p\u003e\n\u003ch3\u003eHow does it hang?\u003c\/h3\u003e\u003cp\u003eFrom the hole through the branch. The branch is cast in one with the leaf rather than fixed on afterwards, so a single nail or screw head carries the load through solid metal.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945334272322,"sku":"PP-BR-VAS-GNL-173","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162455_jpg.jpg?v=1776689366"},{"product_id":"brass-suraj","title":"Brass Sun Face Wall Plaque, 1.4 kg","description":"\u003cp\u003eA cast brass sun face with a ring of tapering rays and a small tilak on the brow.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the hammer and tool marks left on the rays\u003c\/li\u003e\n\u003cli\u003eIconography: A human sun face with open eyes, a straight nose and a tilak on the brow, inside a full ring of rays\u003c\/li\u003e\n\u003cli\u003eUse: Hung on a wall or a gate as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass sun face wall plaque\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe face is worked in relief and stands proud of the disc, so the nose and lips catch light while the cheeks stay flat and dull. Brows and lashes are cut in as short parallel strokes, and a narrow tilak sits upright between them. The rays are separate tongues of metal, longer and shorter turn about, each drawn to a curved point and none matching its neighbour. At 1.4 kg it wants a screw into the wall rather than a picture hook.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA sun face is a stylised solar disc with a human face at the centre and a ring of rays, hung on a gate or in a hall. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Plating shows itself at the edges of a piece this size, and 1,400 g is far more than a plated shell of the same width would ever weigh. Put it on a kitchen scale and the number answers it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. The rays are worked one by one, so their length and the way each tip curves changes from piece to piece, and the polish sits differently on every face.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eA sun face is traditionally fixed high, on an outside gate or wall, or facing the door from inside a hall. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid metal, but not a slab. The face and the rays are raised, so the reverse follows them and the piece is hollow behind the high points rather than filled. The 1,400 g is metal alone.\u003c\/p\u003e\n\u003ch3\u003eDoes it come ready to hang?\u003c\/h3\u003e\u003cp\u003eThe photograph shows the front only, so we will not tell you what is on the back. We are asking the maker whether it carries a hook or a keyhole slot, and this answer will be replaced once that is confirmed.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945337286978,"sku":"PP-BR-VAS-SUN-172","price":4099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162312_jpg.jpg?v=1776689366"},{"product_id":"brass-ganesha-on-leaf-1","title":"Brass Ganesha on Leaf with Ring Hanger","description":"\u003cp\u003eA cast brass Ganesha raised on a polished leaf, with a closed ring at the stem.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Mirror polished, with the veins cut bright\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha crowned, trunk curling to the left, a small mouse at the foot of the figure\u003c\/li\u003e\n\u003cli\u003eMotif: Leaf plate with deep V-cut veins running out from the spine\u003c\/li\u003e\n\u003cli\u003eUse: Hung on a wall or at a doorway as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesha leaf plaque\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe leaf is left as a mirror, so the only broken surface on it is the veining, cut in as deep V-strokes that run out from the spine and stop short of the edge. Ganesha sits in the middle in high relief, crowned, the trunk curling to the left over a scrolled shawl, with a small mouse at the foot. The stem is drawn up into a closed ring, and that ring is the fixing point; it takes a nail on its own.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesha on leaf is a flat plaque in which the elephant-headed figure is cast or raised on the form of a peepal leaf, hung at a doorway or in a hall. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The plate is thin because it is a leaf, but it is brass all the way through and the ring is cast with it. At 800 g a scale will tell you the same thing in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. A mirror polish shows every hand that touched it, so the fall of light across the leaf differs piece to piece, as does the depth of each cut vein.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eA leaf plaque of this kind is usually hung at the entrance, in a hall, or above the mandir shelf where it faces the room. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid metal, flat at the back. The figure is raised at the front and there is no filler behind it, so what you lift is 800 g of brass and nothing else.\u003c\/p\u003e\n\u003ch3\u003eHow is it fixed to the wall?\u003c\/h3\u003e\u003cp\u003eThrough the cast ring at the top of the stem. The ring is part of the same casting rather than a fitting screwed on afterwards, so one nail or screw head carries the whole 800 g.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945343709506,"sku":"PP-BR-VAS-GNL-174","price":3499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162433_jpg.jpg?v=1776689366"},{"product_id":"brass-om","title":"Hand Engraved Brass Om, 250 g","description":"\u003cp\u003eA flat brass om, engraved over every face with fine leaf and hatch strokes.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, engraved over the faces\u003c\/li\u003e\n\u003cli\u003eUse: Hung on a wall or set on a mandir shelf as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass om\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe whole surface is worked. Fern-like strokes fill the broad curves, finer hatching fills the narrow ones, and the cut edges are left plain so the shape stays readable from across a room. A small opening is cut through the upper arm, the only hole anywhere in the piece.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eOm is the syllable set at the head of a text and kept as a cut or cast form on a wall, a mandir shelf or a desk. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cut from thick metal rather than pressed out of sheet. The section is deep enough to see at the edges in the photograph, and 250 g on a kitchen scale says the same thing.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form will. The engraving will not, because every stroke is cut by hand, so the strokes fall at different angles and no two faces are filled in quite the same way.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eAn om is usually kept above eye level on a wall, on the mandir shelf, or on a desk where it faces the room. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid through the whole section, with no hollow back and no filler. It will stand leaning against a wall as it does in the photograph, and it will also take a hook through the opening at the top.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945347707202,"sku":"PP-BR-VAS-OMS-179","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162409_jpg.jpg?v=1776689365"},{"product_id":"brass-swastik","title":"Brass Swastik with Hanging Loop","description":"\u003cp\u003eA cast brass swastik with a raised rosette where the four arms cross.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast pattern left matte\u003c\/li\u003e\n\u003cli\u003eMotif: Combed strokes sweeping out along each arm, an open rosette at the crossing\u003c\/li\u003e\n\u003cli\u003eUse: Hung at a doorway or on a wall as a vaastu piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass swastik\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe relief is cast, not cut. Every arm is filled with curved strokes that sweep out from the middle, and where the four arms cross a small open rosette stands proud of them. A plain raised border follows the outline the whole way round. The loop at the top is part of the same casting.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eThe swastik is the four-armed auspicious mark drawn or fixed at the threshold of an Indian home at Diwali and at the start of a new undertaking. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast in one piece with the hanging loop. A plated version of this size would come in well under 200 g, so a kitchen scale is the quickest test you can run at home.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The pattern comes from a mould, so it repeats, but the filing and polishing after casting are done by hand and the rosette at the centre picks up light differently on each one.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eA swastik is usually fixed at the main door, above or beside the frame, or on the wall of the mandir. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid metal through the arms and the centre. The pattern is raised on the front face, the back is plain, and none of the 200 g comes from anything other than brass.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945351704898,"sku":"PP-BR-VAS-SWA-180","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162558_jpg.jpg?v=1776689366"},{"product_id":"brass-mor-diya","title":"Brass Peacock Standing Diya, 2.8 kg","description":"\u003cp\u003eA brass standing diya with a cast peacock over a pan pulled into six points.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast peacock on a turned stem\u003c\/li\u003e\n\u003cli\u003eWeight: 2,800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished bright over the whole lamp, no darkening left in the recesses\u003c\/li\u003e\n\u003cli\u003eSpouts: Six points pulled out of the pan rim, one wick resting in each\u003c\/li\u003e\n\u003cli\u003eBase: Fluted bell foot with a beaded band, standing on a broad round pad\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for daily pooja, aarti and festival evenings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a peacock top\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe peacock stands on the collar with its tail thrown up and back in a beaded fan, and the head turns to one side so the crest breaks the outline of the lamp rather than sitting square on it. Under it the pan is pulled out into six sharp points, each one a rest for a wick, and the metal thins visibly toward the tips. The stem is turned in stages, a fluted collar, a beaded ring, a long taper and another ring, before it flares into a bell foot cut with radiating flutes. Polished bright, with no darkening worked into the recesses anywhere on it, so the whole lamp reads as one colour under a flame.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a tall oil lamp on its own weighted base. The pan sits high on the stem, so the flame reaches chest height on a mandir shelf instead of sitting on the floor beside it, and the wicks lie in the rim.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 2,800 g and most of that is in the stem and the foot, which is why it stands steady. Plated sheet of the same height would weigh a fraction of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The peacock is cast and then cleaned up by hand, so the beading on the tail and the set of the crest shift a little from one bird to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a samai?\u003c\/h3\u003e\u003cp\u003eIt is the same object. Samai is the Marathi name for a standing oil lamp and kuthu vilakku the Tamil one. All three describe a lamp that stands on its own foot instead of being carried.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the cold oil out, wipe the pan with a dry cloth and go along the points with a corner of it. On the turned stem a dry cloth is enough, and polish only when the shine has really gone.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets solid in the pan as it cools, so warm the pan slightly before you wipe it, or the residue stays in the points where the wicks sit.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks can I light at once?\u003c\/h3\u003e\u003cp\u003eSix, one at each point of the pan. The pan is a single well, so the oil runs between them and one filling serves all six on a festival evening.\u003c\/p\u003e\n\u003ch3\u003eWill it stand steady on a shelf?\u003c\/h3\u003e\u003cp\u003eThe foot is a broad round pad and the mass sits low in the base, so it holds firm on a flat shelf. On an uneven surface the wide pan shows the tilt before the base does.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945354424642,"sku":"PP-BR-POO-PEA-047","price":6799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163219_jpg.jpg?v=1776689366"},{"product_id":"brass-mor-deep","title":"Brass Peacock Diya with Halo Ring","description":"\u003cp\u003eA brass diya with a fanned peacock set inside an openwork ring behind the pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eWicks: Five lobed wells at the pan rim\u003c\/li\u003e\n\u003cli\u003eMotif: Fanned peacock plaque inside a saw-toothed openwork ring\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for pooja and aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe ring behind the pan is cut as one openwork circle with a saw-toothed leaf edge, and the face of it is engraved rather than left plain, so it holds light instead of going flat. The peacock inside the ring is a separate fanned plaque, tail spread and body small under it. Five lobed wells sit at the rim of the pan below. The stem is ribbed in a tight spiral to a plain waist, then flares to an engraved dome and a broad foot.