{"title":"Mandir Essentials","description":"\u003cp\u003eThe working pieces of a pooja rather than the lamps. Aarti thalis and spoons, kalash, chowkis and stands, offering bowls, panchpatra, and the small vessels that carry water, ghee and prasad.\u003c\/p\u003e\u003cp\u003eAll of it is brass unless the page says otherwise, and none of it is plated, so nothing chips. The surface dulls between poojas because unlacquered brass reacts with air and with skin. Lemon and salt brings it back. Weight in grams is on the page, which is also how you tell a solid piece from a plated shell of the same size.\u003c\/p\u003e","products":[{"product_id":"brass-kalash-hanging","title":"Brass Kalash Panel with Mango Leaves","description":"\u003cp\u003eA flat brass kalash panel, cast in relief, with five mango leaves rising at the mouth.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the relief darker in the recesses\u003c\/li\u003e\n\u003cli\u003eIconography: A row of figures either side of a lingam under an arch, over bands of waves\u003c\/li\u003e\n\u003cli\u003ePanels: Five mango leaves at the mouth, a beaded collar and a band of triangles at the neck\u003c\/li\u003e\n\u003cli\u003eUse: Stood or hung in the mandir as the kalash form, rather than filled with water\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass kalash relief panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe five leaves at the mouth are cast with a raised midrib and a fan of side veins, and the two outer ones curl over at the tips. Under a beaded collar and a band of triangles, the belly carries a crowd of small figures in relief standing either side of a lingam under an arch, with rows of wave lines running beneath them. Across the foot there is a raised inscription in Devanagari script. The back is flat.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA kalash is the round-bellied, narrow-necked pot set at the centre of a rite and dressed with mango leaves at the mouth. Cast flat as a panel, the same form becomes a piece to stand or hang rather than to fill.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast in one piece. A flat panel this size at 850 g is thick metal, which is why the figures along the belly hold their edges instead of reading as a shallow stamping.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe relief will. How dark the recesses sit will not, because the figure band and the wave lines take polish unevenly and each panel is finished by hand after it comes out of the mould.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja kalash?\u003c\/h3\u003e\u003cp\u003eNo. A pooja kalash is a pot you fill with water and dress with leaves and a coconut. The panel is cast flat and closed, so it stands for the kalash rather than doing its job.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the raised areas is usually enough. If roli or ash has settled into the wave lines and the figure band, use a soft dry brush rather than water, which sits in the deeper relief.\u003c\/p\u003e\n\u003ch3\u003eCan I fill it with water?\u003c\/h3\u003e\u003cp\u003eNo. There is no opening anywhere in it. The mouth and the leaves are cast solid, so keep water, rice and the coconut in a separate pot and let the panel stand behind them.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940493521218,"sku":"PP-BR-POO-KAL-062","price":2799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165810_jpg.jpg?v=1776518977"},{"product_id":"brass-antique-loban","title":"Brass Loban Dhoop Dani with Peacock Lid","description":"\u003cp\u003eA cast brass dhoop dani with a pierced domed lid and a peacock standing on top.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast pattern darker in the recesses\u003c\/li\u003e\n\u003cli\u003eLid: Domed and pierced, lifting clear off the bowl, with a peacock top on a turned collar\u003c\/li\u003e\n\u003cli\u003eBase: Cast feet under the bowl and two winged side scrolls that reach down to the shelf\u003c\/li\u003e\n\u003cli\u003eUse: Loban or dhoop resin burned over a coal in the bowl, with the lid on\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass loban dhoop dani bowl\u003c\/li\u003e\n\u003cli\u003e1 pierced brass lid with peacock top\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe lid is domed and carries two bands of cast pattern, a running key fret at the crown and a row of scrolls below it, with a ring of round holes punched between them for the smoke. The bowl underneath is left plain and unworked. Two wings scroll up from the sides and come down again to feet that touch the shelf, holding the bowl clear of it. The peacock on top perches on a turned collar with its tail curling back over its head.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA loban dhoop dani is the lidded, pierced vessel in which loban or dhoop resin is burned over a coal, the holes in the lid letting the smoke out while the ash stays down in the bowl.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than spun. Bowl, lid and top together weigh 750 g, well past what a plated shell of the same size would come to, and a kitchen scale will tell you so in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The lid pattern is cast and then cleaned up by hand, so the holes vary a little in size and the darkening that sits in the key fret is deeper on some pieces than others.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an agarbatti stand?