{"title":"Pooja \u0026 Mandir | पूजा और मंदिर","description":"\u003cp\u003eEverything a home mandir needs in metal, apart from the murtis, which have their own collection. Diyas and standing lamps, aarti thalis and the small spoons that go with them, kalash, bells, shankh stands, trishuls, loban burners, agarbatti stands and offering bowls.\u003c\/p\u003e\u003cp\u003eMost of it is brass, unlacquered and unplated, so it dulls between poojas and comes back with lemon and salt. Where a piece carries an antique finish, the dark sitting in the recesses is the finish and not dirt, and acid strips it out permanently. Those pages say so and say what to use instead. Weight in grams is on the page.\u003c\/p\u003e","products":[{"product_id":"brass-aarti-spoon-engraved","title":"Brass Aarti Spoon with Pierced Handle","description":"\u003cp\u003eA cast brass aarti spoon with a pierced openwork handle and a rosette in the pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the lip pinched out at the edge of the pan\u003c\/li\u003e\n\u003cli\u003eHandle: Long pierced openwork, scrolled and leafed, with a lug underneath that rests it level\u003c\/li\u003e\n\u003cli\u003eUse: Circled in front of the deity during aarti, with oil or ghee and a cotton wick\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass aarti spoon\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe pan is a shallow round dish with a small lip pinched out at one edge for the wick, and a rosette is cast into the floor of it, so the oil sits in a ring outside a raised centre. The handle is a long strip of openwork, scrolled and leafed, with holes cut clean through between the scrolls, narrowing to a blunt point. A short lug drops from under the handle and rests the spoon level instead of letting the pan tip.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn aarti spoon is the handled lamp circled in front of a deity during aarti, the wick lying in the lip of the pan so the flame travels with the hand that carries it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast in one piece with the handle. It weighs 800 g, which is a lot for a spoon, and that weight is what keeps the pan steady at the end of a long arm through a full aarti.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe pattern will. The openings in the handle are cleaned out by hand after casting, so their edges are never twice the same, and the polish sits differently along the scrollwork on each spoon.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an achmani spoon?\u003c\/h3\u003e\u003cp\u003eNo. An achmani is the small plain spoon that lifts water out of a panchpatra. This one is a lamp: the pan holds oil and a wick, and the handle is there so the flame can be carried and circled.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan out while the metal is warm. Soot collects at the lip and in the rosette, and warm water with a soft brush lifts it. Dry the openwork properly, since water sits in the cut edges.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes, and ghee is the usual choice for aarti. It sets solid as the spoon cools, so wipe the pan and the lip out warm and the next wick will sit flat and draw straight away.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940477563202,"sku":"PP-BR-POO-AAR-063","price":2599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165549_jpg.jpg?v=1776518234"},{"product_id":"brass-lotus-diya","title":"Antique Brass Lotus Diya on Scroll Feet","description":"\u003cp\u003eA cast brass lotus diya with one oil cup and two scrolls curving in from the rim.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the single cup at the centre\u003c\/li\u003e\n\u003cli\u003eBase: Cast scroll feet with curled toes\u003c\/li\u003e\n\u003cli\u003eUse: Lit at the mandir, or set out along a ledge at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass lotus diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe petal plate carries three chased rings, a band of beading inside a row of scalloped petals inside the outer points, and it stands high on cast scroll feet with curled toes. Two more scrolls arch in from the rim towards the oil cup, standing proud of the plate rather than lying on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA lotus diya is an oil lamp whose plate or bowl is formed as open lotus petals, lit at the mandir or floated among flowers in a bowl of water at Diwali.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass at 400 g, most of it in the plate and the feet. The gold on the surface is a finish over that brass, and the recesses are left dark rather than filled with anything.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The plate is cast and then chased by hand, so the beading and the petal rows shift a little, and the dark in the recesses sits differently on every piece.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The cup is small and shallow, so a spoon of ghee melts through within a minute of the wick catching and sets hard again as the lamp cools.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the cup out with a dry cloth while it is still warm. Keep lemon and salt off the plate, because the dark in the chasing is the finish and it will strip out and leave the pattern flat.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940490080578,"sku":"PP-BR-POO-LOT-073","price":1899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171705_jpg.jpg?v=1776518857"},{"product_id":"brass-kalash-hanging","title":"Brass Kalash Panel with Mango Leaves","description":"\u003cp\u003eA flat brass kalash panel, cast in relief, with five mango leaves rising at the mouth.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the relief darker in the recesses\u003c\/li\u003e\n\u003cli\u003eIconography: A row of figures either side of a lingam under an arch, over bands of waves\u003c\/li\u003e\n\u003cli\u003ePanels: Five mango leaves at the mouth, a beaded collar and a band of triangles at the neck\u003c\/li\u003e\n\u003cli\u003eUse: Stood or hung in the mandir as the kalash form, rather than filled with water\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass kalash relief panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe five leaves at the mouth are cast with a raised midrib and a fan of side veins, and the two outer ones curl over at the tips. Under a beaded collar and a band of triangles, the belly carries a crowd of small figures in relief standing either side of a lingam under an arch, with rows of wave lines running beneath them. Across the foot there is a raised inscription in Devanagari script. The back is flat.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA kalash is the round-bellied, narrow-necked pot set at the centre of a rite and dressed with mango leaves at the mouth. Cast flat as a panel, the same form becomes a piece to stand or hang rather than to fill.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast in one piece. A flat panel this size at 850 g is thick metal, which is why the figures along the belly hold their edges instead of reading as a shallow stamping.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe relief will. How dark the recesses sit will not, because the figure band and the wave lines take polish unevenly and each panel is finished by hand after it comes out of the mould.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja kalash?\u003c\/h3\u003e\u003cp\u003eNo. A pooja kalash is a pot you fill with water and dress with leaves and a coconut. The panel is cast flat and closed, so it stands for the kalash rather than doing its job.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the raised areas is usually enough. If roli or ash has settled into the wave lines and the figure band, use a soft dry brush rather than water, which sits in the deeper relief.\u003c\/p\u003e\n\u003ch3\u003eCan I fill it with water?\u003c\/h3\u003e\u003cp\u003eNo. There is no opening anywhere in it. The mouth and the leaves are cast solid, so keep water, rice and the coconut in a separate pot and let the panel stand behind them.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940493521218,"sku":"PP-BR-POO-KAL-062","price":2799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165810_jpg.jpg?v=1776518977"},{"product_id":"brass-decorative-diya","title":"Brass Peacock Diya on Turned Pedestal","description":"\u003cp\u003eA cast brass peacock diya with one spout in the pan and a banded pedestal foot.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 450 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the punched detail darker in the recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the squared spout pulled out at the side of the pan\u003c\/li\u003e\n\u003cli\u003eBase: A turned pedestal in three beaded rings, punched with triangles and dots\u003c\/li\u003e\n\u003cli\u003eUse: Filled with oil and lit at the mandir or on a pooja thali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe pan is wide and shallow with one spout pulled out to a squared point at the side, and a band of fine vertical strokes runs the whole way round under its rim. The foot is turned in three swelling rings, each edged with beading, and the middle one is punched with a row of triangles and dots. The peacock stands on a small baluster at the centre of the pan, tail curling up behind its head, wing feathers cut in short strokes.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA figural diya sets the oil cup on a cast stand and puts a bird or a deity above it, so the lamp reads as an object on the shelf even before it is lit. The cup itself holds oil and a cotton wick.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 450 g the pedestal carries most of the weight, which is what stops a lamp with a bird on top from going over when the pan is full. A plated one would be light and top-heavy.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form will. The peacock is cast and then filed, so the feather strokes on the wing and the curl of the tail differ a little, and the punched band on the foot never lands twice the same.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eNo. A standing diya is a tall lamp raised on a long stem for a doorway or a floor. The pan here sits low on a short pedestal, at the height of a shelf, and it takes a single wick rather than several.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan warm before the oil sets. Soot gathers at the spout and at the foot of the bird, and warm water with a soft brush lifts it. Dry the punched band on the pedestal properly.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is wide and shallow, so a spoonful spreads thin and burns down quickly. Top it up during a long pooja rather than filling it to the rim and letting it spill at the spout.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945196450114,"sku":"PP-BR-POO-PEA-064","price":2599.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171428_jpg.jpg?v=1776506605"},{"product_id":"brass-shankh-diya","title":"Brass Shankh Diya, Multi Wick, 800 g","description":"\u003cp\u003eA flat brass shankh diya with a row of round wick holes along the scalloped border.