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn a peacock diya the bird is the structure rather than the decoration, cast into the top, the stem or a standing back panel, with the oil pan carried below it and lit with oil and a cotton wick.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The ring alone is a good part of the 2,500 g, since it is cut and engraved from thick stock rather than stamped out of sheet. A kitchen scale settles the question in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The ring is engraved by hand, so the leaf edge does not repeat exactly and the two halves of the circle never match each other perfectly.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eClose, but no. A standing diya is a plain tall lamp with the pan on top of the stem. Here the pan sits low and a cast ring stands behind it, so the lamp is read from the front.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the five wells out with a dry cloth while they are warm. On the ring use a dry cloth only and take it along the engraving rather than across it, so nothing catches on the leaf edge.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets in the lobed wells as they cool and lifts out more easily while the metal still holds some warmth from the flame.\u003c\/p\u003e\n\u003ch3\u003eWill it topple?\u003c\/h3\u003e\u003cp\u003eThe foot is a broad polished dome carrying 2,500 g, and the ring sits over the centre of it, so the lamp stands square. On a narrow shelf keep the ring parallel to the wall.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945360552258,"sku":"PP-BR-POO-MOR-051","price":5399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163239_jpg.jpg?v=1776689366"},{"product_id":"brass-layered-deep-silver-tone","title":"Brass Five Tier Layered Diya, 3.5 kg","description":"\u003cp\u003eA brass layered diya with five tiers of pointed oil cups under a cast peacock.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast tiers on a turned stem\u003c\/li\u003e\n\u003cli\u003eWeight: 3,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished yellow brass throughout, no plating and no silver tone\u003c\/li\u003e\n\u003cli\u003eTiers: Five, each a ring of pointed oil cups cast as one flower, smallest at the top\u003c\/li\u003e\n\u003cli\u003eBase: Turned round foot with a stepped rim and a broad seat, weighted to carry the stack\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil or ghee and cotton wicks at Diwali, Dhanteras and for daily pooja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass layered diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFive tiers step up the stem, each one a ring of pointed cups cast as a single flower, and each tier smaller than the one under it, so the lamp tapers as it rises. Turned knops separate the tiers and hold them far enough apart that a lit cup is clear of the one above it. Every cup runs out to a point at the rim, which is where the wick lies, and the points of one tier fall between those of the next. A peacock stands at the top with its tail up in a beaded fan. The metal is polished yellow brass from the foot to the bird, with no plating and no grey cast to it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA layered diya is an oil lamp built with two or more tiers of wick cups stacked on one stem, so a single lamp throws light at several heights at once instead of standing as a row of separate diyas on a shelf.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 3,500 g the weight is in the cast cups and the turned stem. A plated lamp of the same height would be sheet metal over a hollow core and would rock on the shelf.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The cups are cast in rings and cleaned by hand, so the points sit at slightly different angles on every tier and the polish reads differently on each one.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eIt is a standing diya with tiers. A plain standing diya carries one pan at the top; here five rings of cups climb the stem, so one lamp lights at five heights.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each cup out while it is still warm, working from the top tier down so the drips fall into cups you have yet to reach. A dry cloth on the stem afterwards is enough.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes, and it is the usual choice for a lamp like this. Ghee sets in the cups as they cool, so wipe them out the same evening rather than letting the residue harden.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does it hold in total?\u003c\/h3\u003e\u003cp\u003eWe have not printed a total yet. The cups are being counted tier by tier from the lamp in hand, because the rear cups on each ring sit behind the stem in the photograph and cannot be counted from it.\u003c\/p\u003e\n\u003ch3\u003eWill oil run down from one tier to the next?\u003c\/h3\u003e\u003cp\u003eEach cup is a closed well with a raised lip, so oil stays where it is poured. Overfill one and it will run to the tier below, so fill to just under the lip and wipe the stem after.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945362583874,"sku":"PP-BR-POO-LAY-048","price":7099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163130_jpg.jpg?v=1776689366"},{"product_id":"brass-nandi-ji","title":"Brass Nandi Murti with Floral Saddle","description":"\u003cp\u003eA cast brass Nandi murti with ridged horns and a bead collar over deep relief.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, recesses left dark from the casting\u003c\/li\u003e\n\u003cli\u003eIconography: Bull couchant, forelegs folded, ridged horns raked back, tall pointed ears\u003c\/li\u003e\n\u003cli\u003eMotif: Foliage over both flanks, saddle panel with a central disc, three tiers of neck ornament\u003c\/li\u003e\n\u003cli\u003eBase: Flat underside; the folded legs and the belly are the footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Nandi murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe relief does not stop at the saddle. Foliage runs over both flanks and down the haunch, and a plain disc boss sits at the centre of the saddle panel where the pattern breaks. The horns are ridged in fine rings along their whole length and rake back over the ears instead of curving up. Neck ornament hangs in three tiers, beads, then bells, then a row of leaf pendants, and the metal under them stays dark where a cloth cannot reach.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eNandi faces the shrine rather than the room, and a murti of him is cast in the couchant pose, weight on the folded forelegs, head raised, with the harness and saddle cloth carrying most of the ornament.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. 1,000 g in a piece that fits both hands is a density a plated casting cannot reach, and the relief on the flanks is cut into the metal rather than pressed into a coating over it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe sculpt is the same every time, the shading is not. How dark the recesses read depends on how long the piece has been out of the polishing shop, and it deepens further on your shelf.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, the brass is bare. The work is in the drying. Foliage covers both flanks and water sits in every cut, so go over it with a dry cloth and let it stand somewhere airy afterwards.\u003c\/p\u003e\n\u003ch3\u003eWhy are the recesses darker than the rest?\u003c\/h3\u003e\u003cp\u003eBrass darkens first where air sits still and a cloth cannot reach, so the deepest cuts grey before the raised metal does. Lemon and salt will lift it, but the relief reads flatter once every recess is bright.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945365369154,"sku":"PP-BR-IDL-NAN-091","price":3399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160801_jpg.jpg?v=1776689366"},{"product_id":"shrinath-ji-bhagwan-brass-superfine-antique-idol","title":"Superfine Brass Shrinathji Murti, 250 g","description":"\u003cp\u003eA brass Shrinathji murti with the left arm raised and a scarf flying out behind.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, superfine hand finishing\u003c\/li\u003e\n\u003cli\u003eIconography: Left arm raised above the head, right hand at the waist, scarf lifted behind\u003c\/li\u003e\n\u003cli\u003eMotif: Lotus buds and a fan at the left shoulder, conch on the front of the base\u003c\/li\u003e\n\u003cli\u003eBase: Low domed mound, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Shrinathji murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe left arm goes up in one straight line and ends in a closed fist, while the right hand rests low at the waist. Bead strands hang from the collar to below the knee, and small coloured stones are set into the centre strand. A scarf lifts away from the raised arm and stops in a squared-off end. The base is a low domed mound rather than a flat plate, with a conch and a pair of round bosses worked into its front.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Shrinathji murti shows Krishna with one arm lifted straight above the head, the gesture of raising the hill, and the face kept broad and still rather than cut in fine relief.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. The piece weighs 250 g, and a plated shell of the same height would come in far lighter, so a kitchen scale settles it in a second on the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but not identical. The beadwork and the crown are finished by hand after casting, so the sharpness of the bead rows and the tone of the satin surface move a little between one murti and the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. Water lodges between the bead strands and round the set stones, and unlacquered brass left wet there will stain. Dry the murti with a soft cloth after pooja instead.\u003c\/p\u003e\n\u003ch3\u003eAre the coloured stones glued on?\u003c\/h3\u003e\u003cp\u003eThey sit in shallow cells cut into the centre bead strand, set rather than painted. We are checking the material of the stone with the maker and will state it here once the answer is in.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945684234562,"sku":"PP-BR-IDL-SHR-142","price":2599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160505_jpg.jpg?v=1776689366"},{"product_id":"radha-krishna-ji-brass-antique-idol","title":"Antique Brass Radha Krishna Murti, 2.6 kg","description":"\u003cp\u003eA brass Radha Krishna murti standing on a lobed base under two fanned crowns.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast as one with the base\u003c\/li\u003e\n\u003cli\u003eWeight: 2,600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses in the pleats and crown cuts\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna at the flute in a crossed-leg stance, Radha standing square with a raised right hand and a bud held in the left\u003c\/li\u003e\n\u003cli\u003eMotif: Leaf-cut crown rays behind both heads, wider than the heads themselves, and a raised fan of rays along the front edge of the base\u003c\/li\u003e\n\u003cli\u003eBase: Lobed slab, flat underneath, with both figures set back from the front edge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Radha Krishna murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eBoth figures stand on a shaped slab with a lobed front edge, and a raised fan of cut rays runs along that edge below their feet. Behind each head is a crown opened out into leaf-shaped rays, wider than the head itself, so the pair read as two discs from the front. Krishna crosses his left leg behind the right and lifts the flute, and the far end of the flute carries a small floral top with a tassel under it. Radha stands square, her right hand raised open and a bud held in the left. Their sashes fall to the sides in flat pleated fans that stop short of the slab.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Radha Krishna murti is cast as a standing pair, the flute at Krishna's mouth and Radha turned in beside him, and it is the form most often installed at home for Janmashtami.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The pair and the base come to 2,600 g together, which is cast brass, and a plated or filled figure of the same height would weigh a fraction of it. A kitchen scale settles it in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same. The finish moves. The dark in the pleats and behind the crown rays can sit heavier or lighter from one piece to the next, so the contrast reads differently in the hand than on a screen.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after and get a cloth between the crown rays, where water sits in the cuts longer than anywhere else and dries into pale streaks down the leaf edges.\u003c\/p\u003e\n\u003ch3\u003eWhat is the fan behind their heads?\u003c\/h3\u003e\u003cp\u003eA crown opened out into leaf-shaped rays, cast as part of each figure. It reads as a disc from the front and gives the pair their outline on a shelf, which is why the piece is wider than it looks tall.\u003c\/p\u003e\n\u003ch3\u003eDoes the pair come apart?\u003c\/h3\u003e\u003cp\u003eNo. Krishna, Radha and the lobed base are one casting, so nothing lifts off and the spacing between the two is fixed. Lift it by the base rather than by the flute or a raised arm.