{"title":"Heavy pieces we would keep","description":"\u003cp\u003eThe heavier pieces from the newly photographed set, Rs 6,000 and above. Curated for the homepage rail.\u003c\/p\u003e","products":[{"product_id":"ganesh-ji-brass-antique-idol","title":"Brass Ganesh Murti in a Rocking Chair","description":"\u003cp\u003eA brass Ganesh murti seated in a rocking chair with an open book held in both hands.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses in the chair panel\u003c\/li\u003e\n\u003cli\u003eIconography: Turban wound over the head with a fan crest at the back and a brooch at the front, an open book held flat in both hands, eyes lowered to the page\u003c\/li\u003e\n\u003cli\u003eSeat: Rocking chair cast in one with the figure, panelled back inside an engraved scroll border, arms rolled over into flat discs, two curved rockers\u003c\/li\u003e\n\u003cli\u003eBase: The two rockers, not feet, so the piece wants a hard level shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti in a rocking chair\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe sits back in the chair with his feet over the front edge and the toes cut one by one. The book is open flat across both palms, the covers taking the weight, and the eyes are lowered to the page rather than out at the room. A turban is wound over the head with a fan-shaped crest standing up at the back and a small brooch at the front. The chair is worked as furniture in its own right, a panelled back inside an engraved scroll border, arms that roll over into flat discs, and two curved rockers underneath that lift the feet clear of the shelf.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eGanesh is cast in many household postures, seated, dancing or at rest, and the murti of the elephant-headed deity is usually the figure a home mandir starts with before anything else is added.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The figure and the chair together come to 2,700 g, which is what cast brass at this size weighs. A plated shell would be light enough to lift with two fingers, and this is not.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same each time. The dark in the recesses is not, so the scrollwork on the chair back and the punched surface of the dhoti can read heavier or lighter than they do in the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would not. Water runs off the figure and pools in the seat behind the legs and under the rolled arms, where it is hard to reach with a cloth and dries into pale marks. A dry wipe is the safer routine.\u003c\/p\u003e\n\u003ch3\u003eDoes the chair actually rock?\u003c\/h3\u003e\u003cp\u003eNothing moves. Figure, chair and rockers are one casting, and the two rockers meet the surface along two curved lines rather than at four points, so it needs a hard level shelf to sit still.\u003c\/p\u003e\n\u003ch3\u003eWhat is he reading?\u003c\/h3\u003e\u003cp\u003eThe pages are cast blank. There is no lettering or engraving on either side of the open book, so nothing is named and the form reads as a figure at rest with a book rather than at any particular text.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark is the finish, and the scroll border on the chair back only reads because of it. Lemon, salt and tamarind lift it out and the whole panel goes flat. A soft dry cloth is enough.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945698652482,"sku":"PP-BR-IDL-GAN-083","price":6599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-ganesh-murti-in-a-rocking-chair-peetal-parampara.png?v=1787530595"},{"product_id":"shree-ram-darbar-brass-superfine","title":"Superfine Brass Ram Darbar Murti, Set of 4","description":"\u003cp\u003eFour brass murtis on their own oval bases, with Hanuman kneeling before the other three.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Brushed satin, matte across all four\u003c\/li\u003e\n\u003cli\u003eIconography: Ram with bow and quiver, Sita with a flower, Lakshman with bow and quiver, Hanuman kneeling\u003c\/li\u003e\n\u003cli\u003eBase: A separate oval base under each figure, cross-hatched on top with a cast floral rim\u003c\/li\u003e\n\u003cli\u003eQuantity: Four murtis, sold and shipped as one set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass Ram murti\u003c\/li\u003e\n\u003cli\u003e1 brass Sita murti\u003c\/li\u003e\n\u003cli\u003e1 brass Lakshman murti\u003c\/li\u003e\n\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the four stands on its own oval base, and the tops of the bases are cross-hatched like cloth while the rims carry a run of small cast flowers. Ram raises his right hand and keeps a bow upright at his side with a quiver of arrows behind the shoulder, Lakshman carries the same bow and quiver but no raised hand, and Sita holds a flower in her lifted right hand. Hanuman kneels on one knee on the smallest base, hands pressed together, with a round boss cast into the base in front of him. The finish is matte across all four, so the crowns and the strings of jewellery read as line rather than as shine.