\u003c\/h3\u003e\u003cp\u003eNo. An agarbatti stand holds burning incense sticks upright and catches the ash in a tray. A dhoop dani is a covered bowl for loose loban or dhoop resin burned over a coal, the smoke coming up through the lid.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLet it go cold first. Tip the ash out, wipe the bowl with a dry cloth, and lift any resin that has set hard with warm water and a soft brush. Dry the inside fully before the lid goes back on.\u003c\/p\u003e\n\u003ch3\u003eWill the brass get too hot to hold?\u003c\/h3\u003e\u003cp\u003eYes. Brass carries heat, and the bowl, the feet and the side wings all warm through once a coal is in there. Move it with a cloth over the wings, or leave it to cool where it stands.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945261199682,"sku":"PP-BR-POO-DHO-057","price":3199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171214_jpg.jpg?v=1776506604"},{"product_id":"shankh-chakra-namah-of-lord-vishnu-brass","title":"Brass Shankh Sudarshan Namah on One Base","description":"\u003cp\u003eA cast brass shankh, sudarshan and namah standing in a row on one engraved base.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast recesses left darker\u003c\/li\u003e\n\u003cli\u003eIconography: Sudarshan disc on the left, namah in the centre, shankh on the right\u003c\/li\u003e\n\u003cli\u003eBase: One rectangular base on four stub feet, with a band of engraved arcs on the front face\u003c\/li\u003e\n\u003cli\u003eUse: Kept on a mandir shelf or a pooja chowki as the emblems of Vishnu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass shankh, sudarshan and namah on a base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe disc on the left is a ring of pointed petals worked in two bands enclosing a raised centre boss, and the shankh on the right is a smooth spiral whorl set in the same flame-shaped surround. Between them the namah rises plain and unworked, three prongs off one foot, the outer two flicking outward at the tips. The base dips in a shallow curve along its top edge and stands on four stub corner feet.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eThe shankh, sudarshan and namah are the three emblems of Vishnu, the conch, the discus and the upright name-mark, set out together in a mandir where the emblems stand in place of a figure of the deity.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed. The three emblems and the base together come to 800 g, so a kitchen scale settles it on the day the parcel arrives. A plated shell this size would weigh a fraction of that.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. Each one is cast and then filed and polished by hand, so the depth of the petal work on the disc and the amount of dark left in the recesses shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a shankh you can blow?\u003c\/h3\u003e\u003cp\u003eNo. The conch here is a solid cast emblem in relief, made to be looked at. A blowing shankh is a hollow shell with the tip cut open, and it is sold as its own object.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the base once the offerings are cleared. If ghee or roli has dried into the petal work on the disc, warm water and an old toothbrush lift it out, and then dry the piece fully.\u003c\/p\u003e\n\u003ch3\u003eDo the three emblems lift off the base?\u003c\/h3\u003e\u003cp\u003eWe are checking that with the maker before stating it. What the photograph shows is each emblem standing on the base on its own small feet, which is not enough to tell a cast joint from a set one.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947426672962,"sku":"PP-BR-POO-SHK-056","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151930_jpg.jpg?v=1776689361"},{"product_id":"brass-singhasan-antique","title":"Antique Brass Singhasan with Arch","description":"\u003cp\u003eA brass singhasan with a pierced arch back and a lion face at the apex.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Lion face at the apex, an elephant at each side of the arch\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate with a rosette at the centre\u003c\/li\u003e\n\u003cli\u003eUse: Seats a murti inside the mandir\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass singhasan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA lion face crowns the arch, and the arch itself is cut right through in floral rosettes, so the wall behind shows in the gaps. An elephant stands at the foot of each side of it. The arms come forward as two birds with their beaks curved back to their own bodies, and the seat between them is engraved with a whirling rosette at the centre. Four corner posts stand up as plain cones, the one plain thing on the whole piece.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA singhasan is the small throne a murti is seated on inside a mandir, with a raised back so the figure has something to sit against and rails or arms that frame it from the front.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The arch, the rails and the seat are cast and pinned together, and the whole throne weighs 2,000 g. A plated version would be pressed sheet and would flex when the murti went in.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The rosettes in the arch are pierced by hand, so the openings differ slightly in size, and the antique finish leaves more or less gold showing on the raised work.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a chowki?