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. That dark is the finish and the pleats and ray cuts only read because of it. Lemon, salt and tamarind take it out and the surface goes flat. A soft dry cloth on the raised brass is enough.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945686233410,"sku":"PP-BR-IDL-RAD-084","price":6499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162024_jpg.jpg?v=1776689366"},{"product_id":"shree-ram-darbar-brass-antique-idol","title":"Antique Brass Ram Darbar Murti with Arch","description":"\u003cp\u003eA brass Ram Darbar murti cast on one plate, with an arch rising over all four figures.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 4,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Ram at the centre with a bow and a raised right hand, Sita and Lakshman either side, Hanuman kneeling at the corner\u003c\/li\u003e\n\u003cli\u003eMotif: Three-band arch on two pillars with a makara head at each capital, engraved petal border to the plate\u003c\/li\u003e\n\u003cli\u003eBase: Rectangular plate on four short cast feet, with an engraved petal band along the edge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ram Darbar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe whole group is cast on one rectangular plate that stands on four short feet, with a band of engraved petals running along the edge. Two round pillars rise from the plate and carry an arch over the figures. Each pillar head is worked as a makara, the creature cut at the springing of a temple arch, and the arch itself is built up in three bands, beaded on the outside and ribbed on the inside. Ram stands at the centre under the crown of the arch with a bow at his side and his right hand raised. Hanuman kneels at the left front corner with his hands lifted, small enough that his crown clears Lakshman's knee.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn a Ram Darbar the four figures are always read in the same order, Ram and Sita at the centre, Lakshman to one side and Hanuman low and kneeling, which is what separates the group from a single Ram murti.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The plate, the pillars, the arch and the four figures come to 4,000 g together, which is cast brass and nothing else. Put it on a kitchen scale the day it arrives and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same. The finish is not. How dark the recesses under the arch and inside the folds of cloth read varies from one piece to the next, so the contrast can look softer or stronger than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water, but the arch makes it awkward. Water runs off the top band into the space behind the figures and stays there, so tip it forward and dry that hollow before it dries into pale marks.\u003c\/p\u003e\n\u003ch3\u003eDo the figures lift off the plate?\u003c\/h3\u003e\u003cp\u003eNo. Plate, pillars, arch and figures are one casting. Nothing is pinned or glued, nothing can be lost, and the spacing between the four is fixed as it left the mould.\u003c\/p\u003e\n\u003ch3\u003eWhat are the heads on the pillars?\u003c\/h3\u003e\u003cp\u003eA makara at each capital, the creature carved where a temple arch springs from its pillar. On this piece they face outward and carry the weight of the arch band above them.\u003c\/p\u003e\n\u003ch3\u003eWill the dark finish wear off with handling?\u003c\/h3\u003e\u003cp\u003eOn the high points, slowly. The raised brass on the crowns and shoulders will brighten where hands touch it while the recesses stay dark, which is how an antique finish is meant to age. Do not chase it with polish.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945690362178,"sku":"PP-BR-IDL-RAM-082","price":10599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160932_jpg.jpg?v=1776689366"},{"product_id":"ganesh-ji-brass-antique-idol","title":"Brass Ganesh Murti in a Rocking Chair","description":"\u003cp\u003eA brass Ganesh murti seated in a rocking chair with an open book held in both hands.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses in the chair panel\u003c\/li\u003e\n\u003cli\u003eIconography: Turban wound over the head with a fan crest at the back and a brooch at the front, an open book held flat in both hands, eyes lowered to the page\u003c\/li\u003e\n\u003cli\u003eSeat: Rocking chair cast in one with the figure, panelled back inside an engraved scroll border, arms rolled over into flat discs, two curved rockers\u003c\/li\u003e\n\u003cli\u003eBase: The two rockers, not feet, so the piece wants a hard level shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti in a rocking chair\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe sits back in the chair with his feet over the front edge and the toes cut one by one. The book is open flat across both palms, the covers taking the weight, and the eyes are lowered to the page rather than out at the room. A turban is wound over the head with a fan-shaped crest standing up at the back and a small brooch at the front. The chair is worked as furniture in its own right, a panelled back inside an engraved scroll border, arms that roll over into flat discs, and two curved rockers underneath that lift the feet clear of the shelf.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eGanesh is cast in many household postures, seated, dancing or at rest, and the murti of the elephant-headed deity is usually the figure a home mandir starts with before anything else is added.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The figure and the chair together come to 2,700 g, which is what cast brass at this size weighs. A plated shell would be light enough to lift with two fingers, and this is not.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same each time. The dark in the recesses is not, so the scrollwork on the chair back and the punched surface of the dhoti can read heavier or lighter than they do in the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would not. Water runs off the figure and pools in the seat behind the legs and under the rolled arms, where it is hard to reach with a cloth and dries into pale marks. A dry wipe is the safer routine.\u003c\/p\u003e\n\u003ch3\u003eDoes the chair actually rock?\u003c\/h3\u003e\u003cp\u003eNothing moves. Figure, chair and rockers are one casting, and the two rockers meet the surface along two curved lines rather than at four points, so it needs a hard level shelf to sit still.\u003c\/p\u003e\n\u003ch3\u003eWhat is he reading?\u003c\/h3\u003e\u003cp\u003eThe pages are cast blank. There is no lettering or engraving on either side of the open book, so nothing is named and the form reads as a figure at rest with a book rather than at any particular text.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark is the finish, and the scroll border on the chair back only reads because of it. Lemon, salt and tamarind lift it out and the whole panel goes flat. A soft dry cloth is enough.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945698652482,"sku":"PP-BR-IDL-GAN-083","price":6599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-ganesh-murti-in-a-rocking-chair-peetal-parampara.png?v=1787530595"},{"product_id":"nandi-ji-brass-coloured","title":"Hand Painted Brass Nandi Murti, 1.4 kg","description":"\u003cp\u003eA cast brass Nandi murti with hand painted colour worked into the saddle border.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Hand painted colour over polished brass\u003c\/li\u003e\n\u003cli\u003eIconography: Bull couchant, forelegs folded, short horns turned up, hump at the shoulder\u003c\/li\u003e\n\u003cli\u003eMotif: Saddle cloth with a central rosette, two rows of bells on the collar\u003c\/li\u003e\n\u003cli\u003eBase: Flat underside, no separate base; the folded legs are the footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Nandi murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eColour sits in the recesses rather than over the surface. An orange line follows the border of the saddle cloth, fills the rosette at its centre and runs along the fringe under the collar, and the raised brass beside it stays polished. Two rows of cast bells ride on the neck, each one a separate lump of metal with its own shadow. The eyes are painted black and the head turns to the right rather than facing square on.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Nandi murti is the bull that faces the Shiva shrine, cast couchant with the forelegs folded under the chest and the head lifted and turned, so the form sits low and wide rather than upright.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWipe with a soft dry cloth. For marks, a barely damp cloth and nothing else. Dry it straight away.\u003c\/li\u003e\n\u003cli\u003eThe colour is a surface layer over the metal. Lemon, salt, tamarind and brass polish all lift it — the same things that bring bare brass back to a shine will take the pattern off this piece. Keep them away from the painted areas.\u003c\/li\u003e\n\u003cli\u003eAny bare brass on the foot, rim or underside can be cleaned the normal way with lemon and salt. Work around the colour, not over it.\u003c\/li\u003e\n\u003cli\u003eDo not soak it, do not scrub it, and keep steel wool and scouring pads away from it entirely.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKeep it out of long direct sunlight. Applied colour fades where bare brass would only darken.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The colour is painted on, not plated over, and the casting comes in at 1,400 g. Put it on a kitchen scale the day it arrives and the number tells you there is metal all the way through.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The colour is laid in by hand, so the width of the orange line and how far it carries along the collar fringe shift a little from one casting to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWater will lift the painted colour over time. Keep abhishek for a plain brass murti and wipe this one down with a dry cloth instead, which is what the paint asks for.\u003c\/p\u003e\n\u003ch3\u003eWill the colour rub off?\u003c\/h3\u003e\u003cp\u003eNot from handling. It sits in the recesses where a cloth does not reach hard. Metal polish dragged across the saddle will take it out, so keep polish to the plain brass and go round the colour.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945702879554,"sku":"PP-BR-IDL-NAN-088","price":4099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160747_jpg.jpg?v=1776689365"},{"product_id":"shree-ram-darbar-brass-superfine","title":"Superfine Brass Ram Darbar Murti, Set of 4","description":"\u003cp\u003eFour brass murtis on their own oval bases, with Hanuman kneeling before the other three.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, matte across all four\u003c\/li\u003e\n\u003cli\u003eIconography: Ram with bow and quiver, Sita with a flower, Lakshman with bow and quiver, Hanuman kneeling\u003c\/li\u003e\n\u003cli\u003eBase: A separate oval base under each figure, cross-hatched on top with a cast floral rim\u003c\/li\u003e\n\u003cli\u003eQuantity: Four murtis, sold and shipped as one set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass Ram murti\u003c\/li\u003e\n\u003cli\u003e1 brass Sita murti\u003c\/li\u003e\n\u003cli\u003e1 brass Lakshman murti\u003c\/li\u003e\n\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the four stands on its own oval base, and the tops of the bases are cross-hatched like cloth while the rims carry a run of small cast flowers. Ram raises his right hand and keeps a bow upright at his side with a quiver of arrows behind the shoulder, Lakshman carries the same bow and quiver but no raised hand, and Sita holds a flower in her lifted right hand. Hanuman kneels on one knee on the smallest base, hands pressed together, with a round boss cast into the base in front of him. The finish is matte across all four, so the crowns and the strings of jewellery read as line rather than as shine.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ram Darbar is the court of Ram, read as four figures together, Ram and Sita at the centre, Lakshman at the side and Hanuman kneeling in front, and a household keeps the group whole rather than buying the figures singly.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Two thousand grams spread across four figures of this height is what cast brass weighs, and a resin or plated set would be a fraction of it. Weigh the four together and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe four forms are the same every time. The matte finish is what moves, sitting a shade warmer or paler from one run to the next, and the fine cut work on the crowns can read sharper on one figure than another.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry each figure straight after, and get a cloth into the cross-hatched tops of the bases, where water sits in the grid longer than it does anywhere on the figures.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eThe four make one darbar and ship together, so a single set is the whole court. Some homes add a separate Hanuman facing the group from a distance; nothing inside the set needs doubling.\u003c\/p\u003e\n\u003ch3\u003eDo the four come apart?\u003c\/h3\u003e\u003cp\u003eThey were never joined. Each figure has its own base and stands on its own, so the spacing on your shelf is yours to set rather than fixed by the casting.