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ram Darbar is the court of Ram, read as four figures together, Ram and Sita at the centre, Lakshman at the side and Hanuman kneeling in front, and a household keeps the group whole rather than buying the figures singly.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Two thousand grams spread across four figures of this height is what cast brass weighs, and a resin or plated set would be a fraction of it. Weigh the four together and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe four forms are the same every time. The matte finish is what moves, sitting a shade warmer or paler from one run to the next, and the fine cut work on the crowns can read sharper on one figure than another.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry each figure straight after, and get a cloth into the cross-hatched tops of the bases, where water sits in the grid longer than it does anywhere on the figures.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eThe four make one darbar and ship together, so a single set is the whole court. Some homes add a separate Hanuman facing the group from a distance; nothing inside the set needs doubling.\u003c\/p\u003e\n\u003ch3\u003eDo the four come apart?\u003c\/h3\u003e\u003cp\u003eThey were never joined. Each figure has its own base and stands on its own, so the spacing on your shelf is yours to set rather than fixed by the casting.\u003c\/p\u003e\n\u003ch3\u003eWhy is the finish matte and not shiny?\u003c\/h3\u003e\u003cp\u003eSuperfine work is finished matte so the cut lines stay readable. A mirror polish throws light back off the crowns and the strings of beads, and the carving that the grade is paying for disappears into the shine.\u003c\/p\u003e\n\u003ch3\u003eWhich figure is which?\u003c\/h3\u003e\u003cp\u003eRam is the centre figure, right hand raised with a bow at his side. Sita holds a flower in her raised hand, Lakshman carries the second bow and quiver, and Hanuman is the one kneeling on the smallest base.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945705304386,"sku":"PP-BR-IDL-RAM-081","price":11499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/superfine-brass-ram-darbar-murti-peetal-parampara.png?v=1787530595"},{"product_id":"ganesh-ji-brass-antique-embedded","title":"Antique Brass Ganesh Murti with Stone Inlay","description":"\u003cp\u003eA brass Ganesh murti with coloured stone set into the ears, the trunk and the body.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, with coloured stone set into the metal\u003c\/li\u003e\n\u003cli\u003eWeight: 7,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses across the engraved work\u003c\/li\u003e\n\u003cli\u003eIconography: Om cut into the open right palm, a second Om on the forehead and a short three-pronged mark above the eyes\u003c\/li\u003e\n\u003cli\u003eMotif: Coloured stone in bezelled cells on both ears, along the full length of the trunk and over the body, in red, green, blue and white\u003c\/li\u003e\n\u003cli\u003eBase: Two cast feet under the body, no separate base, so the figure sits straight on the shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe head is worked oversize against a low, wide body, and the trunk swings out to the right and curls down, ending in a banded cuff over a rounded tip. Stone sits in bezelled cells all over the figure. A single line of it runs the length of the trunk, rosettes fill both ears, and rings of red, green and blue circle raised centre bosses on the body. The right palm turns out with an Om cut into it, and a second Om sits on the forehead between the eyes. Two small feet come out under the body. At 7,500 g, moving it is a two-handed job.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesh murti is a cast figure of the elephant-headed deity, kept at the front of a home mandir, where the first offering of a pooja is made before the rest of the shrine.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 7,500 g nothing plated comes close, and a kitchen scale settles it the day the murti arrives. The stone is set into the metal rather than laid on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The stone is set by hand, so the colours fall in a different order from one murti to the next, and the darkening in the recesses shifts with the finish.