\u003c\/h3\u003e\u003cp\u003eNo. A chowki is a flat platform with no back at all. The singhasan has the arch behind the seat and rails at the sides, so the murti is framed as well as raised.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth on the seat and a soft dry brush through the pierced arch. Leave the dark in the recesses alone, because that is the finish, and lemon or tamarind will strip it out.\u003c\/p\u003e\n\u003ch3\u003eWill my murti fit inside the arch?\u003c\/h3\u003e\u003cp\u003eMeasure the base of your murti first. We have not measured the seat or the arch, so we cannot give you the two numbers that would settle it from the page. Send us the width and height of your murti and we will put a tape to this piece and answer before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe raised surfaces will darken with handling, which is the same brass everywhere else in the mandir doing the same thing. A dry cloth brings them back; the recesses stay dark by design.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947442368834,"sku":"PP-BR-POO-SIN-052","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160211_jpg.jpg?v=1776689357"},{"product_id":"brass-trishul","title":"Brass Trishul with Stepped Square Base","description":"\u003cp\u003eA cast brass trishul with three prongs over a pierced collar on a plain shaft.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eIconography: Three prongs over a fluted collar with two pierced openings\u003c\/li\u003e\n\u003cli\u003eBase: Stepped square base with a fluted top face\u003c\/li\u003e\n\u003cli\u003eUse: Stood upright in the mandir beside the murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass trishul on a stepped square base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe centre prong runs straight and the two outer prongs curl away from it and back in, all three finishing in fine points that read pinker than the shaft below. Under them a fluted collar carries two pierced openings, and a bow-tie cross piece is fitted over the plain rod halfway down.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA trishul is the three-pronged staff carried by Shiva, kept in the home mandir as an emblem rather than as a working object, usually mounted upright on its own base.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The prongs and the base are cast and the shaft is a solid rod, and at 250 g the base holds the piece upright without anything needed under it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. Each trishul is cast and then filed and polished by hand, so the curl of the outer prongs and the depth of the collar shift a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart from the base?\u003c\/h3\u003e\u003cp\u003eIt photographs as one piece with the shaft seated into the base. We have not had one apart to check whether that joint unscrews, so treat it as fixed.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the prongs and the shaft. Once the brass dulls, lemon and salt brings it back, but rinse the pierced collar well and dry it, because water sits in the openings.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947629965634,"sku":"PP-BR-POO-TRI-076","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151449_jpg.jpg?v=1776689342"},{"product_id":"kansa-pooja-ghanti-small","title":"Kansa Ghanti with Carved Wood Handle","description":"\u003cp\u003eA kansa ghanti with a wooden handle carved with birds and a turned knop.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Kansa (bronze) bell, carved wooden handle\u003c\/li\u003e\n\u003cli\u003eWeight: 150 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eUse: Rung at the opening of a pooja and through the aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 kansa ghanti with a carved wooden handle\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe handle is not metal. It is a turned length of pale wood, pierced and carved with a bird among leaves on each face, cut into rows of gadroons above and below, and finished with a small metal knop rather than with the wood itself. The bell under it is plain and smooth with no pattern on it at all, and the flare takes a mirror off the studio lights.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eKansa is bronze, an alloy of copper and tin, and a ghanti is the small handled bell rung to open a pooja and again at each turn of the aarti.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eKansa is an alloy of copper and tin, known in English as bell metal or bronze. It is dense, hard, and heavier in the hand than steel of the same size.\u003c\/li\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge straight after eating. Dry fully.\u003c\/li\u003e\n\u003cli\u003eKansa darkens with use and reacts to sour food faster than brass does. Serve lemon, curd, tamarind and pickle fresh rather than leaving them standing in the vessel.\u003c\/li\u003e\n\u003cli\u003eTo restore the shine: tamarind pulp, or lemon and salt. Rinse thoroughly and dry.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, harsh detergent or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKansa is hard but it is not forgiving — a fall onto stone can dent or crack the rim. Store it where it will not knock against other metal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this kansa solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid kansa in the bell and solid wood in the handle. At 150 g this is the small bell in the range, and almost all of that weight sits in the metal rather than in the handle above it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe frame shows four sizes side by side and the listing sells the small one. The carving is cut by hand into wood, so the birds and the leaves differ from handle to handle and the grain never repeats.