\u003c\/p\u003e\n\u003ch3\u003eWhy is the finish matte and not shiny?\u003c\/h3\u003e\u003cp\u003eSuperfine work is finished matte so the cut lines stay readable. A mirror polish throws light back off the crowns and the strings of beads, and the carving that the grade is paying for disappears into the shine.\u003c\/p\u003e\n\u003ch3\u003eWhich figure is which?\u003c\/h3\u003e\u003cp\u003eRam is the centre figure, right hand raised with a bow at his side. Sita holds a flower in her raised hand, Lakshman carries the second bow and quiver, and Hanuman is the one kneeling on the smallest base.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945705304386,"sku":"PP-BR-IDL-RAM-081","price":11499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/superfine-brass-ram-darbar-murti-peetal-parampara.png?v=1787530595"},{"product_id":"shree-ram-darbar-brass-superfine-small","title":"Superfine Brass Ram Darbar Murti","description":"\u003cp\u003eA brass Ram Darbar murti with four figures set under one scrolled arch.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, superfine hand finishing\u003c\/li\u003e\n\u003cli\u003eIconography: Ram with bow and quiver, Sita and Lakshman flanking, Hanuman kneeling in front\u003c\/li\u003e\n\u003cli\u003eMotif: Open scrolled arch with a lotus crest above the centre figure\u003c\/li\u003e\n\u003cli\u003eBase: One base with a scalloped front and four small lion feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ram Darbar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour figures share one base. Ram stands at the centre with a quiver at his shoulder and a bow curving past his arm, Sita and Lakshman on their own round pedestals to either side, and Hanuman kneeling at the front left. The arch behind them is worked open, so daylight passes between its scrolls, and a lotus crest sits at the top. The base stands on four small lion feet, and a band of scrollwork runs the length of its scalloped front edge.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ram Darbar murti gathers the four figures of the Ramayana court on one base, with Ram at the centre carrying his bow, Sita and Lakshman standing beside him and Hanuman kneeling at their feet.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. Plating over a lighter core would never reach 600 g in a piece of this size, so put it on a kitchen scale the day it arrives and the number answers the question for you.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but no two come out the same. The scrollwork on the arch and the base is finished by hand, so the depth of the cuts and the tone of the satin surface shift a little from one murti to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. Water sits in the deep cuts of the arch and under the four figures, and unlacquered brass left damp will stain. Wipe the murti dry after pooja and keep the abhishek for a separate small piece.\u003c\/p\u003e\n\u003ch3\u003eWill it stand on an uneven shelf?\u003c\/h3\u003e\u003cp\u003eThe base rests on four small feet rather than a flat pad, so it wants a level surface. On a stone chowki with a slight fall, a folded cloth under the low corner settles it.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945710907714,"sku":"PP-BR-IDL-RAM-141","price":2499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160836_jpg.jpg?v=1776689366"},{"product_id":"ganesh-ji-brass-antique-embedded","title":"Antique Brass Ganesh Murti with Stone Inlay","description":"\u003cp\u003eA brass Ganesh murti with coloured stone set into the ears, the trunk and the body.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, with coloured stone set into the metal\u003c\/li\u003e\n\u003cli\u003eWeight: 7,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses across the engraved work\u003c\/li\u003e\n\u003cli\u003eIconography: Om cut into the open right palm, a second Om on the forehead and a short three-pronged mark above the eyes\u003c\/li\u003e\n\u003cli\u003eMotif: Coloured stone in bezelled cells on both ears, along the full length of the trunk and over the body, in red, green, blue and white\u003c\/li\u003e\n\u003cli\u003eBase: Two cast feet under the body, no separate base, so the figure sits straight on the shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe head is worked oversize against a low, wide body, and the trunk swings out to the right and curls down, ending in a banded cuff over a rounded tip. Stone sits in bezelled cells all over the figure. A single line of it runs the length of the trunk, rosettes fill both ears, and rings of red, green and blue circle raised centre bosses on the body. The right palm turns out with an Om cut into it, and a second Om sits on the forehead between the eyes. Two small feet come out under the body. At 7,500 g, moving it is a two-handed job.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesh murti is a cast figure of the elephant-headed deity, kept at the front of a home mandir, where the first offering of a pooja is made before the rest of the shrine.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 7,500 g nothing plated comes close, and a kitchen scale settles it the day the murti arrives. The stone is set into the metal rather than laid on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The stone is set by hand, so the colours fall in a different order from one murti to the next, and the darkening in the recesses shifts with the finish.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would keep it to a dry wipe. The stone sits in shallow cells and the maker has not yet confirmed how each one is held, so standing water at the edges is a risk worth avoiding until that is settled.\u003c\/p\u003e\n\u003ch3\u003eWhat are the coloured stones?\u003c\/h3\u003e\u003cp\u003eColoured stone set into cells cut in the brass. They have not been identified and we will not put a name to them until the maker confirms it, so read them as colour rather than as a named stone.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark in the recesses is the antique finish, not dirt. Lemon, salt and tamarind strip it out and the cut work flattens. A soft dry cloth on the raised brass is the whole routine.\u003c\/p\u003e\n\u003ch3\u003eWill it stand level on a shelf?\u003c\/h3\u003e\u003cp\u003eIt stands on two cast feet rather than a flat base, so it wants a hard level surface. On a cloth or a runner the feet sink unevenly and the figure leans.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945724604738,"sku":"PP-BR-IDL-GAN-078","price":22799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-murti-with-stone-inlay-peetal-parampara.png?v=1787530595"},{"product_id":"brass-kamdhenu-ji-small","title":"Brass Kamdhenu Murti with Calf, 350 g","description":"\u003cp\u003eA brass Kamdhenu murti with the calf standing in under her to feed.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 350 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Cow standing over a feeding calf, rosette between the horns, ears cast as open rings\u003c\/li\u003e\n\u003cli\u003eBase: Oval plate with a twisted rope edge, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Kamdhenu murti with calf\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eShe stands over the calf, which reaches up under her belly with its head turned in to feed. A rosette sits between her horns and her ears are cast as open rings, so light passes through them. The cloth over her back carries a small figure in relief. The oval plate under her is edged with a twisted rope line.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eKamdhenu is the cow shown with her calf feeding beneath her, the gau mata form kept in a home mandir, and the calf is what separates the murti from a plain cow figure.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. The legs and the calf are thin sections and still bring the piece to 350 g, which a plated shell of this size could not do. Weigh it when it lands and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The rosette on the forehead, the relief on the cloth and the rope edge of the plate are cut by hand, so their crispness and the tone of the polish vary from one murti to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. Water runs into the gap between the cow and the calf and sits there out of reach of a cloth, and unlacquered brass left wet will darken in that pocket first. Wipe it dry instead.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945725325634,"sku":"PP-BR-IDL-KAM-150","price":1199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160643_jpg.jpg?v=1776689364"},{"product_id":"radha-krishna-ji-brass-antique","title":"Antique Brass Radha Krishna Murti with Cow","description":"\u003cp\u003eA brass Radha Krishna murti on a lotus base, with a cow standing behind the pair.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna at the flute in a crossed-leg stance, Radha veiled at his shoulder, a cow standing behind the pair\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lotus petals ringing the base, a punched ground inside them, small flowers worked over Radha's skirt to a banded hem\u003c\/li\u003e\n\u003cli\u003eBase: Oval lotus-petal base, flat underneath, both figures standing on the punched ground inside the ring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Radha Krishna murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe base is an oval ring of raised lotus petals with a punched ground inside it, and both figures stand straight on that ground rather than on a base. Krishna crosses his left leg behind the right and brings the flute up to his mouth, and the far end of the flute carries a small bird top with a cloth tassel hanging under it. A cow stands behind his shoulder with its head turned in, the body half hidden by the fall of his dhoti. Radha leans in from the right under a veil that runs from the crown of her head to her hip, and her skirt is worked with small raised flowers down to a banded hem.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Radha Krishna murti pairs the flute player with Radha at his shoulder in one casting, so the two are installed together in a mandir and are rarely bought or kept as single figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The group weighs 4,200 g, which is what cast brass at this height comes to, and a plated or hollow-filled figure would be a fraction of that. Put it on a kitchen scale and the number answers it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form is the same on every one. What moves is the finish. The dark sits differently in the folds of the veil and the dhoti from one casting to the next, so the contrast can read lighter or heavier than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after and get a cloth into the petal ring on the base, which holds water longer than anything else on the piece and dries into pale rings if it is left.\u003c\/p\u003e\n\u003ch3\u003eWhy is there a cow behind them?\u003c\/h3\u003e\u003cp\u003eThe cow belongs to the Krishna form and is cast as part of the same group. It stands behind his shoulder with the body largely covered by his dhoti, so it reads as depth rather than as a second figure.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart?\u003c\/h3\u003e\u003cp\u003eNo. Krishna, Radha, the cow and the lotus base are one casting, so there is nothing to line up and nothing that can be lost. Lift it by the base rather than by the flute.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. That dark is the finish, and the folds of the veil and the flowers on the skirt only read because of it. Lemon, salt and tamarind take it out and the surface goes flat and uniform.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945726603586,"sku":"PP-BR-IDL-RAD-080","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-radha-krishna-murti-with-cow-peetal-parampara.png?v=1787530595"},{"product_id":"shiv-parivar-brass-antique","title":"Antique Brass Shiv Parivar Murti on Nandi","description":"\u003cp\u003eA brass Shiv Parivar murti with four figures seated together on a standing Nandi.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 6,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses on the group and on Nandi\u003c\/li\u003e\n\u003cli\u003eIconography: Shiva with a coiled topknot and a trishul, Parvati beside him, the child Ganesha between them and Kartikeya at the far right, all carried on Nandi\u003c\/li\u003e\n\u003cli\u003eMudra: Shiva's right hand raised in abhaya mudra, the palm open and turned out\u003c\/li\u003e\n\u003cli\u003eBase: Nandi's four hooves, each ringed with a cast anklet, no separate base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Shiv Parivar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eNandi carries the whole group on his back, standing on four legs with an anklet cast at each hoof and his tail curled up against the right flank. Shiva sits at the left with his hair coiled into a tall topknot, his right hand raised and his left arm resting along a trishul whose shaft runs the full height of the piece to the floor beside the bull. Parvati sits to the right, the child Ganesha between them with his own small trunk and crown, and a fourth figure at the far right holds a curved blade. Nandi's brow carries an engraved plate and a worked medallion sits on his shoulder.