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eMotif: A conch in relief, the whorl coiled at the centre and the lip opening to one side\u003c\/li\u003e\n\u003cli\u003eUse: Set flat on a mandir shelf or on a pooja thali and lit at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass shankh diya plate\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe conch lies flat, its whorl coiled at the centre and the lip of the shell opening out to one side, with the surface behind it cut in fine parallel strokes so the light breaks up across it. Round wick holes are set into the scalloped border that edges the shell, each one ringed with a fluted collar and dished out in the middle to take oil and a wick. The apex stands proud at the far end as its own pointed lobe.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA shankh diya is an oil lamp whose body takes the form of a conch, the shell that is blown at the opening of a rite, so the object carries the emblem and the flame at the same time.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast in one piece. At 800 g for a flat plate this size the metal is thick enough that the wells are sunk into it rather than pressed through it, which a kitchen scale will bear out.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe shape will. The colour may not, because the piece was shot under a bright light that pulls the polished shell paler than it reads in a room. The relief and the wells are the same on every one.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a real conch shell?\u003c\/h3\u003e\u003cp\u003eNo. It is brass, cast in the form of a conch and left flat at the back so it sits on a shelf. A real shankh is a shell, it is hollow, and it can be blown. This one is a lamp and holds oil.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each well out while it is still warm so the oil does not set into the fluting. For soot at the rims, warm water and a soft brush, then dry the whole plate before it goes back on the shelf.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The wells are small, so a spoon of ghee to each one is enough for an evening. Clear the last of it out while the plate is warm or it hardens into a ring you have to scrape.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945234067778,"sku":"PP-BR-POO-SHD-060","price":2899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_170857_jpg.jpg?v=1776506605"},{"product_id":"brass-antique-loban","title":"Brass Loban Dhoop Dani with Peacock Lid","description":"\u003cp\u003eA cast brass dhoop dani with a pierced domed lid and a peacock standing on top.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast pattern darker in the recesses\u003c\/li\u003e\n\u003cli\u003eLid: Domed and pierced, lifting clear off the bowl, with a peacock top on a turned collar\u003c\/li\u003e\n\u003cli\u003eBase: Cast feet under the bowl and two winged side scrolls that reach down to the shelf\u003c\/li\u003e\n\u003cli\u003eUse: Loban or dhoop resin burned over a coal in the bowl, with the lid on\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass loban dhoop dani bowl\u003c\/li\u003e\n\u003cli\u003e1 pierced brass lid with peacock top\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe lid is domed and carries two bands of cast pattern, a running key fret at the crown and a row of scrolls below it, with a ring of round holes punched between them for the smoke. The bowl underneath is left plain and unworked. Two wings scroll up from the sides and come down again to feet that touch the shelf, holding the bowl clear of it. The peacock on top perches on a turned collar with its tail curling back over its head.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA loban dhoop dani is the lidded, pierced vessel in which loban or dhoop resin is burned over a coal, the holes in the lid letting the smoke out while the ash stays down in the bowl.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than spun. Bowl, lid and top together weigh 750 g, well past what a plated shell of the same size would come to, and a kitchen scale will tell you so in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The lid pattern is cast and then cleaned up by hand, so the holes vary a little in size and the darkening that sits in the key fret is deeper on some pieces than others.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an agarbatti stand?\u003c\/h3\u003e\u003cp\u003eNo. An agarbatti stand holds burning incense sticks upright and catches the ash in a tray. A dhoop dani is a covered bowl for loose loban or dhoop resin burned over a coal, the smoke coming up through the lid.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLet it go cold first. Tip the ash out, wipe the bowl with a dry cloth, and lift any resin that has set hard with warm water and a soft brush. Dry the inside fully before the lid goes back on.\u003c\/p\u003e\n\u003ch3\u003eWill the brass get too hot to hold?\u003c\/h3\u003e\u003cp\u003eYes. Brass carries heat, and the bowl, the feet and the side wings all warm through once a coal is in there. Move it with a cloth over the wings, or leave it to cool where it stands.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945261199682,"sku":"PP-BR-POO-DHO-057","price":3199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171214_jpg.jpg?v=1776506604"},{"product_id":"brass-mor-diya","title":"Brass Peacock Standing Diya, 2.8 kg","description":"\u003cp\u003eA brass standing diya with a cast peacock over a pan pulled into six points.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast peacock on a turned stem\u003c\/li\u003e\n\u003cli\u003eWeight: 2,800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished bright over the whole lamp, no darkening left in the recesses\u003c\/li\u003e\n\u003cli\u003eSpouts: Six points pulled out of the pan rim, one wick resting in each\u003c\/li\u003e\n\u003cli\u003eBase: Fluted bell foot with a beaded band, standing on a broad round pad\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for daily pooja, aarti and festival evenings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a peacock top\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe peacock stands on the collar with its tail thrown up and back in a beaded fan, and the head turns to one side so the crest breaks the outline of the lamp rather than sitting square on it. Under it the pan is pulled out into six sharp points, each one a rest for a wick, and the metal thins visibly toward the tips. The stem is turned in stages, a fluted collar, a beaded ring, a long taper and another ring, before it flares into a bell foot cut with radiating flutes. Polished bright, with no darkening worked into the recesses anywhere on it, so the whole lamp reads as one colour under a flame.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a tall oil lamp on its own weighted base. The pan sits high on the stem, so the flame reaches chest height on a mandir shelf instead of sitting on the floor beside it, and the wicks lie in the rim.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 2,800 g and most of that is in the stem and the foot, which is why it stands steady. Plated sheet of the same height would weigh a fraction of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The peacock is cast and then cleaned up by hand, so the beading on the tail and the set of the crest shift a little from one bird to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a samai?\u003c\/h3\u003e\u003cp\u003eIt is the same object. Samai is the Marathi name for a standing oil lamp and kuthu vilakku the Tamil one. All three describe a lamp that stands on its own foot instead of being carried.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the cold oil out, wipe the pan with a dry cloth and go along the points with a corner of it. On the turned stem a dry cloth is enough, and polish only when the shine has really gone.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets solid in the pan as it cools, so warm the pan slightly before you wipe it, or the residue stays in the points where the wicks sit.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks can I light at once?\u003c\/h3\u003e\u003cp\u003eSix, one at each point of the pan. The pan is a single well, so the oil runs between them and one filling serves all six on a festival evening.\u003c\/p\u003e\n\u003ch3\u003eWill it stand steady on a shelf?\u003c\/h3\u003e\u003cp\u003eThe foot is a broad round pad and the mass sits low in the base, so it holds firm on a flat shelf. On an uneven surface the wide pan shows the tilt before the base does.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945354424642,"sku":"PP-BR-POO-PEA-047","price":6799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163219_jpg.jpg?v=1776689366"},{"product_id":"brass-mor-deep","title":"Brass Peacock Diya with Halo Ring","description":"\u003cp\u003eA brass diya with a fanned peacock set inside an openwork ring behind the pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eWicks: Five lobed wells at the pan rim\u003c\/li\u003e\n\u003cli\u003eMotif: Fanned peacock plaque inside a saw-toothed openwork ring\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for pooja and aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe ring behind the pan is cut as one openwork circle with a saw-toothed leaf edge, and the face of it is engraved rather than left plain, so it holds light instead of going flat. The peacock inside the ring is a separate fanned plaque, tail spread and body small under it. Five lobed wells sit at the rim of the pan below. The stem is ribbed in a tight spiral to a plain waist, then flares to an engraved dome and a broad foot.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn a peacock diya the bird is the structure rather than the decoration, cast into the top, the stem or a standing back panel, with the oil pan carried below it and lit with oil and a cotton wick.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The ring alone is a good part of the 2,500 g, since it is cut and engraved from thick stock rather than stamped out of sheet. A kitchen scale settles the question in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The ring is engraved by hand, so the leaf edge does not repeat exactly and the two halves of the circle never match each other perfectly.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eClose, but no. A standing diya is a plain tall lamp with the pan on top of the stem. Here the pan sits low and a cast ring stands behind it, so the lamp is read from the front.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the five wells out with a dry cloth while they are warm. On the ring use a dry cloth only and take it along the engraving rather than across it, so nothing catches on the leaf edge.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets in the lobed wells as they cool and lifts out more easily while the metal still holds some warmth from the flame.\u003c\/p\u003e\n\u003ch3\u003eWill it topple?\u003c\/h3\u003e\u003cp\u003eThe foot is a broad polished dome carrying 2,500 g, and the ring sits over the centre of it, so the lamp stands square. On a narrow shelf keep the ring parallel to the wall.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945360552258,"sku":"PP-BR-POO-MOR-051","price":5399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163239_jpg.jpg?v=1776689366"},{"product_id":"brass-layered-deep-silver-tone","title":"Brass Five Tier Layered Diya, 3.5 kg","description":"\u003cp\u003eA brass layered diya with five tiers of pointed oil cups under a cast peacock.