\u003c\/p\u003e\n\u003ch3\u003eIs kansa the same as brass?\u003c\/h3\u003e\u003cp\u003eNo. Kansa is copper and tin. Brass is copper and zinc. Kansa reads paler and rings longer, which is why it has been used for bells and for eating vessels rather than for cooking pots.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a hanging ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A hanging ghanti is a fixed string of bells at a doorway. A pooja ghanti is held, rung at the opening of the rite and set back down on the thali.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the bell with a dry cloth and keep water off the wood. When the metal dulls, a paste of lemon and salt on the bell alone brings it back, then rinse and dry it away from the handle.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52948344144194,"sku":"PP-KA-POO-GHA-069","price":2599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_190233_jpg.jpg?v=1776689352"},{"product_id":"brass-sighasan-stool","title":"Hand Engraved Brass Chowki, 5 kg","description":"\u003cp\u003eA brass chowki with an engraved top plate set into a collar over a pierced apron.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast legs under a sheet body\u003c\/li\u003e\n\u003cli\u003eWeight: 5,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the engraved lines darker than the ground\u003c\/li\u003e\n\u003cli\u003eTechnique: Hand engraved top plate over an apron pierced in scrolling openwork\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate seated inside a raised collar, seam visible at the rim\u003c\/li\u003e\n\u003cli\u003eUse: Stands a murti, a kalash or an aarti thali clear of the mandir shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass chowki\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe top is a separate engraved plate dropped into a raised collar, and the seam where the two meet stays visible along the rim. A rosette sits at the centre of the plate inside a ring of sun rays, with flower medallions ringing that, then band after band of fine cut line out to a scalloped border. Under the collar the apron is cut through in scrolling openwork, so light passes under the platform and the weight comes down through the legs rather than the skirt. The legs are cast leaf brackets that curl outward and flare into splayed feet, and at 5 kg nothing shifts when a murti is set down on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA chowki is the low flat platform a murti or a kalash is stood on inside a mandir, lifting the figure clear of the shelf so it is seen at eye level and the shelf underneath stays clean. A chowki has no back.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. It weighs 5,000 g. Cast legs and a heavy engraved plate account for that, and plated sheet at the same width would be a fraction of the number, so a kitchen scale settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two match. The engraving is cut by hand, so the bands do not close at the same point on every plate, and the polish takes light differently across the top.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a singhasan?\u003c\/h3\u003e\u003cp\u003eNo. A singhasan has a raised arched back for the murti to sit against. The chowki is a flat platform with no back, so a figure of any height can stand on it.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLift the murti off, wipe the plate with a dry cloth and take the oil and roli out of the cut lines with a soft dry brush. Water left standing in the engraving will mark the brass.\u003c\/p\u003e\n\u003ch3\u003eWill the engraving hold dirt?\u003c\/h3\u003e\u003cp\u003eRoli, oil and ash settle into the cut lines. A dry brush lifts most of it. Do not soak the plate, because water sitting in the engraving dries as a dull ring.\u003c\/p\u003e\n\u003ch3\u003eWill it mark my shelf?\u003c\/h3\u003e\u003cp\u003eThe feet are bare cast brass carrying 5,000 g on a small footprint. Set a cloth or a mat under it on wood or polished stone if you would rather not have the marks.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled. A dry cloth keeps the raised surfaces bright, and many households let the low engraved lines stay dark so the pattern still reads.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951897866562,"sku":"PP-BR-POO-CHO-046","price":11599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/hand-engraved-brass-chowki-peetal-parampara.png?v=1787530574"},{"product_id":"brass-hand-painted-lota-set-set-of-3-with-tray","title":"Hand Painted Brass Lota with Tray, Set of 3","description":"\u003cp\u003eThree brass lota in graduated sizes, hand painted over a silver-tone body.