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Shiv Parivar murti sets Shiva, Parvati and their children in one casting, so the family is installed in a home mandir as a single group rather than as separate figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Six kilograms of cast brass in a group this size is what the number means, and a plated or filled piece would come in far under it. A kitchen scale settles the question on day one.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. Each casting is cleaned and finished by hand, so the depth of the dark in the recesses and the crispness of Nandi's engraving move a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after, particularly along Nandi's back and in the folds of the group, because water left standing in the cuts dries into pale spots against the darker finish.\u003c\/p\u003e\n\u003ch3\u003eIs the trishul a separate part?\u003c\/h3\u003e\u003cp\u003eIt is cast with the piece. The shaft runs from Shiva's hand down past Nandi's shoulder to the floor and carries part of the weight, so nothing lifts out and nothing needs assembling.\u003c\/p\u003e\n\u003ch3\u003eWho is the fourth figure?\u003c\/h3\u003e\u003cp\u003eKartikeya, at the right of the group. A Shiv Parivar is normally read as Shiva, Parvati, Ganesha and Kartikeya together, and the figure holds a curved blade in his raised hand.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark sitting in the recesses is the finish. Lemon, salt and tamarind lift it out and the engraving on Nandi and on the jewellery goes flat. Keep a soft dry cloth to the raised brass.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945727717698,"sku":"PP-BR-IDL-SHV-079","price":15299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-shiv-parivar-murti-on-nandi-peetal-parampara.png?v=1787530595"},{"product_id":"hanuman-ji-brass-antique","title":"Antique Brass Hanuman Murti with Gada","description":"\u003cp\u003eA brass Hanuman murti seated cross-legged with a gada standing at his left shoulder.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Crown against a scalloped halo, a ribbed gada at the left shoulder, a raised medallion on the chest\u003c\/li\u003e\n\u003cli\u003eBase: Round, stepped twice, the upper step banded with engraved petals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe sits cross-legged with the right fist closed and lifted, and the left hand steadies a gada that stands upright at his shoulder, its head cut into ribs like a melon and its shaft twisted. Four strands of beads hang down the chest to a raised oval medallion with a small seated figure inside it. Behind the crown a plain ring rises against a scalloped disc, and the round base is stepped twice, the upper step banded with engraved petals.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Hanuman murti shows the devotee of Ram, most often with the gada in one hand, and the seated form is the one kept in a home mandir rather than the leaping form sold for a wall.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed. The weight is the number that proves it and the variant record carries none, so it is being weighed this week. Lift it before you unwrap it and the mass answers first.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting repeats. The finish does not. How dark the recesses sit behind the beadwork and inside the petal band on the base varies from one piece to the next, so the contrast can look softer than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after, especially in the beadwork and the petal band, because water left standing in the cuts dries into pale spots that show against the darker recesses.\u003c\/p\u003e\n\u003ch3\u003eWhat is the medallion on the chest?\u003c\/h3\u003e\u003cp\u003eA raised oval with a small seated figure worked inside it, cast as part of the body rather than fixed on. It sits below four strands of beads and above the waist cloth.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark in the recesses is the antique finish. Lemon, salt and tamarind lift it out and the cut work goes flat. Keep a soft dry cloth to the raised brass and leave the rest alone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945728930114,"sku":"PP-BR-IDL-HAN-087","price":5399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161319_jpg.jpg?v=1776689364"},{"product_id":"hanuman-ji-brass-superfine","title":"Superfine Brass Kneeling Hanuman Murti","description":"\u003cp\u003eA brass Hanuman murti kneeling with the mace resting against the left shoulder.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 350 g\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, superfine hand finishing\u003c\/li\u003e\n\u003cli\u003eIconography: Lotus-petal halo behind the crown, mace resting on the left shoulder\u003c\/li\u003e\n\u003cli\u003eMudra: Right hand in abhaya mudra, palm turned out\u003c\/li\u003e\n\u003cli\u003eBase: Round pedestal with a lattice-cut top and a scrolling floral skirt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe kneels on one knee with the other drawn up, and the mace rests back against the left shoulder, its head a ball of raised beadwork held in a closed fist. Behind the head a halo of pointed lotus petals fans out from the crown. The pedestal holds the closest work. Its top is cut as a fine woven lattice, and the skirt below carries a band of scrolling flowers between two rows of beading.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA murti of Hanuman is cast either upright or kneeling, and the kneeling form shows him at rest before Ram with the mace held rather than swung, the posture families keep in a home mandir.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. The piece weighs 350 g, most of it in the figure and the drum-shaped pedestal, and a kitchen scale on the day it arrives is the quickest test you can run.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The lattice on the pedestal top and the scrollwork on its skirt are cut by hand, so the spacing of the mesh and the depth of the flowers change a little between one murti and the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. The lattice top of the pedestal traps water under the figure where no cloth reaches, and unlacquered brass left wet there darkens in patches. Wipe the murti dry instead.\u003c\/p\u003e\n\u003ch3\u003eWill dust catch in the pedestal?\u003c\/h3\u003e\u003cp\u003eIt will. The lattice top and the scrollwork skirt hold fine dust, so a dry brush works better than a cloth. Keep water off it, because moisture left in the cuts leaves dark marks on bare brass.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945737253186,"sku":"PP-BR-IDL-HAN-145","price":2099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161230_jpg.jpg?v=1776689363"},{"product_id":"panchmukhi-hanuman-ji-brass-superfine","title":"Superfine Brass Panchmukhi Hanuman Murti","description":"\u003cp\u003eA brass Panchmukhi Hanuman murti kneeling on an oval pierced jali base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Kneeling on one knee, centre hands folded at the chest, bow, kalash, trishul and axe in the outer hands\u003c\/li\u003e\n\u003cli\u003eFaces: Monkey face at the centre, one head turned left and a snouted head turned right, each crowned\u003c\/li\u003e\n\u003cli\u003eBase: Oval jali base, lattice top, ribbed band and a border of stamped florets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Panchmukhi Hanuman murti on an oval base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThree faces read from the front, the monkey at the centre, one turned hard left and a snouted head right, and each wears a crown of its own, so the top is a row of cones rather than one head. The arms come out in two fans, a bow and a kalash on one side, a trishul and an axe on the other, with the centre pair folded at the chest. The oval base is latticed on top inside a rim of stamped florets.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003ePanchmukhi Hanuman is the five-faced form, the monkey face at the centre flanked by the lion, the eagle, the boar and the horse, each turned a different way, with the arms fanned out behind and a weapon in each.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and light with it. 250 g is the whole murti and base together, because the weapons and the outer arms stand clear of the body and take almost no metal each.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe faces will. The fine work moves. Each weapon is filed by hand after the pour, so the axe head and the trishul prongs come up crisper on some castings than on others.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. The base is the problem, not the figure, because the lattice holds a droplet in every hole and there are gaps between all ten arms. Tip it, then dry it out.\u003c\/p\u003e\n\u003ch3\u003eCan I see all five faces?\u003c\/h3\u003e\u003cp\u003eThree face the front and the rest turn to the side and the back, so no single view shows every one. Turn the murti in your hands rather than expecting one photograph to cover it.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947401408834,"sku":"PP-BR-IDL-PAN-096","price":2699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161141_jpg.jpg?v=1776689362"},{"product_id":"laxmi-ganesh-ji-brass-idol","title":"Brass Laxmi Ganesh Murti on One Base","description":"\u003cp\u003eA brass Laxmi Ganesh murti with both figures seated on one oval base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 350 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Laxmi with lotus buds, Ganesh with his trunk turned left and a mouse at his knee\u003c\/li\u003e\n\u003cli\u003eBase: One oval base with a lotus-petal rim, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Laxmi Ganesh murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eLaxmi holds a lotus bud in each raised hand; Ganesh turns his trunk to his left, and a small mouse sits at his knee on the base. A lidded pot stands on a tab that projects from the front edge between them. A band of lotus petals rings the oval base, under a line of beading.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Laxmi Ganesh murti pairs the two deities worshipped together on Diwali night, cast side by side on a shared base so the pair is installed as one piece.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. At 350 g for a piece this wide there is metal all the way through, and a kitchen scale on the day it arrives settles it faster than any label could.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but not identical. Each casting is filed and polished by hand, so the crown points, the petal band on the base and the depth of the shine shift a little between one murti and the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eNot on the murti itself. Water runs into the petal band on the base and under the two figures, and unlacquered brass left wet there will stain. A dry cloth after pooja keeps both faces clean.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947409011010,"sku":"PP-BR-IDL-LAX-146","price":1899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161413_jpg.jpg?v=1776689362"},{"product_id":"hanuman-ji-brass-idol","title":"Brass Hanuman Murti with Raised Gada","description":"\u003cp\u003eA cast brass Hanuman murti kneeling on one knee, gada upright in the left hand.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Gada upright in the left hand, tail arched over the crown, pleated dhoti, disc earrings\u003c\/li\u003e\n\u003cli\u003eMudra: Right hand raised palm outward in abhaya mudra, the lines of the palm cut in\u003c\/li\u003e\n\u003cli\u003eBase: No base; the folded leg, the forward foot and the dhoti hem carry the weight\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe kneels rather than sits. One knee is up and carries the weight, the other leg is folded flat with the toes cut in separately, and the pleated dhoti hem spreads on the shelf between them. The gada stands upright inside the left fist, its head a ribbed melon shape on a plain shaft. Behind the shoulder the tail rises in a full arc that clears the crown and drops a tuft beside the ear. Nothing sits under him; there is no base.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Hanuman murti holds to a few settled postures, kneeling, standing or in flight, and the two marks that fix the form at a glance are the gada carried in one hand and the tail looped up clear of the back.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 1,250 g for a murti this size there is nothing hollow behind the chest, and the gada would snap off a plated shell the first time it was lifted by the mace rather than the body.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two finish the same. The depth of the file work on the crown and the brightness of the polish across the chest shift from casting to casting, and the tail arc sets slightly differently each pour.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, bare brass takes water. Dry it properly afterwards. The awkward spots are the gap behind the tail arc and the fold where the dhoti meets the raised knee, and water sitting there greys the metal first.\u003c\/p\u003e\n\u003ch3\u003eIs the mace cast separately?\u003c\/h3\u003e\u003cp\u003eNo. The gada, the fist gripping it and the arm come out of one pour with the body, so there is no pin or joint to work loose. The murti is a single casting from the tail tip to the toes.