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would keep it to a dry wipe. The stone sits in shallow cells and the maker has not yet confirmed how each one is held, so standing water at the edges is a risk worth avoiding until that is settled.\u003c\/p\u003e\n\u003ch3\u003eWhat are the coloured stones?\u003c\/h3\u003e\u003cp\u003eColoured stone set into cells cut in the brass. They have not been identified and we will not put a name to them until the maker confirms it, so read them as colour rather than as a named stone.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark in the recesses is the antique finish, not dirt. Lemon, salt and tamarind strip it out and the cut work flattens. A soft dry cloth on the raised brass is the whole routine.\u003c\/p\u003e\n\u003ch3\u003eWill it stand level on a shelf?\u003c\/h3\u003e\u003cp\u003eIt stands on two cast feet rather than a flat base, so it wants a hard level surface. On a cloth or a runner the feet sink unevenly and the figure leans.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945724604738,"sku":"PP-BR-IDL-GAN-078","price":22799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-murti-with-stone-inlay-peetal-parampara.png?v=1787530595"},{"product_id":"radha-krishna-ji-brass-antique","title":"Antique Brass Radha Krishna Murti with Cow","description":"\u003cp\u003eA brass Radha Krishna murti on a lotus base, with a cow standing behind the pair.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna at the flute in a crossed-leg stance, Radha veiled at his shoulder, a cow standing behind the pair\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lotus petals ringing the base, a punched ground inside them, small flowers worked over Radha's skirt to a banded hem\u003c\/li\u003e\n\u003cli\u003eBase: Oval lotus-petal base, flat underneath, both figures standing on the punched ground inside the ring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Radha Krishna murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe base is an oval ring of raised lotus petals with a punched ground inside it, and both figures stand straight on that ground rather than on a base. Krishna crosses his left leg behind the right and brings the flute up to his mouth, and the far end of the flute carries a small bird top with a cloth tassel hanging under it. A cow stands behind his shoulder with its head turned in, the body half hidden by the fall of his dhoti. Radha leans in from the right under a veil that runs from the crown of her head to her hip, and her skirt is worked with small raised flowers down to a banded hem.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Radha Krishna murti pairs the flute player with Radha at his shoulder in one casting, so the two are installed together in a mandir and are rarely bought or kept as single figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The group weighs 4,200 g, which is what cast brass at this height comes to, and a plated or hollow-filled figure would be a fraction of that. Put it on a kitchen scale and the number answers it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form is the same on every one. What moves is the finish. The dark sits differently in the folds of the veil and the dhoti from one casting to the next, so the contrast can read lighter or heavier than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after and get a cloth into the petal ring on the base, which holds water longer than anything else on the piece and dries into pale rings if it is left.\u003c\/p\u003e\n\u003ch3\u003eWhy is there a cow behind them?\u003c\/h3\u003e\u003cp\u003eThe cow belongs to the Krishna form and is cast as part of the same group. It stands behind his shoulder with the body largely covered by his dhoti, so it reads as depth rather than as a second figure.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart?\u003c\/h3\u003e\u003cp\u003eNo. Krishna, Radha, the cow and the lotus base are one casting, so there is nothing to line up and nothing that can be lost. Lift it by the base rather than by the flute.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. That dark is the finish, and the folds of the veil and the flowers on the skirt only read because of it. Lemon, salt and tamarind take it out and the surface goes flat and uniform.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945726603586,"sku":"PP-BR-IDL-RAD-080","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-radha-krishna-murti-with-cow-peetal-parampara.png?v=1787530595"},{"product_id":"shiv-parivar-brass-antique","title":"Antique Brass Shiv Parivar Murti on Nandi","description":"\u003cp\u003eA brass Shiv Parivar murti with four figures seated together on a standing Nandi.