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast tiers on a turned stem\u003c\/li\u003e\n\u003cli\u003eWeight: 3,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished yellow brass throughout, no plating and no silver tone\u003c\/li\u003e\n\u003cli\u003eTiers: Five, each a ring of pointed oil cups cast as one flower, smallest at the top\u003c\/li\u003e\n\u003cli\u003eBase: Turned round foot with a stepped rim and a broad seat, weighted to carry the stack\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil or ghee and cotton wicks at Diwali, Dhanteras and for daily pooja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass layered diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFive tiers step up the stem, each one a ring of pointed cups cast as a single flower, and each tier smaller than the one under it, so the lamp tapers as it rises. Turned knops separate the tiers and hold them far enough apart that a lit cup is clear of the one above it. Every cup runs out to a point at the rim, which is where the wick lies, and the points of one tier fall between those of the next. A peacock stands at the top with its tail up in a beaded fan. The metal is polished yellow brass from the foot to the bird, with no plating and no grey cast to it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA layered diya is an oil lamp built with two or more tiers of wick cups stacked on one stem, so a single lamp throws light at several heights at once instead of standing as a row of separate diyas on a shelf.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 3,500 g the weight is in the cast cups and the turned stem. A plated lamp of the same height would be sheet metal over a hollow core and would rock on the shelf.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The cups are cast in rings and cleaned by hand, so the points sit at slightly different angles on every tier and the polish reads differently on each one.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eIt is a standing diya with tiers. A plain standing diya carries one pan at the top; here five rings of cups climb the stem, so one lamp lights at five heights.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each cup out while it is still warm, working from the top tier down so the drips fall into cups you have yet to reach. A dry cloth on the stem afterwards is enough.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes, and it is the usual choice for a lamp like this. Ghee sets in the cups as they cool, so wipe them out the same evening rather than letting the residue harden.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does it hold in total?\u003c\/h3\u003e\u003cp\u003eWe have not printed a total yet. The cups are being counted tier by tier from the lamp in hand, because the rear cups on each ring sit behind the stem in the photograph and cannot be counted from it.\u003c\/p\u003e\n\u003ch3\u003eWill oil run down from one tier to the next?\u003c\/h3\u003e\u003cp\u003eEach cup is a closed well with a raised lip, so oil stays where it is poured. Overfill one and it will run to the tier below, so fill to just under the lip and wipe the stem after.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945362583874,"sku":"PP-BR-POO-LAY-048","price":7099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_163130_jpg.jpg?v=1776689366"},{"product_id":"shankh-chakra-namah-of-lord-vishnu-brass","title":"Brass Shankh Sudarshan Namah on One Base","description":"\u003cp\u003eA cast brass shankh, sudarshan and namah standing in a row on one engraved base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast recesses left darker\u003c\/li\u003e\n\u003cli\u003eIconography: Sudarshan disc on the left, namah in the centre, shankh on the right\u003c\/li\u003e\n\u003cli\u003eBase: One rectangular base on four stub feet, with a band of engraved arcs on the front face\u003c\/li\u003e\n\u003cli\u003eUse: Kept on a mandir shelf or a pooja chowki as the emblems of Vishnu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass shankh, sudarshan and namah on a base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe disc on the left is a ring of pointed petals worked in two bands enclosing a raised centre boss, and the shankh on the right is a smooth spiral whorl set in the same flame-shaped surround. Between them the namah rises plain and unworked, three prongs off one foot, the outer two flicking outward at the tips. The base dips in a shallow curve along its top edge and stands on four stub corner feet.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eThe shankh, sudarshan and namah are the three emblems of Vishnu, the conch, the discus and the upright name-mark, set out together in a mandir where the emblems stand in place of a figure of the deity.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed. The three emblems and the base together come to 800 g, so a kitchen scale settles it on the day the parcel arrives. A plated shell this size would weigh a fraction of that.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. Each one is cast and then filed and polished by hand, so the depth of the petal work on the disc and the amount of dark left in the recesses shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a shankh you can blow?\u003c\/h3\u003e\u003cp\u003eNo. The conch here is a solid cast emblem in relief, made to be looked at. A blowing shankh is a hollow shell with the tip cut open, and it is sold as its own object.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the base once the offerings are cleared. If ghee or roli has dried into the petal work on the disc, warm water and an old toothbrush lift it out, and then dry the piece fully.\u003c\/p\u003e\n\u003ch3\u003eDo the three emblems lift off the base?\u003c\/h3\u003e\u003cp\u003eWe are checking that with the maker before stating it. What the photograph shows is each emblem standing on the base on its own small feet, which is not enough to tell a cast joint from a set one.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947426672962,"sku":"PP-BR-POO-SHK-056","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151930_jpg.jpg?v=1776689361"},{"product_id":"brass-singhasan-antique","title":"Antique Brass Singhasan with Arch","description":"\u003cp\u003eA brass singhasan with a pierced arch back and a lion face at the apex.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Lion face at the apex, an elephant at each side of the arch\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate with a rosette at the centre\u003c\/li\u003e\n\u003cli\u003eUse: Seats a murti inside the mandir\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass singhasan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA lion face crowns the arch, and the arch itself is cut right through in floral rosettes, so the wall behind shows in the gaps. An elephant stands at the foot of each side of it. The arms come forward as two birds with their beaks curved back to their own bodies, and the seat between them is engraved with a whirling rosette at the centre. Four corner posts stand up as plain cones, the one plain thing on the whole piece.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA singhasan is the small throne a murti is seated on inside a mandir, with a raised back so the figure has something to sit against and rails or arms that frame it from the front.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The arch, the rails and the seat are cast and pinned together, and the whole throne weighs 2,000 g. A plated version would be pressed sheet and would flex when the murti went in.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The rosettes in the arch are pierced by hand, so the openings differ slightly in size, and the antique finish leaves more or less gold showing on the raised work.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a chowki?\u003c\/h3\u003e\u003cp\u003eNo. A chowki is a flat platform with no back at all. The singhasan has the arch behind the seat and rails at the sides, so the murti is framed as well as raised.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth on the seat and a soft dry brush through the pierced arch. Leave the dark in the recesses alone, because that is the finish, and lemon or tamarind will strip it out.\u003c\/p\u003e\n\u003ch3\u003eWill my murti fit inside the arch?\u003c\/h3\u003e\u003cp\u003eMeasure the base of your murti first. We have not measured the seat or the arch, so we cannot give you the two numbers that would settle it from the page. Send us the width and height of your murti and we will put a tape to this piece and answer before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe raised surfaces will darken with handling, which is the same brass everywhere else in the mandir doing the same thing. A dry cloth brings them back; the recesses stay dark by design.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947442368834,"sku":"PP-BR-POO-SIN-052","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160211_jpg.jpg?v=1776689357"},{"product_id":"brass-trishul","title":"Brass Trishul with Stepped Square Base","description":"\u003cp\u003eA cast brass trishul with three prongs over a pierced collar on a plain shaft.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Three prongs over a fluted collar with two pierced openings\u003c\/li\u003e\n\u003cli\u003eBase: Stepped square base with a fluted top face\u003c\/li\u003e\n\u003cli\u003eUse: Stood upright in the mandir beside the murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass trishul on a stepped square base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe centre prong runs straight and the two outer prongs curl away from it and back in, all three finishing in fine points that read pinker than the shaft below. Under them a fluted collar carries two pierced openings, and a bow-tie cross piece is fitted over the plain rod halfway down.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA trishul is the three-pronged staff carried by Shiva, kept in the home mandir as an emblem rather than as a working object, usually mounted upright on its own base.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The prongs and the base are cast and the shaft is a solid rod, and at 250 g the base holds the piece upright without anything needed under it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. Each trishul is cast and then filed and polished by hand, so the curl of the outer prongs and the depth of the collar shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart from the base?\u003c\/h3\u003e\u003cp\u003eIt photographs as one piece with the shaft seated into the base. We have not had one apart to check whether that joint unscrews, so treat it as fixed.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the prongs and the shaft. Once the brass dulls, lemon and salt brings it back, but rinse the pierced collar well and dry it, because water sits in the openings.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947629965634,"sku":"PP-BR-POO-TRI-076","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151449_jpg.jpg?v=1776689342"},{"product_id":"kansa-pooja-ghanti-small","title":"Kansa Ghanti with Carved Wood Handle","description":"\u003cp\u003eA kansa ghanti with a wooden handle carved with birds and a turned knop.