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947418808642,"sku":"PP-BR-IDL-HAN-090","price":3799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161259_jpg.jpg?v=1776689363"},{"product_id":"krishna-ji-brass-superfine","title":"Superfine Brass Krishna Murti with Bansuri","description":"\u003cp\u003eA brass Krishna murti standing ankles crossed, with a peacock on the shoulder.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Bansuri raised across the mouth, peacock on the left shoulder, bead garland to the knees\u003c\/li\u003e\n\u003cli\u003eTechnique: Superfine casting; the flute, the fingers and the peacock crest stand free of the body\u003c\/li\u003e\n\u003cli\u003eBase: Round drum base, lattice top over a scrolled band, one toe touching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Krishna murti on a round base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe peacock is the part the photograph rewards. It stands on his left shoulder with the crest up and the tail dropping behind the arm, poured in one with the figure rather than pinned on. The flute is no plain tube either, opening at the far end into a flat leaf-shaped top with a tassel hanging off it. Underneath, the round base is a drum of scrollwork with a lattice top, and only the toes of the crossed foot touch it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eKrishna is cast standing in tribhanga, the three-bend pose, weight over one leg with the other crossed behind it and the bansuri raised across the mouth, so a murti of the form is built to be read from the front where the bend shows.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. 400 g in a slender standing figure is most of the weight in the legs and the base, and a plated casting would not hold a flute cast clear of the chin the way this one does.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe pose is fixed by the mould. The filing after it is not, so the peacock tail feathers and the tassel on the flute end come up sharper on some castings than others.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, the brass is bare. Dry it carefully. The lattice on the base holds water in every square and the gap between the flute and the chin is too narrow for a cloth, so tip it and let it air.\u003c\/p\u003e\n\u003ch3\u003eIs the flute cast separately?\u003c\/h3\u003e\u003cp\u003eNo. The bansuri, both hands and the tassel at its end come out of one pour with the body. Nothing is pinned, which is also why the gap between the flute and the chin sits as narrow as it does.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947421528386,"sku":"PP-BR-IDL-KRI-095","price":2899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161118_jpg.jpg?v=1776689361"},{"product_id":"shankh-chakra-namah-of-lord-vishnu-brass","title":"Brass Shankh Sudarshan Namah on One Base","description":"\u003cp\u003eA cast brass shankh, sudarshan and namah standing in a row on one engraved base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast recesses left darker\u003c\/li\u003e\n\u003cli\u003eIconography: Sudarshan disc on the left, namah in the centre, shankh on the right\u003c\/li\u003e\n\u003cli\u003eBase: One rectangular base on four stub feet, with a band of engraved arcs on the front face\u003c\/li\u003e\n\u003cli\u003eUse: Kept on a mandir shelf or a pooja chowki as the emblems of Vishnu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass shankh, sudarshan and namah on a base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe disc on the left is a ring of pointed petals worked in two bands enclosing a raised centre boss, and the shankh on the right is a smooth spiral whorl set in the same flame-shaped surround. Between them the namah rises plain and unworked, three prongs off one foot, the outer two flicking outward at the tips. The base dips in a shallow curve along its top edge and stands on four stub corner feet.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eThe shankh, sudarshan and namah are the three emblems of Vishnu, the conch, the discus and the upright name-mark, set out together in a mandir where the emblems stand in place of a figure of the deity.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed. The three emblems and the base together come to 800 g, so a kitchen scale settles it on the day the parcel arrives. A plated shell this size would weigh a fraction of that.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. Each one is cast and then filed and polished by hand, so the depth of the petal work on the disc and the amount of dark left in the recesses shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a shankh you can blow?\u003c\/h3\u003e\u003cp\u003eNo. The conch here is a solid cast emblem in relief, made to be looked at. A blowing shankh is a hollow shell with the tip cut open, and it is sold as its own object.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the base once the offerings are cleared. If ghee or roli has dried into the petal work on the disc, warm water and an old toothbrush lift it out, and then dry the piece fully.\u003c\/p\u003e\n\u003ch3\u003eDo the three emblems lift off the base?\u003c\/h3\u003e\u003cp\u003eWe are checking that with the maker before stating it. What the photograph shows is each emblem standing on the base on its own small feet, which is not enough to tell a cast joint from a set one.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947426672962,"sku":"PP-BR-POO-SHK-056","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151930_jpg.jpg?v=1776689361"},{"product_id":"hanuman-ji-brass-idol-1","title":"Brass Seated Hanuman Murti with Gada","description":"\u003cp\u003eA brass Hanuman murti seated on a plain stepped base, right palm raised.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Tall crown, tail curving up behind the head, mace across the base\u003c\/li\u003e\n\u003cli\u003eMudra: Right hand in abhaya mudra, palm out at shoulder height\u003c\/li\u003e\n\u003cli\u003eBase: Plain stepped rectangular base, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe right palm is open and turned out at shoulder height, fingers together. A mace lies across the front of the base with its knob projecting past the left edge, and a ring stands on edge against the left hip. The tail rises behind the crown in one curve and finishes above the ear. The base is plain and stepped, with no lotus and no engraved band, so the weight of the casting reads in the figure rather than in the seat.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Hanuman murti is cast in one of two settled postures, standing with the mace shouldered or seated with one palm raised, and the figure is placed facing the family shrine in most households.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. At 700 g it is the heaviest murti in the group for its height, and a plated shell would not come close, so a kitchen scale on the day it lands settles the question.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The face and the crown are filed by hand after casting, so the line of the brow, the set of the tail and the brightness of the polish shift a little from one murti to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eLight abhishek is workable here, since the base is plain and sheds water. Dry the piece straight after with a soft cloth, because unlacquered brass left wet in the folds of the robe will mark.\u003c\/p\u003e\n\u003ch3\u003eWhat is the ring beside his hip?\u003c\/h3\u003e\u003cp\u003eA circle stands on edge against the left hip, worked with a raised pattern. We are confirming with the maker what it represents before naming it here, rather than guessing from the photograph.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947428999490,"sku":"PP-BR-IDL-HAN-143","price":2099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161204_jpg.jpg?v=1776689360"},{"product_id":"sai-baba-brass-antique-idol","title":"Brass Sai Baba Murti on a Rock Seat","description":"\u003cp\u003eA brass Sai Baba murti seated on a rock, right leg crossed over the knee.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 450 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Right leg crossed over the knee, right palm raised, kafni closed with round buttons\u003c\/li\u003e\n\u003cli\u003eBase: Faceted rock on an oval plate, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Sai Baba murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe right foot rests on the left knee and the left hand closes over the ankle, while the right hand comes up with the palm out. The kafni is punched all over with a fine dotted texture and closed down the front with round buttons. The rock under him is cut into facets, and it sits on an oval plate.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Sai Baba murti holds the posture the saint is remembered in, seated on a rock with one leg crossed over the other knee and the right palm turned out, a form kept in home shrines and on shop counters alike.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. A hollow plated figure of the same height would weigh a fraction of 450 g, so a kitchen scale on the day it arrives is a better answer than anything printed on a box.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The dotted texture on the robe is punched by hand, so its density varies across the surface and from one murti to the next, and the polish sits differently in the facets of the rock.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. The punched robe and the faceted rock hold water in thousands of small pits, and unlacquered brass left wet there goes dark unevenly. Wipe the murti dry after pooja instead.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947431686466,"sku":"PP-BR-IDL-SAI-148","price":1799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161347_jpg.jpg?v=1776689361"},{"product_id":"laxmi-ganesh-ji-brass-idol-1","title":"Brass Laxmi Ganesh Murti on Lotus, Set of 2","description":"\u003cp\u003eA cast brass Laxmi and Ganesh murti pair, each four armed on its own lotus base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 5,500 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Four arms each, Ganesh with the trunk turned left over a bowl, mouse at the lotus corner\u003c\/li\u003e\n\u003cli\u003eBase: An open lotus seat under each figure, petals cut singly and flared out past the body\u003c\/li\u003e\n\u003cli\u003eQuantity: 2 murtis, sold as a pair\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass Laxmi murti on a lotus base\u003c\/li\u003e\n\u003cli\u003e1 brass Ganesh murti on a lotus base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eBoth figures sit with one leg folded and the other dropped over the edge of the seat, and the lotus petals under them are cut singly and tip outward past the figure, so each base is wider than the murti standing on it. Ganesh keeps the trunk swung left towards the bowl in his lower hand, and his mouse stands at the corner of the lotus, small enough to be missed. Laxmi holds a bud in each raised hand.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Laxmi Ganesh pair is the two murtis bought and installed together at Diwali, each on a lotus seat of its own, cast as two separate figures rather than as one group sharing a single base.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The pair is listed at 5,500 g, which no plated casting of these two sizes reaches. Weigh them together on a kitchen scale when they arrive and the number answers the question for you.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe sculpt will. The setting will not, since the pair was shot on a shop counter rather than a plain backdrop, so ignore the shelving behind and judge the figures and the lotus petals.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, the brass is bare on both. Water pools between the lotus petals, which are cut apart rather than moulded as one ring, so tip each figure and dry the base out afterwards.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eOne pair per shrine. The two are installed together and a single figure of either leaves the other side of the shelf empty, so the pair is the unit rather than the piece.\u003c\/p\u003e\n\u003ch3\u003eAre the two sold separately?\u003c\/h3\u003e\u003cp\u003eNo. They ship as a pair and are priced as a pair. The bases match in petal count and height, which is the point of buying them together rather than pairing a Ganesh to a Laxmi from another sculpt.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Big","offer_id":52948959723842,"sku":"PP-BR-IDL-LAX-092-B","price":14599.0,"currency_code":"INR","in_stock":true},{"title":"Large","offer_id":52948977582402,"sku":"PP-BR-IDL-LAX-092-L","price":10299.0,"currency_code":"INR","in_stock":true},{"title":"Medium","offer_id":52948977713474,"sku":"PP-BR-IDL-LAX-092-M","price":6399.0,"currency_code":"INR","in_stock":true},{"title":"Small","offer_id":52948977844546,"sku":"PP-BR-IDL-LAX-092-S","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-laxmi-ganesh-murti-on-lotus-peetal-parampara.png?v=1787530595"},{"product_id":"brass-singhasan-antique","title":"Antique Brass Singhasan with Arch","description":"\u003cp\u003eA brass singhasan with a pierced arch back and a lion face at the apex.