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 6,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses on the group and on Nandi\u003c\/li\u003e\n\u003cli\u003eIconography: Shiva with a coiled topknot and a trishul, Parvati beside him, the child Ganesha between them and Kartikeya at the far right, all carried on Nandi\u003c\/li\u003e\n\u003cli\u003eMudra: Shiva's right hand raised in abhaya mudra, the palm open and turned out\u003c\/li\u003e\n\u003cli\u003eBase: Nandi's four hooves, each ringed with a cast anklet, no separate base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Shiv Parivar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eNandi carries the whole group on his back, standing on four legs with an anklet cast at each hoof and his tail curled up against the right flank. Shiva sits at the left with his hair coiled into a tall topknot, his right hand raised and his left arm resting along a trishul whose shaft runs the full height of the piece to the floor beside the bull. Parvati sits to the right, the child Ganesha between them with his own small trunk and crown, and a fourth figure at the far right holds a curved blade. Nandi's brow carries an engraved plate and a worked medallion sits on his shoulder.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Shiv Parivar murti sets Shiva, Parvati and their children in one casting, so the family is installed in a home mandir as a single group rather than as separate figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Six kilograms of cast brass in a group this size is what the number means, and a plated or filled piece would come in far under it. A kitchen scale settles the question on day one.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. Each casting is cleaned and finished by hand, so the depth of the dark in the recesses and the crispness of Nandi's engraving move a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after, particularly along Nandi's back and in the folds of the group, because water left standing in the cuts dries into pale spots against the darker finish.\u003c\/p\u003e\n\u003ch3\u003eIs the trishul a separate part?\u003c\/h3\u003e\u003cp\u003eIt is cast with the piece. The shaft runs from Shiva's hand down past Nandi's shoulder to the floor and carries part of the weight, so nothing lifts out and nothing needs assembling.\u003c\/p\u003e\n\u003ch3\u003eWho is the fourth figure?\u003c\/h3\u003e\u003cp\u003eKartikeya, at the right of the group. A Shiv Parivar is normally read as Shiva, Parvati, Ganesha and Kartikeya together, and the figure holds a curved blade in his raised hand.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark sitting in the recesses is the finish. Lemon, salt and tamarind lift it out and the engraving on Nandi and on the jewellery goes flat. Keep a soft dry cloth to the raised brass.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945727717698,"sku":"PP-BR-IDL-SHV-079","price":15299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-shiv-parivar-murti-on-nandi-peetal-parampara.png?v=1787530595"},{"product_id":"copper-dispenser-4l","title":"Hand Hammered Copper Water Dispenser","description":"\u003cp\u003eA hammered copper water dispenser with a stepped lid and a tap low on the belly.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Copper, unlacquered inside and out\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Hand hammered, polished\u003c\/li\u003e\n\u003cli\u003eSpouts: One copper tap set low on the belly, with a stainless steel lever and a cross-head screw at the pivot\u003c\/li\u003e\n\u003cli\u003eLid: Domed, rising in three turned steps to a short flared knob, dropping into the collar at the neck rather than capping the rim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 copper water dispenser with fitted tap\u003c\/li\u003e\n\u003cli\u003e1 copper lid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe dimples run in courses round the belly, each row set a little off the one above it, and the polish is taken up high enough that the hammering throws light back in short bright arcs instead of sitting matte. A machine-rolled texture repeats down a wall; this one drifts, wider here, tighter there. Above the shoulder the metal is left smooth for a hand's width, and the lid drops into that collar rather than capping the rim, finishing in three turned steps and a short flared knob. The tap sits low, a curved copper spout with a stainless lever and a cross-head screw at the pivot, so a glass fits under it on the counter without the pot tilting.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA water dispenser is the belly-shaped counter vessel that holds a household's drinking water, drawn off through a tap near the foot so the pot is never lifted to pour.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge, then dry fully.