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Kansa (bronze) bell, carved wooden handle\u003c\/li\u003e\n\u003cli\u003eWeight: 150 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eUse: Rung at the opening of a pooja and through the aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 kansa ghanti with a carved wooden handle\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe handle is not metal. It is a turned length of pale wood, pierced and carved with a bird among leaves on each face, cut into rows of gadroons above and below, and finished with a small metal knop rather than with the wood itself. The bell under it is plain and smooth with no pattern on it at all, and the flare takes a mirror off the studio lights.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eKansa is bronze, an alloy of copper and tin, and a ghanti is the small handled bell rung to open a pooja and again at each turn of the aarti.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eKansa is an alloy of copper and tin, known in English as bell metal or bronze. It is dense, hard, and heavier in the hand than steel of the same size.\u003c\/li\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge straight after eating. Dry fully.\u003c\/li\u003e\n\u003cli\u003eKansa darkens with use and reacts to sour food faster than brass does. Serve lemon, curd, tamarind and pickle fresh rather than leaving them standing in the vessel.\u003c\/li\u003e\n\u003cli\u003eTo restore the shine: tamarind pulp, or lemon and salt. Rinse thoroughly and dry.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, harsh detergent or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKansa is hard but it is not forgiving — a fall onto stone can dent or crack the rim. Store it where it will not knock against other metal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this kansa solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid kansa in the bell and solid wood in the handle. At 150 g this is the small bell in the range, and almost all of that weight sits in the metal rather than in the handle above it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe frame shows four sizes side by side and the listing sells the small one. The carving is cut by hand into wood, so the birds and the leaves differ from handle to handle and the grain never repeats.\u003c\/p\u003e\n\u003ch3\u003eIs kansa the same as brass?\u003c\/h3\u003e\u003cp\u003eNo. Kansa is copper and tin. Brass is copper and zinc. Kansa reads paler and rings longer, which is why it has been used for bells and for eating vessels rather than for cooking pots.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a hanging ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A hanging ghanti is a fixed string of bells at a doorway. A pooja ghanti is held, rung at the opening of the rite and set back down on the thali.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the bell with a dry cloth and keep water off the wood. When the metal dulls, a paste of lemon and salt on the bell alone brings it back, then rinse and dry it away from the handle.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52948344144194,"sku":"PP-KA-POO-GHA-069","price":2599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_190233_jpg.jpg?v=1776689352"},{"product_id":"ganesh-diya-antique-handcrafted-brass-oil-lamp","title":"Antique Brass Ganesh Standing Diya","description":"\u003cp\u003eA brass standing diya with a seated four-armed Ganesh above the oil bowl.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered inside and out, cast and assembled\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses and the raised work rubbed back to gold\u003c\/li\u003e\n\u003cli\u003eBase: Domed, banded with punched dots over a twisted rope, on four cast scrolled feet\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and a cotton wick for daily pooja, aarti and festival evenings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a Ganesh figure\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eGanesh sits four-armed on a lotus seat at the top of the stem, crowned with a tall conical crown, one hand open toward the room. Below him the oil bowl carries a flat lobed flange that steps out past the bowl in squared tabs, so spills run onto the flange instead of down the stem. Two cast scrolls brace the stem on either side, each curling in on itself. The domed base is ringed with a punched dot band above a twisted rope, and four cast feet lift the lamp clear of the shelf, each one worked with a scroll and a rosette. It takes two hands to lift the lamp and one steady hand to fill the bowl.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a tall oil lamp on a weighted base, lit in a mandir or at a doorway, so the flame sits well above the ground rather than in the palm of a hand. The oil goes into an open pan.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 4,200 g, which is cast metal the whole way through; a plated shell of the same size would come in at a fraction of that. Put it on a kitchen scale the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. The antique finish is worked by hand, so the dark sits differently in the recesses of the crown and in the base band from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an aarti thali?\u003c\/h3\u003e\u003cp\u003eNo. An aarti thali is a flat plate carried in the hand and circled before the deity. The lamp stands on its own base and stays where it is put.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the oil bowl out with a dry cloth while it is still warm, then a soft cloth over the body. Keep lemon and tamarind off it, since acid strips the dark out of the recesses and flattens the pattern.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee burns shorter and leaves a firmer residue in the bowl, so wipe the bowl out the same evening rather than the next morning.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does the bowl take?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The bowl is a single open well with a lobed flange over it, and the wick rests are being counted from the lamp in hand rather than from the photograph.\u003c\/p\u003e\n\u003ch3\u003eWill the brass go dark over time?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled and as oil reaches it. The recesses are meant to stay dark on an antique finish, so let the raised surfaces brighten with use and leave the rest alone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"Peetal Parampara","offers":[{"title":"Default Title","offer_id":52951326163266,"sku":"PP-BR-POO-GAN-045","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-standing-diya-peetal-parampara.png?v=1787530595"},{"product_id":"brass-decorative-diya-d1","title":"Brass Twin Parrot Diya on Lotus Base","description":"\u003cp\u003eA cast brass diya with two oil bowls held out on the necks of a facing pair of parrots.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast detail darker in the recesses\u003c\/li\u003e\n\u003cli\u003eWicks: Two, one to each bowl, resting in the lip pinched out at the front\u003c\/li\u003e\n\u003cli\u003eBase: Scalloped petal plate on four cabriole feet, with a domed top at the centre\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks at the mandir, or set out at the door at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass twin parrot diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eTwo birds stand back to back at the top, each with a pointed crest and a pierced eye, and each neck sweeps down and forward to carry a deep oval bowl with a lip pinched out at the front for the wick. Between the heads sits an openwork scroll panel with three holes cut through it. The plate below is edged in shallow petals, with a small domed top standing in the middle, and four cabriole feet lift the whole piece clear.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA diya is the shallow brass cup that holds oil and a cotton wick and is lit during pooja and at festivals. A figural diya carries the same cup on a cast stand, so the flame sits above the shelf rather than down on it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. It is cast in brass and comes to 850 g, most of that in the plate and the two arms, and a plated piece of the same size would feel light in the hand straight out of the box.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot down to the detail. The birds are cast and then filed, so the crest line and the width of the openings in the scroll panel between the heads move a little from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a standing diya?\u003c\/h3\u003e\u003cp\u003eNo. A standing diya is a tall lamp with the oil pan raised on a stem, made for the floor or a pedestal. Both bowls here sit low over a footed plate, so the lamp belongs on a shelf or in the mandir.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip out the old oil and wipe both bowls while they are still warm. Soot at the wick lips comes off with warm water and a soft brush, and the pierced panel wants a dry cloth rather than a soak.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets solid in the bowls as they cool, so the next lighting takes a little longer to catch. Wipe the bowls out while the metal is still warm and nothing hardens into the corners.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951888855362,"sku":"PP-BR-POO-DIY-058","price":3199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150723_jpg.jpg?v=1776689347"},{"product_id":"brass-decorative-diya-d2","title":"Antique Brass Four Peacock Diya, 2 kg","description":"\u003cp\u003eAn antique brass diya with four cast peacocks ringing a single turned column.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast in parts on a turned column\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses and the raised work rubbed back\u003c\/li\u003e\n\u003cli\u003eMotif: Four cast peacocks, two held out on curved arms and two on turned pedestals\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for daily pooja and for aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour birds ring the column. The upper pair are held out on curved arms, the lower pair stand on their own turned pedestals on the base plate, and all four have the same hooked beak curling back to the breast. The oil pan above them is lobed rather than pointed. The base plate carries more oil than the pan does, with a leaf-shaped well at the front and a shallow oval behind each of the lower birds, and it sits on cast feet spread out like fanned tails. The dark lies deep in the recesses while the raised metal has been rubbed back to gold, so the birds read light against a column that stays dark in the hollows.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA peacock diya is an oil lamp that carries the bird as its motif, cast on the stem, the rim or the top, and lit the same way as any other diya, with oil in the pan and a cotton wick laid in the rim.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The birds, the pan and the base plate are all cast, which is where the 2,000 g goes. A plated lamp built to the same outline would be hollow and would feel light in the hand.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The antique finish is rubbed back by hand, so how much gold shows on the birds and how dark the recesses stay differs from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an aarti lamp?\u003c\/h3\u003e\u003cp\u003eNo. An aarti lamp has a handle and is carried in a circle before the deity. This one stands on a base plate with its own oil wells and is lit where it is placed.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each well out with a dry cloth while it is still warm. Keep water and lemon away from the recesses, because the dark in them is the finish and acid takes it straight off.