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass with a silver-tone finish, wooden tray\u003c\/li\u003e\n\u003cli\u003eWeight: 1,500 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Hand painted\u003c\/li\u003e\n\u003cli\u003eQuantity: Three lota in graduated sizes, one tray\u003c\/li\u003e\n\u003cli\u003eUse: Carrying and pouring water through a pooja, and standing on the mandir shelf between rites\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 large brass lota\u003c\/li\u003e\n\u003cli\u003e1 medium brass lota\u003c\/li\u003e\n\u003cli\u003e1 small brass lota\u003c\/li\u003e\n\u003cli\u003e1 wooden tray\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe three sit on a wooden tray with the grain running the long way and one dark knot near the left edge. Each body is worked to a white silver tone and then painted, red and orange leaf shapes on a vine that runs right round the belly over a cross-hatched ground. Three turned bands cut through the pattern at the waist. The flared mouths and the insides are left plain brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA lota is the small round-bellied vessel with a flared mouth that carries and pours water through a pooja, filled at the start of the rite and set beside the thali.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWipe with a soft dry cloth. For marks, a barely damp cloth and nothing else. Dry it straight away.\u003c\/li\u003e\n\u003cli\u003eThe colour is a surface layer over the metal. Lemon, salt, tamarind and brass polish all lift it — the same things that bring bare brass back to a shine will take the pattern off this piece. Keep them away from the painted areas.\u003c\/li\u003e\n\u003cli\u003eAny bare brass on the foot, rim or underside can be cleaned the normal way with lemon and salt. Work around the colour, not over it.\u003c\/li\u003e\n\u003cli\u003eDo not soak it, do not scrub it, and keep steel wool and scouring pads away from it entirely.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKeep it out of long direct sunlight. Applied colour fades where bare brass would only darken.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eThe bodies are brass and the set weighs 1,500 g. The white on the outside is a silver-tone finish laid over that brass, and the flared mouths and the insides are left bare so the metal underneath shows.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The vine and the leaves are painted by hand, so the spacing of the motifs and the exact reds shift from one lota to the next, and the wooden tray takes its grain from the board it was cut from.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a kalash?\u003c\/h3\u003e\u003cp\u003eNo. A kalash is the round pot set at the centre of a rite with its neck dressed in leaves. A lota is the working vessel beside it, filled and poured through the pooja.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the painted bellies with a dry cloth only. Water and any polish will lift the colour. Rinse the plain brass mouths and insides, dry them, and keep the wooden tray away from a wet sponge.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eThe three work as one set, largest to smallest, and cover water, milk and a spare through a single pooja. A second set earns its place only when a second mandir is being set up.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954573078850,"sku":"PP-BR-POO-LOT-067","price":2399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_193412_jpg.jpg?v=1776689352"},{"product_id":"horai","title":"Brass Offering Bowl with Domed Lid","description":"\u003cp\u003eA brass offering bowl on a turned pedestal, under a domed lid with a chased band.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eLid: Domed, drops over the rim, long pointed top\u003c\/li\u003e\n\u003cli\u003eBase: Turned pedestal on a stepped conical foot\u003c\/li\u003e\n\u003cli\u003eUse: Carrying prasad, sweets or flowers to the mandir and standing them there under the lid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass offering bowl on a pedestal foot\u003c\/li\u003e\n\u003cli\u003e1 brass domed lid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA band of chased flowers and interlace runs right round the lid where the dome turns in, and above it the metal is left plain but for the fine lines the lathe left. The top is drawn out long and pointed, a lift handle first and an ornament second. The rim of the bowl flares out under it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn offering bowl on a pedestal foot is the lidded vessel prasad, sweets or flowers are carried and set down in at the mandir, raised so it stands above the plates round it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and unplated. The bowl, the lid and the pedestal are all brass at 300 g for the three together, and the weight sits in the foot rather than in the lid.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The floral band is chased into the lid by hand, so the flowers do not sit at the same spacing on every piece, and the join where the band meets itself falls in a different place.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a dhoop dani?\u003c\/h3\u003e\u003cp\u003eNo. The band on the lid is raised work and not pierced, so nothing burns inside it. The bowl is closed and is meant for prasad, sweets or flowers rather than for coals.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eEmpty it, wipe both parts dry, and leave the lid off while it is stored so nothing shuts in damp. Lemon and salt on the plain surfaces, then a soft brush through the chased band.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954573635906,"sku":"PP-BR-POO-BOW-077","price":1099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_160005_jpg.jpg?v=1776689353"},{"product_id":"brass-antique-agarbatti-stand","title":"Brass Agarbatti Stand with Star Plate","description":"\u003cp\u003eA brass agarbatti stand with a drilled teardrop boss on an eight-point star plate.