\u003c\/li\u003e\n\u003cli\u003eCopper darkens and takes a patina. Unlacquered copper reacts with air, water and skin. It is normal and it is reversible.\u003c\/li\u003e\n\u003cli\u003eTo restore the shine: lemon and salt, tamarind pulp, or a paste of flour, vinegar and salt. Rub, rinse, dry with a soft cloth.\u003c\/li\u003e\n\u003cli\u003eGreen or blue-green marks mean moisture has been sitting on the surface. Clean them off before use and dry the piece properly afterwards.\u003c\/li\u003e\n\u003cli\u003eKeep sour and salty foods out of bare copper — lemon, curd, tamarind, pickle, vinegar.\u003c\/li\u003e\n\u003cli\u003eFor a drinking vessel: fill it overnight and finish it in the morning. Do not leave water standing for days.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this solid copper or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 2,000 g the pot is copper the whole way through, and a plated one of the same size would weigh a fraction of that. Put it on a kitchen scale the day it lands and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. Every dimple is struck by hand, so the courses sit differently on each pot and the polish takes the light in its own way. The form, the lid and the tap are what stay constant.\u003c\/p\u003e\n\u003ch3\u003eWhy has it gone dark?\u003c\/h3\u003e\u003cp\u003eBare copper darkens in air, and it darkens fastest where hands go. Nothing has gone wrong with it. Half a lemon dipped in salt, rubbed over the metal and rinsed off, takes it back to the colour in the photograph.\u003c\/p\u003e\n\u003ch3\u003eCan I leave water in it overnight?\u003c\/h3\u003e\u003cp\u003eYes. That is what a lidded storage pot is for. Draw the day's water off through the tap, empty and rinse the pot before you refill it rather than topping it up, and dry the inside now and then.\u003c\/p\u003e\n\u003ch3\u003eHow much does it hold?\u003c\/h3\u003e\u003cp\u003eWe have not measured the capacity, so there is no millilitre figure on this page. Where the maker gives one we print it; here they have not, and we are not going to work it back from a photograph. Ask before you order and we will fill this one and measure it.\u003c\/p\u003e\n\u003ch3\u003eDoes the tap leak?\u003c\/h3\u003e\u003cp\u003eIt should not, and if it weeps at the joint it wants tightening rather than sealing. Fill it over a sink the first time and watch the joint for a few minutes before the pot goes on a counter full of water.\u003c\/p\u003e\n\u003ch3\u003eCan I put hot water in it?\u003c\/h3\u003e\u003cp\u003eNo. Copper takes heat straight through the wall, so a hot fill makes the whole pot too hot to hold and the lid too hot to lift off. Fill it cold and let the kitchen do the rest.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52948302528834,"sku":"PP-CU-DRK-DIS-171","price":8599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/hand-hammered-copper-water-dispenser-peetal-parampara.png?v=1787530574"},{"product_id":"ganesh-diya-antique-handcrafted-brass-oil-lamp","title":"Antique Brass Ganesh Standing Diya","description":"\u003cp\u003eA brass standing diya with a seated four-armed Ganesh above the oil bowl.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered inside and out, cast and assembled\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses and the raised work rubbed back to gold\u003c\/li\u003e\n\u003cli\u003eBase: Domed, banded with punched dots over a twisted rope, on four cast scrolled feet\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and a cotton wick for daily pooja, aarti and festival evenings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a Ganesh figure\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eGanesh sits four-armed on a lotus seat at the top of the stem, crowned with a tall conical crown, one hand open toward the room. Below him the oil bowl carries a flat lobed flange that steps out past the bowl in squared tabs, so spills run onto the flange instead of down the stem. Two cast scrolls brace the stem on either side, each curling in on itself. The domed base is ringed with a punched dot band above a twisted rope, and four cast feet lift the lamp clear of the shelf, each one worked with a scroll and a rosette. It takes two hands to lift the lamp and one steady hand to fill the bowl.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a tall oil lamp on a weighted base, lit in a mandir or at a doorway, so the flame sits well above the ground rather than in the palm of a hand. The oil goes into an open pan.