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Lion face at the apex, an elephant at each side of the arch\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate with a rosette at the centre\u003c\/li\u003e\n\u003cli\u003eUse: Seats a murti inside the mandir\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass singhasan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA lion face crowns the arch, and the arch itself is cut right through in floral rosettes, so the wall behind shows in the gaps. An elephant stands at the foot of each side of it. The arms come forward as two birds with their beaks curved back to their own bodies, and the seat between them is engraved with a whirling rosette at the centre. Four corner posts stand up as plain cones, the one plain thing on the whole piece.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA singhasan is the small throne a murti is seated on inside a mandir, with a raised back so the figure has something to sit against and rails or arms that frame it from the front.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The arch, the rails and the seat are cast and pinned together, and the whole throne weighs 2,000 g. A plated version would be pressed sheet and would flex when the murti went in.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The rosettes in the arch are pierced by hand, so the openings differ slightly in size, and the antique finish leaves more or less gold showing on the raised work.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a chowki?\u003c\/h3\u003e\u003cp\u003eNo. A chowki is a flat platform with no back at all. The singhasan has the arch behind the seat and rails at the sides, so the murti is framed as well as raised.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth on the seat and a soft dry brush through the pierced arch. Leave the dark in the recesses alone, because that is the finish, and lemon or tamarind will strip it out.\u003c\/p\u003e\n\u003ch3\u003eWill my murti fit inside the arch?\u003c\/h3\u003e\u003cp\u003eMeasure the base of your murti first. We have not measured the seat or the arch, so we cannot give you the two numbers that would settle it from the page. Send us the width and height of your murti and we will put a tape to this piece and answer before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe raised surfaces will darken with handling, which is the same brass everywhere else in the mandir doing the same thing. A dry cloth brings them back; the recesses stay dark by design.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947442368834,"sku":"PP-BR-POO-SIN-052","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160211_jpg.jpg?v=1776689357"},{"product_id":"laddu-gopal-with-singhasan-brass-idol","title":"Brass Laddu Gopal Murti with Singhasan","description":"\u003cp\u003eA brass Laddu Gopal murti with a pierced singhasan and a peacock at each front corner.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,100 g for both parts\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, the figure brighter than the singhasan\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna crawling with one hand lifted, eyes filled white\u003c\/li\u003e\n\u003cli\u003eSeat: Pierced singhasan with a lion face at the apex, flowers and scrollwork cut right through the backrest, two peacocks at the front corners and four bud tops\u003c\/li\u003e\n\u003cli\u003eBase: Four cast feet under the platform\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass Laddu Gopal murti\u003c\/li\u003e\n\u003cli\u003e1 brass singhasan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe figure and the throne are finished differently. The crawling Krishna is polished to a mirror while the singhasan is left softer, so the two read apart from across a room. The backrest is pierced right through in a lattice of flowers and scrollwork with a lion face at the top, and the side rails are cut the same way and finished with four buds. A peacock perches on each front corner with its tail hanging down over the platform edge. Under the platform a row of engraved arches runs the width of the apron, and the whole throne stands on four cast feet. The eyes of the figure are filled white against the brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eLaddu Gopal is Krishna as an infant, shown crawling with a sweet in one hand, and a singhasan is the backed throne the figure is set on inside a home mandir.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Both parts are cast brass and together they come to 2,100 g. The throne carries most of that, which is what keeps it steady once the figure is on the platform. Weigh it and see.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe pierced work is cut by hand, so the flowers in the lattice sit at slightly different spacings on every backrest, and the polish on the figure can read warmer or cooler than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eOn the figure, yes. Take it off the platform first, then wash and dry it, and keep the water away from the pierced backrest, where it sits in the cut-outs and dries into pale marks.\u003c\/p\u003e\n\u003ch3\u003eDoes the figure lift off the throne?\u003c\/h3\u003e\u003cp\u003eIt is a separate casting and sits on the platform rather than being fixed into it, so it can be lifted off to be dressed or washed and set back on the engraved rosette in the middle.\u003c\/p\u003e\n\u003ch3\u003eWhat are the white eyes?\u003c\/h3\u003e\u003cp\u003eThe eyes are filled white against the brass. Whether that is enamel or paint has not been confirmed with the maker, so until it is settled treat them as a surface that should not be scrubbed.\u003c\/p\u003e\n\u003ch3\u003eWill the pierced work catch dust?\u003c\/h3\u003e\u003cp\u003eIt will. The backrest is cut right through and the lattice holds dust in the corners of the flowers. A dry brush gets more out of it than a cloth does, and it wants doing more often than the figure.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947444334914,"sku":"PP-BR-IDL-LAD-085","price":5899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160253_jpg.jpg?v=1776689356"},{"product_id":"saraswati-maa-brass-idol","title":"Brass Saraswati Murti with Veena, 250 g","description":"\u003cp\u003eA brass Saraswati murti seated on an open lotus with the veena across her lap.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Four arms, veena laid across the lap, tall tiered crown\u003c\/li\u003e\n\u003cli\u003eBase: Two-tier open lotus with every petal engraved, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Saraswati murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe veena lies across her lap, the gourd resting at her right knee and the peg head curving up past her left shoulder, held by the two lower hands. The lotus below is cut in two tiers, a cupped ring of petals under her and a flat spread beneath that, each petal engraved with a small lotus of its own.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Saraswati murti carries the veena, the long-necked stringed instrument that names her as the deity of learning and music, and she is seated on an open lotus with four arms rather than two.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. At 250 g the piece is dense for its height, and the raised arms would snap on a thin plated shell. A kitchen scale on the day it arrives is the test to run.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. Every lotus petal on the base is engraved by hand, so the flower inside each one differs slightly, and the polish sits deeper in some petals than others from one murti to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. The open lotus holds water between its petals and under the seat, and unlacquered brass left wet there stains where a cloth cannot reach. Dry the murti after pooja instead.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947447677250,"sku":"PP-BR-IDL-SAR-151","price":999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160117_jpg.jpg?v=1776689356"},{"product_id":"durga-maa-brass-idol","title":"Brass Durga Murti on a Standing Lion","description":"\u003cp\u003eA cast brass Durga murti with eight arms, seated side saddle on a standing lion.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, not mirror polished\u003c\/li\u003e\n\u003cli\u003eIconography: Eight arms carrying a curved sword, a mace, a trishul and a bow; lion vahana beneath\u003c\/li\u003e\n\u003cli\u003eMudra: One right hand open and turned outward in abhaya mudra\u003c\/li\u003e\n\u003cli\u003eBase: No separate base; the lion's four legs are the whole footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Durga murti with lion\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe lion carries the whole murti. Its four legs are the only feet the piece has, so it stands on a shelf with nothing beneath. The mane is cut in parallel strokes that stop dead at a flat, mask-like face, while the goddess above is worked in far finer relief, a beaded arch behind her head and a third eye on the brow. Eight arms fan out and stay clear of one another, a curved sword topping one side and a trishul the other.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Durga murti sets the goddess on her lion, arms fanned in a ring behind the shoulders and a weapon in each hand. The lion is cast as part of the murti, never as a separate stand the figure lifts off.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. A plated shell of the same size would weigh a fraction of 1,400 g, and the arms stand free of the body, which a thin plated casting cannot do without cracking at the shoulder.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but not identical. The satin surface takes light differently from casting to casting, and the fine work on the crown and the beaded arch varies with how far the finisher took the file.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes. Bare brass takes water. Dry it fully afterwards, working a cloth corner into the gaps between the arms and under the lion's jaw, or those recesses go grey before the rest of it does.\u003c\/p\u003e\n\u003ch3\u003eWill it stand steady with no base?\u003c\/h3\u003e\u003cp\u003eYes. All four of the lion's legs reach the shelf and the tail is cast clear of the floor, so the weight sits over the footprint rather than behind it. A felt pad under each paw stops it marking wood.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947452166466,"sku":"PP-BR-IDL-DUR-089","price":3999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160339_jpg.jpg?v=1776689355"},{"product_id":"shree-ram-darbar-brass-idol","title":"Brass Ram Darbar Murti with Sun Arch","description":"\u003cp\u003eA brass Ram Darbar murti with a sun face set at the crown of the arch.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Ram with a bow at the centre, Sita and Lakshman beside him, Hanuman kneeling\u003c\/li\u003e\n\u003cli\u003eMotif: Cusped arch with rosettes in the lobes and a sun face at the crown\u003c\/li\u003e\n\u003cli\u003eBase: Stepped plate with a pointed front cusp and a low step for Hanuman\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ram Darbar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA sun face sits at the crown of the arch, cut with a ring of short rays and a broad smiling mouth, and rosettes fill the cusps on either side of it. Ram stands at the centre with a bow curving up past his shoulder, Sita and Lakshman level with him on the same plate. Hanuman kneels on his own small step, set forward of the main base at the left corner, so he sits lower than the three.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ram Darbar murti sets the four figures of the Ramayana court in one group, Ram at the centre, Sita and Lakshman standing to either side and Hanuman kneeling below them, made as a single mandir piece.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. A plated piece of the same height would weigh a fraction of 500 g, so a kitchen scale on the day it arrives is a better test than any label on the box.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The sun face and the rosettes on the arch are cut by hand after casting, so the rays and the petal edges vary a little from one murti to the next, and so does the tone of the polish.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBetter not. The cusps of the arch and the gaps behind the figures hold water, and unlacquered brass left damp will stain there first. Dry the murti after pooja with a soft cloth.\u003c\/p\u003e\n\u003ch3\u003eDoes Hanuman sit apart from the rest?\u003c\/h3\u003e\u003cp\u003eHe kneels on his own small step at the front left corner, forward of the main plate and lower than the three standing figures. The step joins the plate at the corner rather than sitting loose.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947515408706,"sku":"PP-BR-IDL-RAM-144","price":2199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160951_jpg.jpg?v=1776689355"},{"product_id":"durga-maa-brass-idol-superfine","title":"Superfine Brass Durga Murti on Jali Base","description":"\u003cp\u003eA brass Durga murti on a standing lion, mounted on a pierced jali base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Eight arms with a trishul, a mace, a bow and a lotus; lion standing beneath, tail looped\u003c\/li\u003e\n\u003cli\u003eTechnique: Superfine casting; the base lattice and the apron scrollwork are pierced right through\u003c\/li\u003e\n\u003cli\u003eBase: Rectangular jali base, lattice top, pierced scroll apron on all four sides\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Durga murti on a jali base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eAt 300 g the whole group lifts with two fingers, and the base is where the work went. Its top is a diamond lattice cut right through, and a band of pierced scrollwork runs round all four sides below it, so light passes under the lion's feet. The mane is worked in separate curls rather than combed strokes, the tail loops back on itself in a closed ring, and three necklaces on the goddess read apart from one another.