{"title":"Antique Finish","description":"\u003cp\u003eAn antique finish is a surface treatment on solid metal. The recesses are darkened and the raised work is rubbed back to gold, so cut work and engraving read from across a room instead of disappearing into a bright polish.\u003c\/p\u003e\u003cp\u003eIt is done by hand, so how dark the recesses stay and how much gold shows on the high points differ from one piece to the next. The care is the part that matters. Lemon, salt and tamarind strip the dark straight out and leave the detail flat, so they are wrong here even though they are right for plain brass. A soft dry cloth on the raised metal is the whole routine.\u003c\/p\u003e","products":[{"product_id":"brass-lotus-diya","title":"Antique Brass Lotus Diya on Scroll Feet","description":"\u003cp\u003eA cast brass lotus diya with one oil cup and two scrolls curving in from the rim.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the single cup at the centre\u003c\/li\u003e\n\u003cli\u003eBase: Cast scroll feet with curled toes\u003c\/li\u003e\n\u003cli\u003eUse: Lit at the mandir, or set out along a ledge at Diwali\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass lotus diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe petal plate carries three chased rings, a band of beading inside a row of scalloped petals inside the outer points, and it stands high on cast scroll feet with curled toes. Two more scrolls arch in from the rim towards the oil cup, standing proud of the plate rather than lying on it.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA lotus diya is an oil lamp whose plate or bowl is formed as open lotus petals, lit at the mandir or floated among flowers in a bowl of water at Diwali.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass at 400 g, most of it in the plate and the feet. The gold on the surface is a finish over that brass, and the recesses are left dark rather than filled with anything.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The plate is cast and then chased by hand, so the beading and the petal rows shift a little, and the dark in the recesses sits differently on every piece.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The cup is small and shallow, so a spoon of ghee melts through within a minute of the wick catching and sets hard again as the lamp cools.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the cup out with a dry cloth while it is still warm. Keep lemon and salt off the plate, because the dark in the chasing is the finish and it will strip out and leave the pattern flat.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940490080578,"sku":"PP-BR-POO-LOT-073","price":1899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_171705_jpg.jpg?v=1776518857"},{"product_id":"antique-jewellery-box-oval","title":"Antique Brass Jewellery Box, Octagonal","description":"\u003cp\u003eAn eight sided brass jewellery box with seated figures raised round the wall.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eInterior: One open eight sided compartment, bare brass, no tray or divider\u003c\/li\u003e\n\u003cli\u003ePanels: Eight walls, the four wide ones carrying seated figures in high relief\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass jewellery box with lid\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eCount the corners and there are eight, a rectangle with each one cut back square. Figures sit cross legged in the panels round the wall, one of them under a many hooded serpent, and the relief stands so far proud of the metal that the wall behind it ripples. The lid is laid out differently, with overlapping petals in rings from a small rosette at the centre. A line of raised dots runs under the figures at the foot.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA jewellery box is the lidded metal container that lives on a dressing table, sized to take rings, earrings and bangles and to keep them off the wood and out of a drawer.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 1,500 g the walls have to be brass all the way through, and the relief on them is raised out of that same metal rather than stuck on. Weigh it the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The figures are raised and dressed by hand, so their depth varies panel to panel, and the dark sits differently in the recesses of every box.\u003c\/p\u003e\n\u003ch3\u003eWill it mark what I keep inside?\u003c\/h3\u003e\u003cp\u003eBare brass can print a faint dark mark on silver and on soft stones left resting against it. Keep pieces in pouches, or drop a felt square on the floor of the box first.\u003c\/p\u003e\n\u003ch3\u003eHow big is it inside?\u003c\/h3\u003e\u003cp\u003eNot measured yet. The outside of a box in a photograph tells you very little about the inside, so rather than guess we will measure this one if you write before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat are the figures on the sides?\u003c\/h3\u003e\u003cp\u003eSeated figures, several armed, with one of them under a many hooded serpent canopy. We have not had the iconography read by anyone qualified to name them, so the relief is described rather than named.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940499091778,"sku":"PP-BR-BOX-JWL-202","price":4499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_184124_jpg_c09ee93a-9e1a-40a8-acb9-283f2191c9d4.jpg?v=1776519366"},{"product_id":"antique-jewellery-box-rectangle","title":"Antique Brass Jewellery Box, 1.8 kg","description":"\u003cp\u003eA brass jewellery box with humped cattle in relief along all four walls.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eInterior: One open compartment, bare brass, no tray, divider or cloth lining\u003c\/li\u003e\n\u003cli\u003eLid: Seats on a stepped rim, with a flat lug at the front edge to lift by\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass jewellery box with lid\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eCattle walk in a single line right round the four walls, each one nose to tail with the next and a small round pot standing between them. The lid repeats them in rows, filled out with rosettes and leaf shapes so no ground is left plain. Only the recesses hold the dark; the raised backs and horns are rubbed bright. A flat lug at the front of the lid gives a thumb something to lift by.