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 4,200 g, which is cast metal the whole way through; a plated shell of the same size would come in at a fraction of that. Put it on a kitchen scale the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. The antique finish is worked by hand, so the dark sits differently in the recesses of the crown and in the base band from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an aarti thali?\u003c\/h3\u003e\u003cp\u003eNo. An aarti thali is a flat plate carried in the hand and circled before the deity. The lamp stands on its own base and stays where it is put.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the oil bowl out with a dry cloth while it is still warm, then a soft cloth over the body. Keep lemon and tamarind off it, since acid strips the dark out of the recesses and flattens the pattern.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee burns shorter and leaves a firmer residue in the bowl, so wipe the bowl out the same evening rather than the next morning.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does the bowl take?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The bowl is a single open well with a lobed flange over it, and the wick rests are being counted from the lamp in hand rather than from the photograph.\u003c\/p\u003e\n\u003ch3\u003eWill the brass go dark over time?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled and as oil reaches it. The recesses are meant to stay dark on an antique finish, so let the raised surfaces brighten with use and leave the rest alone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"Peetal Parampara","offers":[{"title":"Default Title","offer_id":52951326163266,"sku":"PP-BR-POO-GAN-045","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-standing-diya-peetal-parampara.png?v=1787530595"},{"product_id":"brass-sighasan-stool","title":"Hand Engraved Brass Chowki, 5 kg","description":"\u003cp\u003eA brass chowki with an engraved top plate set into a collar over a pierced apron.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast legs under a sheet body\u003c\/li\u003e\n\u003cli\u003eWeight: 5,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the engraved lines darker than the ground\u003c\/li\u003e\n\u003cli\u003eTechnique: Hand engraved top plate over an apron pierced in scrolling openwork\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate seated inside a raised collar, seam visible at the rim\u003c\/li\u003e\n\u003cli\u003eUse: Stands a murti, a kalash or an aarti thali clear of the mandir shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass chowki\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe top is a separate engraved plate dropped into a raised collar, and the seam where the two meet stays visible along the rim. A rosette sits at the centre of the plate inside a ring of sun rays, with flower medallions ringing that, then band after band of fine cut line out to a scalloped border. Under the collar the apron is cut through in scrolling openwork, so light passes under the platform and the weight comes down through the legs rather than the skirt. The legs are cast leaf brackets that curl outward and flare into splayed feet, and at 5 kg nothing shifts when a murti is set down on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA chowki is the low flat platform a murti or a kalash is stood on inside a mandir, lifting the figure clear of the shelf so it is seen at eye level and the shelf underneath stays clean. A chowki has no back.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. It weighs 5,000 g. Cast legs and a heavy engraved plate account for that, and plated sheet at the same width would be a fraction of the number, so a kitchen scale settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two match. The engraving is cut by hand, so the bands do not close at the same point on every plate, and the polish takes light differently across the top.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a singhasan?\u003c\/h3\u003e\u003cp\u003eNo. A singhasan has a raised arched back for the murti to sit against. The chowki is a flat platform with no back, so a figure of any height can stand on it.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLift the murti off, wipe the plate with a dry cloth and take the oil and roli out of the cut lines with a soft dry brush. Water left standing in the engraving will mark the brass.\u003c\/p\u003e\n\u003ch3\u003eWill the engraving hold dirt?\u003c\/h3\u003e\u003cp\u003eRoli, oil and ash settle into the cut lines. A dry brush lifts most of it. Do not soak the plate, because water sitting in the engraving dries as a dull ring.\u003c\/p\u003e\n\u003ch3\u003eWill it mark my shelf?\u003c\/h3\u003e\u003cp\u003eThe feet are bare cast brass carrying 5,000 g on a small footprint. Set a cloth or a mat under it on wood or polished stone if you would rather not have the marks.