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 500 g\u003c\/li\u003e\n\u003cli\u003eMotif: Eight-point star plate with concentric petal outlines cut into it\u003c\/li\u003e\n\u003cli\u003eUse: Set under an incense stick at the mandir, on a desk or on a window ledge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass agarbatti stand\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe plate is an eight-point star with the petal outlines cut into it in shallow concentric lines, and the points are thick enough that they do not lift when a hand presses one. At the centre sits a solid teardrop boss, drilled through near its foot so a stick leans out over the plate and the ash drops on brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn agarbatti stand is the tray and holder an incense stick is set into while it burns, angled so the stick stands clear of the surface and the ash falls on metal rather than on the shelf.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The boss is cast solid rather than hollow, which is where most of the 500 g goes, and the star plate has enough metal in it to sit still under a burning stick.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose. The plate is cast and the lines are cut into it one piece at a time, so the star points and the petal outlines vary a little, and the brass darkens from the day it is unwrapped.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a dhoop dani?\u003c\/h3\u003e\u003cp\u003eNo. A dhoop dani is the lidded vessel loban or resin is burned in over coals. An agarbatti stand takes a stick, holds it at an angle and catches the ash on an open plate.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eTip the ash off and wipe the plate with a dry cloth. Ash left sitting draws moisture and marks the brass, so it comes off after each stick rather than at the end of the week.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954574618946,"sku":"PP-BR-POO-AGA-075","price":1399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151405_jpg.jpg?v=1776689353"},{"product_id":"brass-hanging-bells-antique-finish","title":"Antique Brass Hanging Bells with Deity Panels","description":"\u003cp\u003eNine brass bells hang from four cast deity panels linked in a vertical string.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Four square cast panels, each framed by a milled border\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha on the second panel, Saraswati with a veena on the third\u003c\/li\u003e\n\u003cli\u003eUse: Hung at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with nine bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour square panels hang one under the other on plain rings, each panel framed by a milled border and carrying a figure cast in relief. Ganesha sits on the second panel and Saraswati plays a veena on the third. Two bells swing from crescent hooks at the sides of every panel, and a ninth hangs alone from the bottom ring, lower than the rest so it is the one a hand catches first.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the vertical run of small bells hung at a doorway or over a mandir arch, sounded by a hand or by the door as it swings.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass, 800 g across the panels, the rings and the nine bells. The dark sitting in the recesses is the antique finish rather than a coating that could flake off the raised work.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. Each bell is cast and finished by hand, so they differ a little in wall thickness and in tone, and the string never hangs with all nine at exactly the level shown here.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A pooja ghanti is the single handled bell rung during aarti. A hanging string stays fixed at the door and is sounded by a hand or by the door itself.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the bells and the raised figures, nothing more. Lemon, salt or tamarind will strip the dark out of the recesses and the panels will read flat.\u003c\/p\u003e\n\u003ch3\u003eDo all nine bells ring?\u003c\/h3\u003e\u003cp\u003eYes, each carries its own clapper. They are cast at slightly different weights, so the string sounds as a spread of notes rather than as one pitch.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954577142082,"sku":"PP-BR-POO-GHA-068","price":2399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155751_jpg.jpg?v=1776689355"},{"product_id":"brass-hanging-bells-antique-finish-1","title":"Antique Brass Hanging Bells with Swastik","description":"\u003cp\u003eSeven brass bells hang from three cast plaques, the lowest carrying a swastik.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Three scrolled cast plaques with foliate arms and beaded frames\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lettering on the top two plaques, a swastik on the lowest\u003c\/li\u003e\n\u003cli\u003eUse: Fixed at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with seven bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the three plaques is cut as a scrolled cross with foliate arms rather than as a plain square. The top two carry raised lettering inside a beaded frame, the pair of words set either side of a doorway at Diwali; the lowest carries a swastik. Two bells hang from crescent hooks on the arms of every plaque, and a seventh drops from the bottom ring on its own.