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee hardens in the shallow wells on the base plate as they cool, so wipe those out the same evening or the residue holds the next wick off the metal.\u003c\/p\u003e\n\u003ch3\u003eWho is the figure at the top?\u003c\/h3\u003e\u003cp\u003eWe are not naming the figure yet. It stands on a turned seat at the very top of the column, above the peacocks, and the identification is being confirmed with the maker before a name goes on the page.\u003c\/p\u003e\n\u003ch3\u003eHow many oil wells does it have?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The pan at the top is one lobed well, and the base plate adds a leaf-shaped well at the front with a shallow oval behind each lower bird. The full number is being checked from the lamp in hand.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951890723138,"sku":"PP-BR-POO-MAY-049","price":5799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150541_jpg.jpg?v=1776689346"},{"product_id":"brass-decorative-diya-d3","title":"Brass Parrot Standing Diya with Chain","description":"\u003cp\u003eA brass standing diya with a cast parrot holding a hanging oil pan on a chain.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,450 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eBase: Fluted dome on a low pierced platform with cast feet\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and a cotton wick beside a murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a chain-hung oil pan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe parrot perches at the top of a turned column with its tail swept down one side in engraved feather lines, and the chain runs from its beak. At the end of the chain hangs a small shallow pan, with points pulled out of its rim and a short post standing in the middle. Because it hangs, the pan swings when the lamp is carried and settles level again on its own. The base is a fluted dome on a low pierced platform.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging diya is an oil lamp whose pan swings free on a chain instead of sitting fixed on a stem, so the flame moves with the air in the room and the pan can be lifted down to be filled.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The column, the bird and the pan are cast brass and the chain is linked brass, coming to 1,450 g together. Plated sheet at this height would not hold the pan steady on the chain.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The feather lines on the tail are cut by hand and the chain length is set by hand, so the pan hangs at a slightly different height on each lamp.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a samai?\u003c\/h3\u003e\u003cp\u003eNo. A samai is a plain standing lamp with the pan fixed on top of the stem. Here the pan hangs on a chain from the bird's beak, so it swings free and lifts off the ring to be filled.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLift the pan off the ring and wipe it out on its own, which is easier than reaching into it on the chain. A dry cloth on the column, and nothing wet in the pierced platform.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The hanging pan is shallow, so ghee fills it faster than oil and sets as it cools. Lift the pan down and wipe it while the metal is still warm.\u003c\/p\u003e\n\u003ch3\u003eIs the bird a parrot or a peacock?\u003c\/h3\u003e\u003cp\u003eIt reads as a parrot, with a hooked beak, a small crest and a long tail worked in engraved feather lines rather than the fan of a peacock. The maker's own name for the motif is being confirmed.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951892066626,"sku":"PP-BR-POO-PAR-054","price":4199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151550_jpg.jpg?v=1776689333"},{"product_id":"brass-sighasan-stool","title":"Hand Engraved Brass Chowki, 5 kg","description":"\u003cp\u003eA brass chowki with an engraved top plate set into a collar over a pierced apron.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast legs under a sheet body\u003c\/li\u003e\n\u003cli\u003eWeight: 5,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the engraved lines darker than the ground\u003c\/li\u003e\n\u003cli\u003eTechnique: Hand engraved top plate over an apron pierced in scrolling openwork\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate seated inside a raised collar, seam visible at the rim\u003c\/li\u003e\n\u003cli\u003eUse: Stands a murti, a kalash or an aarti thali clear of the mandir shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass chowki\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe top is a separate engraved plate dropped into a raised collar, and the seam where the two meet stays visible along the rim. A rosette sits at the centre of the plate inside a ring of sun rays, with flower medallions ringing that, then band after band of fine cut line out to a scalloped border. Under the collar the apron is cut through in scrolling openwork, so light passes under the platform and the weight comes down through the legs rather than the skirt. The legs are cast leaf brackets that curl outward and flare into splayed feet, and at 5 kg nothing shifts when a murti is set down on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA chowki is the low flat platform a murti or a kalash is stood on inside a mandir, lifting the figure clear of the shelf so it is seen at eye level and the shelf underneath stays clean. A chowki has no back.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. It weighs 5,000 g. Cast legs and a heavy engraved plate account for that, and plated sheet at the same width would be a fraction of the number, so a kitchen scale settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two match. The engraving is cut by hand, so the bands do not close at the same point on every plate, and the polish takes light differently across the top.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a singhasan?\u003c\/h3\u003e\u003cp\u003eNo. A singhasan has a raised arched back for the murti to sit against. The chowki is a flat platform with no back, so a figure of any height can stand on it.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLift the murti off, wipe the plate with a dry cloth and take the oil and roli out of the cut lines with a soft dry brush. Water left standing in the engraving will mark the brass.\u003c\/p\u003e\n\u003ch3\u003eWill the engraving hold dirt?\u003c\/h3\u003e\u003cp\u003eRoli, oil and ash settle into the cut lines. A dry brush lifts most of it. Do not soak the plate, because water sitting in the engraving dries as a dull ring.\u003c\/p\u003e\n\u003ch3\u003eWill it mark my shelf?\u003c\/h3\u003e\u003cp\u003eThe feet are bare cast brass carrying 5,000 g on a small footprint. Set a cloth or a mat under it on wood or polished stone if you would rather not have the marks.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled. A dry cloth keeps the raised surfaces bright, and many households let the low engraved lines stay dark so the pattern still reads.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951897866562,"sku":"PP-BR-POO-CHO-046","price":11599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/hand-engraved-brass-chowki-peetal-parampara.png?v=1787530574"},{"product_id":"brass-decorative-diya-d5","title":"Antique Brass Parrot Diya with Bell","description":"\u003cp\u003eA cast brass parrot diya with a side oil pan and a bell hung below the arm.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the pinched spout at the end of the oval pan\u003c\/li\u003e\n\u003cli\u003eBase: Square stepped base under a turned stem\u003c\/li\u003e\n\u003cli\u003eUse: Lit on the mandir shelf, with the bell sounded by hand at the aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass parrot diya with a hanging bell\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe bird sits at the top of a turned stem on a square stepped base, tail sweeping down the left in long feathered strokes. An arm curves out to the right and carries an oval pan with a ridged lip and one pinched spout. A small bell hangs from a scrolled bracket under that arm, free to swing.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA decorative diya carries its oil pan on a cast stand worked as a figure or a motif, so the lamp reads as a standing piece on the mandir shelf when no wick is lit in it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass at 700 g, with the weight sitting low in the square base so the arm and the pan do not tip it. The feather cuts run into the metal rather than over a coating.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Every casting is filed and finished by hand, so the crest, the beak and the sweep of the tail differ from one lamp to the next, and the antique darkening sits where it settles.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is shallow and open, so ghee melts through soon after the wick catches. It sets hard again as the lamp cools, so wipe the pan out before it is put away.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan while it is still warm and the oil comes off in one pass. A soft dry brush gets into the feather cuts. Keep lemon and salt off the bird, or the dark lifts out of the carving.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951900258626,"sku":"PP-BR-POO-PAR-074","price":1799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-parrot-diya-with-bell-peetal-parampara.png?v=1787530574"},{"product_id":"brass-decorative-diya-d6","title":"Brass Parrot Diya with Boat Oil Pan","description":"\u003cp\u003eA brass parrot diya with a boat-shaped oil pan and a single pinched spout.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 650 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eWicks: One, laid in the single pinched spout at the end of the pan\u003c\/li\u003e\n\u003cli\u003eBase: Cast leaf lobes spreading from a central boss\u003c\/li\u003e\n\u003cli\u003eUse: Lit on the mandir shelf, and kept as a standing piece between poojas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass parrot diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe bird stands on a knopped pedestal at the back, wings cut in rows of short strokes, a hooked beak curving down over a bead of a chin and a tail that rises behind it in three heavy plumes. In front of it the oil pan is a plain boat, drawn out to one point at the far end where the wick lies, and left smooth inside so the level of the oil is easy to read. The base spreads into cast leaf lobes.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA decorative diya is an oil lamp built as a figure or a form rather than as a plain cup, with the pan carried by a cast stand so the lamp holds its place on a shelf unlit.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass. 650 g in a lamp this small is the tell, and the feather strokes on the wing run into the metal rather than sitting on a skin over it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but not identical. Each casting is filed and polished by hand, so the beak, the crest and the plumes come out a little different, and the brass darkens from the day it is unwrapped.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is open and shallow, so ghee melts through quickly once the wick is lit and sets again as it cools. Wipe the pan out before the lamp goes back on the shelf.