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn the Sherawali form the goddess rides side saddle on her lion, one leg drawn up and the other resting against its shoulder, and a murti of the form is judged by how far the arms come away from the body before the finisher stops.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, but light. 300 g is the whole group including the base, and the piece is worked fine rather than built heavy, so judge it by the depth of the piercing rather than by heft.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe lattice is the variable. It is pierced by hand, so the holes are not all the same size and the apron scroll meets itself slightly differently on each of the four sides, and on each casting.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eThe brass is bare, so water is fine on the figure. The base is the catch. Its lattice holds a droplet in every hole, so tip it and take a cloth corner through afterwards or the base greys first.\u003c\/p\u003e\n\u003ch3\u003eDoes the base come off?\u003c\/h3\u003e\u003cp\u003eNo. The lion's feet, the lattice top and the pierced apron are one casting, so nothing unscrews and there is no felt underneath. Stand it on a mat if the shelf marks easily.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947563807042,"sku":"PP-BR-IDL-DUR-094","price":2999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161028_jpg.jpg?v=1776689354"},{"product_id":"vishnu-ji-brass-idol-superfine","title":"Superfine Brass Vishnu Murti on Shesh Nag","description":"\u003cp\u003eA brass Vishnu murti reclining on Shesh Nag, with a lotus rising from the navel.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Vishnu reclining, lotus and a small crowned figure rising from the navel, attendant kneeling at the feet\u003c\/li\u003e\n\u003cli\u003eTechnique: Superfine casting; the hood scales, the jewellery and the lotus petals are cut one by one rather than run as a repeating band\u003c\/li\u003e\n\u003cli\u003eBase: The serpent coil is the base, curled up at both ends and standing on small cast feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Vishnu murti on Shesh Nag\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe murti reads sideways, wider than it is tall. Vishnu lies along the serpent with one arm folded under the head and the other laid down the leg, and a stem lifts from the navel and opens into a lotus carrying a small crowned figure. Behind the head a fan of hoods rises with every scale punched in one at a time. A second small figure kneels at the feet, and the coil under the group curls up at both ends like a boat.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eSheshashayi is the reclining form of Vishnu, laid along the coils of the serpent Ananta between one cycle of creation and the next, with the serpent hoods raised behind the head as a canopy and a lotus growing from the navel.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. 600 g is a lot of metal for a piece that sits this low, because the serpent coil under the figure is a mass of brass rather than a thin shell holding the shape up.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form will. The finish moves. Superfine work is filed by hand after the pour, so the crispness of the hood scales and the beading on the crown differ a little between one murti and the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, the brass is bare. Drying is the work. Water runs into the hood scales and under the reclining body and stays there, so tip the murti and take a dry cloth into the deeper cuts afterwards.\u003c\/p\u003e\n\u003ch3\u003eWho is the figure on the lotus?\u003c\/h3\u003e\u003cp\u003eBrahma, in the standard reading of the reclining form, seated on the lotus that grows from the navel. On a casting this size the crown reads before the face does, so look for the cone rather than the features.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947568132418,"sku":"PP-BR-IDL-VIS-093","price":3099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161058_jpg.jpg?v=1776689353"},{"product_id":"laddu-gopal-brass-silvertone","title":"Brass Crawling Laddu Gopal Murti, 350 g","description":"\u003cp\u003eA brass Laddu Gopal murti crawling forward with a laddu held in one fist.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 350 g\u003c\/li\u003e\n\u003cli\u003eFinish: Mirror polished\u003c\/li\u003e\n\u003cli\u003eIconography: Crawling infant Krishna with a laddu in one fist, a topknot top and set white eyes\u003c\/li\u003e\n\u003cli\u003eBase: No separate base; the figure rests on two feet, one hand and the laddu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Laddu Gopal murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe comes forward on both feet and one flat hand, the other fist closed over a laddu. The eyes are set in white with a dark pupil, the only part that is not brass. Punched dots run over the shoulders and the belly, and the surface is polished to a mirror that picks up the cloth under it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eLaddu Gopal is the infant Krishna kept as a child of the household, dressed, fed and put to sleep through the day, and the crawling form is the one used when the murti is small enough to be carried.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass under the polish. A hollow figure of the same size would not reach 350 g, so weigh it on the day it arrives and the number answers the question without any argument.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The mirror polish is worked by hand, so it holds fine swirl marks that catch light differently on each murti, and the set of the eyes shifts by a hair from one casting to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eYes, and this is the murti in the shrine that is bathed daily. Dry the brass straight after, especially at the eyes, because water sitting round the white insets leaves a dark ring on bare metal.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947572588866,"sku":"PP-BR-IDL-LAD-149","price":1699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-crawling-laddu-gopal-murti-peetal-parampara.png?v=1787530595"},{"product_id":"natraj-ji-brass-idol","title":"Brass Natraj Murti in a Flame Ring","description":"\u003cp\u003eA brass Natraj murti dancing inside a pierced ring of flames on a stepped base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Four arms, one crossing the body to the raised foot, a small figure face down under the right foot\u003c\/li\u003e\n\u003cli\u003eBase: Round lotus pad on a square stepped foot, cut with two bands of petals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Natraj murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe ring is pierced right through in a lattice, with cast flame tongues standing off its outer edge, and it meets the base at two points only, so the figure inside is framed by open air. Four arms come out of the shoulders, one crossing the body to point at the raised foot, and the matted hair fans out flat on both sides of the head. The right foot presses down on a small figure lying face down on the lotus pad.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eNatraj is Shiva as the dancer, one leg lifted across the body and a ring of flame set behind the figure, and the form is kept as often on a desk or a shelf as it is in a mandir.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 1,400 g for a piece this open it is cast metal throughout, ring included. A plated shell would flex under thumb pressure at the flame tips and this does not move at all.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe mould is the same. The cleaning up is not. The flame tips are filed by hand after casting, so their length and angle vary a little, and the polish can read warmer on one piece than another.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water, but the ring makes drying slow. Water sits in the lattice openings and at the two points where the ring meets the base, so tip it and get a dry cloth in before it marks.\u003c\/p\u003e\n\u003ch3\u003eIs the ring separate from the figure?\u003c\/h3\u003e\u003cp\u003eIt is one casting. The ring is joined to the base at two points and to nothing else, so the arms and the raised leg stand clear inside it and nothing lifts apart or needs aligning.\u003c\/p\u003e\n\u003ch3\u003eWho is the figure under the foot?\u003c\/h3\u003e\u003cp\u003eA small figure lies face down under the right foot, named Apasmara in this form. It is cast as part of the lotus pad rather than added on, and it is what the dancer is standing on.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947576193346,"sku":"PP-BR-IDL-NAT-088","price":4599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_152053_jpg.jpg?v=1776689345"},{"product_id":"nandi-ji-brass-idol","title":"Brass Nandi Murti with Saddle Cloth","description":"\u003cp\u003eA brass Nandi murti lying with his head turned and a bridle across the muzzle.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Bridle and beaded neck strap, saddle cloth in relief, face on the flank ornament\u003c\/li\u003e\n\u003cli\u003eBase: Oval base with a fluted rim, flat underneath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Nandi murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe lies with his legs folded under him, head turned left and horns swept back. A bridle crosses the muzzle and a beaded strap runs under the neck. The saddle cloth over his back is worked in relief, and a small face looks out from the ornament hanging at his flank. Short flutes cut the rim of the oval base.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eNandi is the bull who faces the Shiva lingam in every Shiva mandir, seated rather than standing, and the murti is set facing the deity so the line of sight runs from the bull to the lingam.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. The body is a compact mass of metal at 400 g, which is why a piece this low still feels heavy, and a kitchen scale on arrival is the test that settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The bridle, the strap and the relief on the saddle cloth are chased by hand after casting, so the depth of those lines and the brightness of the polish differ a little piece to piece.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eNandi does take abhishek in a mandir, but the brass here is unlacquered and water left in the folds of the saddle cloth will mark it. Pour lightly and dry the piece straight after with a soft cloth.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947579568450,"sku":"PP-BR-IDL-NAN-147","price":1899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_152532_jpg.jpg?v=1776689345"},{"product_id":"brass-trishul","title":"Brass Trishul with Stepped Square Base","description":"\u003cp\u003eA cast brass trishul with three prongs over a pierced collar on a plain shaft.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Three prongs over a fluted collar with two pierced openings\u003c\/li\u003e\n\u003cli\u003eBase: Stepped square base with a fluted top face\u003c\/li\u003e\n\u003cli\u003eUse: Stood upright in the mandir beside the murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass trishul on a stepped square base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe centre prong runs straight and the two outer prongs curl away from it and back in, all three finishing in fine points that read pinker than the shaft below. Under them a fluted collar carries two pierced openings, and a bow-tie cross piece is fitted over the plain rod halfway down.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA trishul is the three-pronged staff carried by Shiva, kept in the home mandir as an emblem rather than as a working object, usually mounted upright on its own base.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The prongs and the base are cast and the shaft is a solid rod, and at 250 g the base holds the piece upright without anything needed under it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. Each trishul is cast and then filed and polished by hand, so the curl of the outer prongs and the depth of the collar shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart from the base?\u003c\/h3\u003e\u003cp\u003eIt photographs as one piece with the shaft seated into the base. We have not had one apart to check whether that joint unscrews, so treat it as fixed.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the prongs and the shaft. Once the brass dulls, lemon and salt brings it back, but rinse the pierced collar well and dry it, because water sits in the openings.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947629965634,"sku":"PP-BR-POO-TRI-076","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151449_jpg.jpg?v=1776689342"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/collections\/complete-pooja-room-collection-peetal-parampara.jpg?v=1787535323","url":"https:\/\/www.peetalparampara.in\/collections\/pooja-room-complete.oembed?page=4","provider":"PEETAL PARAMPARA","version":"1.0","type":"link"}