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled. A dry cloth keeps the raised surfaces bright, and many households let the low engraved lines stay dark so the pattern still reads.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951897866562,"sku":"PP-BR-POO-CHO-046","price":11599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/hand-engraved-brass-chowki-peetal-parampara.png?v=1787530574"},{"product_id":"brass-decor-set-of-4","title":"Brass Musicians with Stone Inlay, Set of 4","description":"\u003cp\u003eFour seated brass musicians with coloured stone set across the vests and knees.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, with coloured stone set in raised collars\u003c\/li\u003e\n\u003cli\u003eWeight: 4,000 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Polished, with the cast surface left matte in the recesses\u003c\/li\u003e\n\u003cli\u003eMotif: Four seated musicians, each holding a different instrument\u003c\/li\u003e\n\u003cli\u003eBase: Flat cast base under each figure, no separate base\u003c\/li\u003e\n\u003cli\u003eQuantity: Set of 4, each figure a separate casting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass musician with a barrel drum\u003c\/li\u003e\n\u003cli\u003e1 brass musician with a long-necked stringed instrument\u003c\/li\u003e\n\u003cli\u003e1 brass musician with a box instrument\u003c\/li\u003e\n\u003cli\u003e1 brass seated musician with hands at the chest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the four sits cross-legged on its own flat cast base, chest bare under an open vest whose border is filled with round and square cabochons in coral red and turquoise green. The four are told apart by what they play. One holds a barrel drum across the lap with a star cut into the drum head. One carries a long-necked stringed instrument with the frets marked as ladder rungs. One leans over a flat box set on the ground with an engraved panel across its front, and the fourth sits with both hands drawn in at the chest. The stones stand proud in raised collars, so nothing is flat where the colour runs.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA musician figurine set is a group of cast brass figures shown seated with their instruments, made for a shelf or a console rather than for a mandir, and sold as a matched group.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back: a paste of lemon juice and salt, or tamarind pulp, or a proprietary brass cleaner. Rub, rinse, dry. Two minutes.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast right through. A plated shell in these four shapes would come nowhere near 4,000 g, so put the set on a kitchen scale the day it lands and the number answers the question for you.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, but not identical. Every stone is cut and seated by hand, so the exact colour of each cabochon and the way the polish sits on the faces shifts a little from one set to the next.\u003c\/p\u003e\n\u003ch3\u003eHow big is it really?\u003c\/h3\u003e\u003cp\u003eNot yet measured, and we would rather say so than estimate. A screen flattens scale badly, and a small piece and a large one photograph much the same. The weight above is real. Tell us the space you are filling and we will measure the piece and tell you whether it fits.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens in ordinary room air, faster near a kitchen. A dry cloth once a week keeps it bright, and left alone it goes a deeper honey brown, which many people prefer.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eThe set is sold as four and reads as a group, so splitting it leaves the row looking short. One set is enough for a single shelf or console. A second set only makes sense on a long run of surface.\u003c\/p\u003e\n\u003ch3\u003eWill the stones fall out?\u003c\/h3\u003e\u003cp\u003eEach stone sits in a cast recess with a raised metal collar holding its edge. Knocks are the risk rather than everyday handling, so lift each figure by the body rather than by an inlaid knee.\u003c\/p\u003e\n\u003ch3\u003eAre the stones real gemstones?\u003c\/h3\u003e\u003cp\u003eWe do not know and we will not tell you they are. What is in front of us is opaque red and green stone, cut as flat cabochons and seated into the metal by hand. Treat it as coloured stone rather than as graded gems.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954572128578,"sku":"PP-BR-DEC-MUS-110","price":12099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-musicians-with-stone-inlay-peetal-parampara.png?v=1787530574"}],"url":"https:\/\/www.peetalparampara.in\/collections\/home-heavy-featured.oembed","provider":"PEETAL PARAMPARA","version":"1.0","type":"link"}