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan while it is still warm and the oil lifts in one pass. For the bird, a soft dry brush gets into the feather cuts, and lemon and salt is for the plain surfaces only.\u003c\/p\u003e\n\u003ch3\u003eIs the bird a peacock?\u003c\/h3\u003e\u003cp\u003eIt reads as a parrot: the beak hooks down and the crest curls back, where a peacock in cast brass carries a fanned crown and a spread train. The same form is sold under both names.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951906517314,"sku":"PP-BR-POO-PAR-071","price":2299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150801_jpg.jpg?v=1776689347"},{"product_id":"brass-decorative-diya-d7","title":"Brass Peacock Diya with Hanging Ghanti","description":"\u003cp\u003eA brass peacock diya with an oil pan at one side and a bell hung from the neck.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the beaded scrollwork darker in the recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the pointed lip of the pan\u003c\/li\u003e\n\u003cli\u003eMotif: A peacock in beaded scrollwork, with a bell hanging on a ring from the tip of its neck\u003c\/li\u003e\n\u003cli\u003eUse: Filled with oil and a cotton wick, and lit at the mandir during pooja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya with a hanging bell\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe oil pan sits out on one side, a small boat-shaped cup with its lip drawn to a point, and its whole weight rides on the peacock's body, which curls out of the base in one long S of beaded scrollwork. The bird's head turns back at the top and the neck runs past it into a hook that carries a small bell on a loose ring, well clear of the flame. The base is a plain disc combed with radial lines.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA diya is the cup that holds oil and a cotton wick during pooja. Where the cup is cast onto a standing figure the lamp gains a front and a back, so it is set down facing the deity.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The scrolled stem is the heaviest part of the 600 g and it has to be, because it holds the pan out to one side without the lamp leaning. A plated shell would not balance like that.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe shape will. The beading along the scroll is cast and then cleaned by hand, so the granules vary in size, and the bell hangs at whatever angle the ring settles into on the day.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a hanging ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A hanging ghanti is a bell on a chain, hung at a doorway or an arch and rung on the way in. Here the bell is a small fitting on a lamp, and the lamp is what the piece is for.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan out warm. Keep water away from the bell ring, where it sits and marks, and take soot off the beaded scrollwork with a dry brush rather than soaking it. Dry the base disc last.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is small, so a spoon of ghee fills it. Clear the last of it out while the metal is warm, because a boat-shaped cup this narrow is awkward to scrape once the ghee has set.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951913627970,"sku":"PP-BR-POO-PEA-065","price":2499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150820_jpg.jpg?v=1776689347"},{"product_id":"brass-decorative-diya-d8","title":"Brass Diya with Cut-Out Back Panel, 700 g","description":"\u003cp\u003eA cast brass diya on a lotus foot, with a cut-out panel standing behind the wick.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the punched detail darker in the recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, resting in the lip pinched out at the front of the bowl\u003c\/li\u003e\n\u003cli\u003eBase: A foot of splayed lotus petals, each one veined with punched lines\u003c\/li\u003e\n\u003cli\u003eUse: Filled with oil and lit at the mandir, or set on a pooja thali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass diya with pierced back panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe bowl is pinched to a point at the front so the wick has somewhere to rest, and it is deep enough to take a real pour of oil rather than a smear. Behind it a pierced plate rises to a leaf-shaped point, worked in scrolls that leave three openings cut clean through, with a rosette at each shoulder. The whole thing stands on a foot of splayed petals, each petal veined with punched lines that stop short of the tip.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA diya is the shallow cup that holds oil and a cotton wick and is lit during pooja. Where a plate is cast behind the bowl it shields the flame from a draught and throws the light forward into the room.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The bowl walls, the back panel and the petal foot together weigh 700 g, and the back panel alone is thick enough to stay rigid when you pick the lamp up by it. Weigh it if you want proof.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe scroll pattern will read the same. The three openings in the plate are cleaned out by hand after casting, so their edges are slightly different on every lamp, and so is the depth of the veining.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a plain deepam cup?\u003c\/h3\u003e\u003cp\u003eNo. A plain cup is only the oil bowl. Here the bowl is raised on a petal foot and carries a pierced plate at the back, so the flame is sheltered on one side and the light is thrown forward.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the bowl out warm before the oil goes tacky. The scrollwork holds soot, so warm water and a soft brush through the openings, then dry it properly or the punched lines hold the water.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The bowl is deep, so a spoon of ghee lasts a long aarti. It sets solid as it cools, so clear it out while the metal is warm rather than chipping at it the next morning.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951915561282,"sku":"PP-BR-POO-DIY-061","price":2699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150659_jpg.jpg?v=1776689353"},{"product_id":"brass-hand-painted-lota-set-set-of-3-with-tray","title":"Hand Painted Brass Lota with Tray, Set of 3","description":"\u003cp\u003eThree brass lota in graduated sizes, hand painted over a silver-tone body.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass with a silver-tone finish, wooden tray\u003c\/li\u003e\n\u003cli\u003eWeight: 1,500 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Hand painted\u003c\/li\u003e\n\u003cli\u003eQuantity: Three lota in graduated sizes, one tray\u003c\/li\u003e\n\u003cli\u003eUse: Carrying and pouring water through a pooja, and standing on the mandir shelf between rites\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 large brass lota\u003c\/li\u003e\n\u003cli\u003e1 medium brass lota\u003c\/li\u003e\n\u003cli\u003e1 small brass lota\u003c\/li\u003e\n\u003cli\u003e1 wooden tray\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe three sit on a wooden tray with the grain running the long way and one dark knot near the left edge. Each body is worked to a white silver tone and then painted, red and orange leaf shapes on a vine that runs right round the belly over a cross-hatched ground. Three turned bands cut through the pattern at the waist. The flared mouths and the insides are left plain brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA lota is the small round-bellied vessel with a flared mouth that carries and pours water through a pooja, filled at the start of the rite and set beside the thali.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWipe with a soft dry cloth. For marks, a barely damp cloth and nothing else. Dry it straight away.\u003c\/li\u003e\n\u003cli\u003eThe colour is a surface layer over the metal. Lemon, salt, tamarind and brass polish all lift it — the same things that bring bare brass back to a shine will take the pattern off this piece. Keep them away from the painted areas.\u003c\/li\u003e\n\u003cli\u003eAny bare brass on the foot, rim or underside can be cleaned the normal way with lemon and salt. Work around the colour, not over it.\u003c\/li\u003e\n\u003cli\u003eDo not soak it, do not scrub it, and keep steel wool and scouring pads away from it entirely.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKeep it out of long direct sunlight. Applied colour fades where bare brass would only darken.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eThe bodies are brass and the set weighs 1,500 g. The white on the outside is a silver-tone finish laid over that brass, and the flared mouths and the insides are left bare so the metal underneath shows.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The vine and the leaves are painted by hand, so the spacing of the motifs and the exact reds shift from one lota to the next, and the wooden tray takes its grain from the board it was cut from.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a kalash?\u003c\/h3\u003e\u003cp\u003eNo. A kalash is the round pot set at the centre of a rite with its neck dressed in leaves. A lota is the working vessel beside it, filled and poured through the pooja.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the painted bellies with a dry cloth only. Water and any polish will lift the colour. Rinse the plain brass mouths and insides, dry them, and keep the wooden tray away from a wet sponge.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eThe three work as one set, largest to smallest, and cover water, milk and a spare through a single pooja. A second set earns its place only when a second mandir is being set up.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954573078850,"sku":"PP-BR-POO-LOT-067","price":2399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_193412_jpg.jpg?v=1776689352"},{"product_id":"horai","title":"Brass Offering Bowl with Domed Lid","description":"\u003cp\u003eA brass offering bowl on a turned pedestal, under a domed lid with a chased band.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eLid: Domed, drops over the rim, long pointed top\u003c\/li\u003e\n\u003cli\u003eBase: Turned pedestal on a stepped conical foot\u003c\/li\u003e\n\u003cli\u003eUse: Carrying prasad, sweets or flowers to the mandir and standing them there under the lid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass offering bowl on a pedestal foot\u003c\/li\u003e\n\u003cli\u003e1 brass domed lid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA band of chased flowers and interlace runs right round the lid where the dome turns in, and above it the metal is left plain but for the fine lines the lathe left. The top is drawn out long and pointed, a lift handle first and an ornament second. The rim of the bowl flares out under it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn offering bowl on a pedestal foot is the lidded vessel prasad, sweets or flowers are carried and set down in at the mandir, raised so it stands above the plates round it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and unplated. The bowl, the lid and the pedestal are all brass at 300 g for the three together, and the weight sits in the foot rather than in the lid.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The floral band is chased into the lid by hand, so the flowers do not sit at the same spacing on every piece, and the join where the band meets itself falls in a different place.