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the run of small bells fixed at a doorway or over a mandir arch, sounded on the way in so the household hears the rite begin.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass across the plaques, the rings and the seven bells, at 750 g for the string. The dark in the scrollwork is the antique finish, not a lacquer sitting on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Each plaque and each bell is cast and finished by hand, so the depth of the scrollwork and the tone of the darkening move from one string to the next.\u003c\/p\u003e\n\u003ch3\u003eWhat does the lettering say?\u003c\/h3\u003e\u003cp\u003eThe top two plaques carry the pair of words traditionally set either side of a doorway at Diwali, cast in raised relief. The third plaque carries a swastik instead of lettering.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth, nothing wet. The scrollwork holds the dark that gives the plaques their depth, and lemon, salt or tamarind lifts it straight out and leaves the pattern flat.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be hung?\u003c\/h3\u003e\u003cp\u003eAt the mandir arch or on the inside of the main door, high enough that the bells clear a head and low enough that a hand reaches the lowest one on the way past.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954579009858,"sku":"PP-BR-POO-GHA-072","price":2199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155828_jpg.jpg?v=1776689357"},{"product_id":"kansa-panchpatra-anchmani","title":"Kansa Panchpatra with Achmani Spoon, 2 Piece","description":"\u003cp\u003eA kansa panchpatra and achmani spoon, the cup rimmed with a wide flat flange.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Kansa (bronze), unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished\u003c\/li\u003e\n\u003cli\u003eQuantity: 2 pieces\u003c\/li\u003e\n\u003cli\u003eUse: Holds and offers water at set points in a pooja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 kansa panchpatra cup\u003c\/li\u003e\n\u003cli\u003e1 kansa achmani spoon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe cup wall runs straight up and then rolls out into a flat flange about as wide as a fingertip, so wet fingers have something to hold and the spoon can be laid across the top without sliding in. The spoon is plain, a small oval bowl on a round stem that swells into a rounded paddle at the far end. Both are turned smooth with no engraving anywhere on them, and the metal reads pale gold rather than the yellow of brass.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA panchpatra is the small cup that holds the water taken during a pooja, and the achmani is the spoon that lifts it. Kansa is bronze, an alloy of copper and tin long used for Indian eating and ritual vessels.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eKansa is an alloy of copper and tin, known in English as bell metal or bronze. It is dense, hard, and heavier in the hand than steel of the same size.\u003c\/li\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge straight after eating. Dry fully.\u003c\/li\u003e\n\u003cli\u003eKansa darkens with use and reacts to sour food faster than brass does. Serve lemon, curd, tamarind and pickle fresh rather than leaving them standing in the vessel.\u003c\/li\u003e\n\u003cli\u003eTo restore the shine: tamarind pulp, or lemon and salt. Rinse thoroughly and dry.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, harsh detergent or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eKansa is hard but it is not forgiving — a fall onto stone can dent or crack the rim. Store it where it will not knock against other metal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this kansa solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Kansa is cast and turned, never plated, and the cup and spoon weigh 300 g between them. Tap the rim and it rings on, which a plated cup will not do.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two match. Kansa is cast and then turned on a lathe, so the polish and the exact line of the rolled rim shift a little from one cup to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a lota?\u003c\/h3\u003e\u003cp\u003eNo. A lota is the larger round pot the water is carried in. The panchpatra is the small cup the water is taken from during the pooja itself, and the achmani spoon lifts it.\u003c\/p\u003e\n\u003ch3\u003eIs kansa the same as brass?\u003c\/h3\u003e\u003cp\u003eNo. Brass is copper and zinc. Kansa is bronze, copper and tin, so it comes out paler in colour and rings for longer when it is struck. The two are different metals.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eRinse in warm water and wipe dry the same day. Kansa dulls if water is left standing in it, and a little lemon with salt brings the shine back when that happens.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eOne set for the person doing the pooja. Where two people sit together it is usual to keep two, so the water is not passed from hand to hand during the rite.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954665288002,"sku":"PP-KA-POO-PAN-053","price":4499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152755_jpg.jpg?v=1776925466"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/collections\/mandir-essentials-collection-peetal-parampara.jpg?v=1787535303","url":"https:\/\/www.peetalparampara.in\/collections\/mandir-essentials.oembed","provider":"PEETAL PARAMPARA","version":"1.0","type":"link"}