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a dhoop dani?\u003c\/h3\u003e\u003cp\u003eNo. The band on the lid is raised work and not pierced, so nothing burns inside it. The bowl is closed and is meant for prasad, sweets or flowers rather than for coals.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eEmpty it, wipe both parts dry, and leave the lid off while it is stored so nothing shuts in damp. Lemon and salt on the plain surfaces, then a soft brush through the chased band.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954573635906,"sku":"PP-BR-POO-BOW-077","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_160005_jpg.jpg?v=1776689353"},{"product_id":"brass-antique-agarbatti-stand","title":"Brass Agarbatti Stand with Star Plate","description":"\u003cp\u003eA brass agarbatti stand with a drilled teardrop boss on an eight-point star plate.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 500 g\u003c\/li\u003e\n\u003cli\u003eMotif: Eight-point star plate with concentric petal outlines cut into it\u003c\/li\u003e\n\u003cli\u003eUse: Set under an incense stick at the mandir, on a desk or on a window ledge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass agarbatti stand\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe plate is an eight-point star with the petal outlines cut into it in shallow concentric lines, and the points are thick enough that they do not lift when a hand presses one. At the centre sits a solid teardrop boss, drilled through near its foot so a stick leans out over the plate and the ash drops on brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn agarbatti stand is the tray and holder an incense stick is set into while it burns, angled so the stick stands clear of the surface and the ash falls on metal rather than on the shelf.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The boss is cast solid rather than hollow, which is where most of the 500 g goes, and the star plate has enough metal in it to sit still under a burning stick.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The plate is cast and the lines are cut into it one piece at a time, so the star points and the petal outlines vary a little, and the brass darkens from the day it is unwrapped.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a dhoop dani?\u003c\/h3\u003e\u003cp\u003eNo. A dhoop dani is the lidded vessel loban or resin is burned in over coals. An agarbatti stand takes a stick, holds it at an angle and catches the ash on an open plate.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the ash off and wipe the plate with a dry cloth. Ash left sitting draws moisture and marks the brass, so it comes off after each stick rather than at the end of the week.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954574618946,"sku":"PP-BR-POO-AGA-075","price":1399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151405_jpg.jpg?v=1776689353"},{"product_id":"brass-hanging-bells-antique-finish","title":"Antique Brass Hanging Bells with Deity Panels","description":"\u003cp\u003eNine brass bells hang from four cast deity panels linked in a vertical string.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Four square cast panels, each framed by a milled border\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha on the second panel, Saraswati with a veena on the third\u003c\/li\u003e\n\u003cli\u003eUse: Hung at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with nine bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour square panels hang one under the other on plain rings, each panel framed by a milled border and carrying a figure cast in relief. Ganesha sits on the second panel and Saraswati plays a veena on the third. Two bells swing from crescent hooks at the sides of every panel, and a ninth hangs alone from the bottom ring, lower than the rest so it is the one a hand catches first.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the vertical run of small bells hung at a doorway or over a mandir arch, sounded by a hand or by the door as it swings.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass, 800 g across the panels, the rings and the nine bells. The dark sitting in the recesses is the antique finish rather than a coating that could flake off the raised work.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. Each bell is cast and finished by hand, so they differ a little in wall thickness and in tone, and the string never hangs with all nine at exactly the level shown here.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A pooja ghanti is the single handled bell rung during aarti. A hanging string stays fixed at the door and is sounded by a hand or by the door itself.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the bells and the raised figures, nothing more. Lemon, salt or tamarind will strip the dark out of the recesses and the panels will read flat.\u003c\/p\u003e\n\u003ch3\u003eDo all nine bells ring?\u003c\/h3\u003e\u003cp\u003eYes, each carries its own clapper. They are cast at slightly different weights, so the string sounds as a spread of notes rather than as one pitch.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954577142082,"sku":"PP-BR-POO-GHA-068","price":2399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155751_jpg.jpg?v=1776689355"},{"product_id":"brass-hanging-bells-antique-finish-1","title":"Antique Brass Hanging Bells with Swastik","description":"\u003cp\u003eSeven brass bells hang from three cast plaques, the lowest carrying a swastik.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Three scrolled cast plaques with foliate arms and beaded frames\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lettering on the top two plaques, a swastik on the lowest\u003c\/li\u003e\n\u003cli\u003eUse: Fixed at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with seven bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the three plaques is cut as a scrolled cross with foliate arms rather than as a plain square. The top two carry raised lettering inside a beaded frame, the pair of words set either side of a doorway at Diwali; the lowest carries a swastik. Two bells hang from crescent hooks on the arms of every plaque, and a seventh drops from the bottom ring on its own.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the run of small bells fixed at a doorway or over a mandir arch, sounded on the way in so the household hears the rite begin.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass across the plaques, the rings and the seven bells, at 750 g for the string. The dark in the scrollwork is the antique finish, not a lacquer sitting on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Each plaque and each bell is cast and finished by hand, so the depth of the scrollwork and the tone of the darkening move from one string to the next.\u003c\/p\u003e\n\u003ch3\u003eWhat does the lettering say?\u003c\/h3\u003e\u003cp\u003eThe top two plaques carry the pair of words traditionally set either side of a doorway at Diwali, cast in raised relief. The third plaque carries a swastik instead of lettering.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth, nothing wet. The scrollwork holds the dark that gives the plaques their depth, and lemon, salt or tamarind lifts it straight out and leaves the pattern flat.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be hung?\u003c\/h3\u003e\u003cp\u003eAt the mandir arch or on the inside of the main door, high enough that the bells clear a head and low enough that a hand reaches the lowest one on the way past.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954579009858,"sku":"PP-BR-POO-GHA-072","price":2199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155828_jpg.jpg?v=1776689357"},{"product_id":"brass-standing-diya-set-of-2","title":"Brass Peacock Standing Diya, Set of 2","description":"\u003cp\u003eA pair of brass standing diyas, each with a cast peacock over a spouted oil pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast tops on turned stems\u003c\/li\u003e\n\u003cli\u003eWeight: 1,000 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished to a bright yellow, with the beading on the tops left crisp\u003c\/li\u003e\n\u003cli\u003eQuantity: 2 lamps, cast from the same pattern and finished one at a time\u003c\/li\u003e\n\u003cli\u003eUse: Lit as a pair beside a murti, at a doorway, or on either side of an aarti thali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass standing diya with a peacock top\u003c\/li\u003e\n\u003cli\u003e1 matching brass standing diya\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach peacock holds a ribbed strap in its beak that curves down and loops back to its own feet, so the bird reads as a closed shape rather than an outline with a gap in it. Both tails go up behind in beaded fans. The stems repeat the same turned sequence, a fluted band over a beaded ring over a long taper. The pans are pulled into sharp spouts at the rim, and each bell foot sits on a wide flat disc turned with fine concentric lines, which catches the oil that creeps down the stem. The two are not identical twins. Set them side by side and the tails and the fluting on the bases give the hand away.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is an oil lamp raised on a turned stem and a weighted foot. Lamps like these are lit in pairs, one on each side of a murti or a doorway, so the light falls evenly on whatever sits between them.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Cast and turned brass rather than pressed sheet, all the way through. The pair weighs 1,000 g together, so put one lamp on a kitchen scale and the number tells you what you have.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo, and the two lamps in the set are not identical to each other either. Each peacock is cast and finished by hand, so the tails and the crests differ a little.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a kuthu vilakku?\u003c\/h3\u003e\u003cp\u003eIt is the same object. Kuthu vilakku is the Tamil name for a standing oil lamp and samai the Marathi one. Both describe a lamp that stands on its own foot instead of being carried.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the cold oil out and wipe the pan with a dry cloth, taking the corner of it into each spout. The flat disc under the foot catches the runs, so wipe that at the same time.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets hard in the spouts as it cools, so wipe both pans the same evening rather than leaving the residue to harden overnight.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eTwo is the usual count, one on each side of the murti, and that is what the set gives. A household lighting a doorway as well would keep a second pair by the entrance.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does each pan take?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The spouts are being counted from the pans in hand, because the rear spouts sit behind the stem in this photograph and cannot be counted from it.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954584580418,"sku":"PP-BR-POO-SAM-050","price":5599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152259_jpg.jpg?v=1776925466"},{"product_id":"brass-standing-diya","title":"Brass Standing Diya with Peacock on Top","description":"\u003cp\u003eA turned brass standing diya with a peacock at the top above a wide, spouted oil pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast detail darker in the recesses\u003c\/li\u003e\n\u003cli\u003eBase: Domed bell foot cut with vertical panels, stepping onto a plain flared disc\u003c\/li\u003e\n\u003cli\u003eUse: Filled with oil and lit at the mandir or beside a doorway\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe stem is turned in a stack of collars and knops with beaded rings at the joins, and one section is fluted where the rest are left smooth. The pan is a shallow saucer pulled out into pointed spouts at the rim, set at the widest part of the lamp so a wick lies in any one of them without the others in the way. Below it the foot swells into a domed bell cut with vertical panels and rows of dots.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is the tall oil lamp on a weighted foot, standing on the floor or a pedestal rather than being carried. The oil sits in the pan and the wicks lie in the spouts, so the flame sits clear of the floor.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 500 g and nearly half of that is in the bell foot, which is what keeps a tall lamp from going over. A plated version would be lighter at the bottom and would rock.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. The stem is turned one piece at a time, so the height of each collar and the depth of the fluting vary, and the polish takes the light differently on every lamp.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a small table diya?\u003c\/h3\u003e\u003cp\u003eNo. A table diya is a low cup you set down beside the deity. This one raises the oil pan on a turned stem so the flame sits high, which is why it is lit at a doorway or in front of a mandir.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan out while it is still warm, before the oil goes sticky. Soot builds at the spout tips and lifts with warm water and a soft brush. Dry the stem and the foot with a cloth afterwards.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes, and it is the usual choice for a lamp like this. Ghee sets hard in the pan overnight, so wipe the pan out warm and keep the spout tips clear or the next wick will not draw.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954585399618,"sku":"PP-BR-POO-STA-059","price":3299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152307_jpg.jpg?v=1776925465"},{"product_id":"brass-standing-diya-set-of-3","title":"Plain Brass Standing Diya, Set of 2","description":"\u003cp\u003eA pair of plain turned brass standing diyas, each ending in a pointed bud over the pan.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 360 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eQuantity: 2 lamps\u003c\/li\u003e\n\u003cli\u003eUse: Lit as a pair beside a murti or at a doorway\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 turned brass standing diya\u003c\/li\u003e\n\u003cli\u003e1 matching brass standing diya\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEverything here is cut on the lathe. The stem steps through a bud, a set of close rings, a long waist and a second bulb before it reaches the bell foot, and the foot finishes in two turned steps rather than a plain edge. The top is a tall pointed bud with a slight swell at its base, sitting over the centre of the pan. Both lamps are polished to a mirror, and each one takes the reflection of the other.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is an oil lamp lifted on a stem so the pan sits above the surface it stands on. A plain one carries no figure at the top, and the whole profile is turned on a lathe from the foot to the top.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, turned from bar rather than pressed from sheet. The stated weight is 360 g for the pair, which is light for the height, so the figure is being checked on a scale before the listing is final.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Both lamps are turned by hand on a lathe, so the rings on the stems fall at slightly different heights and the two in your set will not be exact copies of each other.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a samai?\u003c\/h3\u003e\u003cp\u003eIt is a samai. That is the Marathi name for a standing oil lamp; kuthu vilakku is the Tamil one. A plain lamp like this carries no bird or figure at the top, only a turned bud.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the cold oil out, wipe the pan and its spouts with a dry cloth, then run the cloth along the turned rings on the stem where soot settles. Polish only when the mirror has gone.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. On a pan this shallow ghee sets quickly once the flame is out, so wipe both pans the same evening while the metal still holds warmth.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eTwo, one on each side of the murti, which is what the set gives. A larger mandir shelf usually takes a taller pair at the back and a small pair like this at the front.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954586546498,"sku":"PP-BR-POO-STD-055","price":4199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152416_jpg.jpg?v=1776925466"},{"product_id":"brass-standing-diya-1","title":"Brass Standing Diya with Petal Oil Pan","description":"\u003cp\u003eA brass standing diya with a petal-pointed oil pan and a tall spike on top.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eBase: Round stepped foot with a domed skirt, sits flat\u003c\/li\u003e\n\u003cli\u003eUse: Lit at the mandir or at a doorway, with oil in the pan and a wick in each point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe whole thing is turned on a lathe and nothing on it is cast. Rings and knops step down the stem in a run that reads as one continuous cut, and the foot rolls out to a plain domed skirt that keeps 200 g low. Above the pan the stem carries on and finishes in a long tapered spike. The pan is set halfway up rather than at the top, so the spike stands clear of a flame.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a floor or table oil lamp built on a weighted foot, so the pan holding the oil and the wicks sits at a height instead of resting flat on the ground.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid throughout, and unplated. At 200 g the weight sits in the foot and the stem, and the turning rings are cut into the metal rather than pressed into a coating over it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The turning is cut one lamp at a time, so the depth of each ring and the run of the knops shift a little, and the brass starts to darken from the day it is unwrapped.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee sets solid in the pan once the flame goes out and has to be warmed before the next lighting, which is the only real difference. Wipe the pan out before it is stored either way.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLet the pan cool, lift the old wick out and wipe the oil off with a dry cloth. Once a month, lemon and salt on the stem and the foot brings the brass back, then rinse and dry it.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does the pan take?\u003c\/h3\u003e\u003cp\u003eOne in each petal point on the rim. The points at the back of the pan are hidden in the photograph, so the number is left open above rather than guessed at.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954589659458,"sku":"PP-BR-POO-STD-070","price":2299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152425_jpg.jpg?v=1776925466"},{"product_id":"kansa-panchpatra-anchmani","title":"Kansa Panchpatra with Achmani Spoon, 2 Piece","description":"\u003cp\u003eA kansa panchpatra and achmani spoon, the cup rimmed with a wide flat flange.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Kansa (bronze), unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eQuantity: 2 pieces\u003c\/li\u003e\n\u003cli\u003eUse: Holds and offers water at set points in a pooja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 kansa panchpatra cup\u003c\/li\u003e\n\u003cli\u003e1 kansa achmani spoon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe cup wall runs straight up and then rolls out into a flat flange about as wide as a fingertip, so wet fingers have something to hold and the spoon can be laid across the top without sliding in. The spoon is plain, a small oval bowl on a round stem that swells into a rounded paddle at the far end. Both are turned smooth with no engraving anywhere on them, and the metal reads pale gold rather than the yellow of brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA panchpatra is the small cup that holds the water taken during a pooja, and the achmani is the spoon that lifts it. Kansa is bronze, an alloy of copper and tin long used for Indian eating and ritual vessels.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eKansa is an alloy of copper and tin, known in English as bell metal or bronze. It is dense, hard, and heavier in the hand than steel of the same size.\u003c\/li\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge straight after eating. Dry fully.\u003c\/li\u003e\n\u003cli\u003eKansa darkens with use and reacts to sour food faster than brass does. Serve lemon, curd, tamarind and pickle fresh rather than leaving them standing in the vessel.\u003c\/li\u003e\n\u003cli\u003eTo restore the shine: tamarind pulp, or lemon and salt. Rinse thoroughly and dry.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, harsh detergent or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKansa is hard but it is not forgiving — a fall onto stone can dent or crack the rim. Store it where it will not knock against other metal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this kansa solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Kansa is cast and turned, never plated, and the cup and spoon weigh 300 g between them. Tap the rim and it rings on, which a plated cup will not do.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two match. Kansa is cast and then turned on a lathe, so the polish and the exact line of the rolled rim shift a little from one cup to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a lota?\u003c\/h3\u003e\u003cp\u003eNo. A lota is the larger round pot the water is carried in. The panchpatra is the small cup the water is taken from during the pooja itself, and the achmani spoon lifts it.\u003c\/p\u003e\n\u003ch3\u003eIs kansa the same as brass?\u003c\/h3\u003e\u003cp\u003eNo. Brass is copper and zinc. Kansa is bronze, copper and tin, so it comes out paler in colour and rings for longer when it is struck. The two are different metals.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eRinse in warm water and wipe dry the same day. Kansa dulls if water is left standing in it, and a little lemon with salt brings the shine back when that happens.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eOne set for the person doing the pooja. Where two people sit together it is usual to keep two, so the water is not passed from hand to hand during the rite.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954665288002,"sku":"PP-KA-POO-PAN-053","price":4499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152755_jpg.jpg?v=1776925466"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/collections\/pooja-and-mandir-collection-peetal-parampara.png?v=1787534408","url":"https:\/\/www.peetalparampara.in\/collections\/pooja-mandir.oembed","provider":"PEETAL PARAMPARA","version":"1.0","type":"link"}