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA jewellery box is the small lidded container kept on a dressing table for rings, studs, bangles and loose stones, deep enough to take a handful of pieces and close over them.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The box comes to 1,800 g, which is what walls of this thickness weigh in brass; a plated shell the same size would be a fraction of that. A kitchen scale settles it in a minute.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The relief is worked and finished by hand, so the depth of the cattle and the amount of dark left in the recesses shift a little from one box to the next.\u003c\/p\u003e\n\u003ch3\u003eWill it mark what I keep inside?\u003c\/h3\u003e\u003cp\u003eBare brass can leave a faint dark smudge on soft silver and on anything pressed against a wall for months. Keep pieces in their pouches, or lay a square of felt on the floor of the box.\u003c\/p\u003e\n\u003ch3\u003eHow big is it inside?\u003c\/h3\u003e\u003cp\u003eNo internal dimension here, because none has been taken, and we will not estimate one from the outside of a photograph. Ask us what you need it to hold and we will measure it.\u003c\/p\u003e\n\u003ch3\u003eWill the brass go dark over time?\u003c\/h3\u003e\u003cp\u003eYes, and the finish is built for it. The recesses are darkened already and the raised metal dulls slowly with handling. A dry cloth on the high points brings them back; keep lemon and salt off it.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52940501156162,"sku":"PP-BR-BOX-JWL-201","price":5199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_184150_jpg_cc3878d0-440b-42d2-bd5c-a67eb3f6294e.jpg?v=1776519499"},{"product_id":"brass-antique-gift-box","title":"Brass Keepsake Box with Elephant on Lid","description":"\u003cp\u003eA small brass keepsake box with a cast elephant standing on the lid.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eInterior: One open round compartment, bare brass, no tray or divider\u003c\/li\u003e\n\u003cli\u003eBase: Three cast claw feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass keepsake box with lid and elephant top\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe elephant stands on the lid with its trunk curled up, small enough to pinch between two fingers, and that is the handle. Round the shoulder runs a cast twisted rope with a tassel hanging at each side, and a flower with two leaves is set on the front of the belly. The belly itself is dimpled all over from the hammer. Three cast claw feet lift it clear of the table, and the lid edge waves rather than running true.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA keepsake box is the lidded metal pot that sits out on a shelf or a bedside table, small enough to hold rings, coins and sweets and closed enough to keep the dust off them.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Four hundred grams is a lot for a box this small, and the weight is in the cast rope, the feet and the elephant rather than in a coating. A kitchen scale checks it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The belly is hammered by hand and the lid edge waves, so the dimples fall in a different pattern on every box and the two tassels never hang quite level.\u003c\/p\u003e\n\u003ch3\u003eWill it mark what I keep inside?\u003c\/h3\u003e\u003cp\u003eBare brass can leave a dull mark on silver and a faint metal smell on anything soft left in it for long. Rings and coins are fine loose; keep silver in a pouch or on a felt square.\u003c\/p\u003e\n\u003ch3\u003eHow big is it inside?\u003c\/h3\u003e\u003cp\u003eNo internal dimension here, because none has been taken, and we will not estimate one from the outside of a photograph. Ask us what you need it to hold and we will measure it.\u003c\/p\u003e\n\u003ch3\u003eIs the elephant a separate piece?\u003c\/h3\u003e\u003cp\u003eIt is cast on its own and fixed through the lid. The lid gets lifted by it every time, so take the weight on the body rather than pulling on the raised trunk.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945233641794,"sku":"PP-BR-BOX-KPB-205","price":2099.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260122_165648_jpg.jpg?v=1776506604"},{"product_id":"brass-antique-tree-tree-of-life","title":"Antique Brass Tree of Life with Birds","description":"\u003cp\u003eA cast brass tree of life with aerial roots and small birds set in the branches.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eMotif: Banyan form with hanging aerial roots and birds in the branches\u003c\/li\u003e\n\u003cli\u003eBase: Spread cast roots, with no separate plate or stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 cast brass tree of life\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe trunk splits low into two stems and a curtain of thin aerial roots hangs between them. Every leaf is a separate tongue of brass with a midrib and veins pressed into it, and they overlap thickly enough that the canopy reads as one mass until you are close. Small birds sit in the branches, one on the upper right limb and one near the centre of the crown. The roots splay at the bottom and are the base, so there is no plate underneath.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA tree of life is a branching tree worked in metal and kept as a decor object, the whole crown cast as one piece so the leaves read as a mass from across a room and separate up close.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast as one piece at 1,200 g. Nearly all of that sits in the trunk and the root spread, which is why a tree with a canopy this wide does not topple. A scale confirms it in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe tree will be the same casting. The antique finish is worked into the leaves by hand, so how dark the recesses read against the leaf faces changes from one tree to the next.\u003c\/p\u003e\n\u003ch3\u003eHow big is it really?\u003c\/h3\u003e\u003cp\u003eNo dimensions yet, because none have been taken. The weight is the measured figure we can stand behind, and on a cast or raised piece it is a fair guide to bulk. If size is the thing that decides it, write to us and we will measure it before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes, on the bright leaf faces, which are the parts a cloth reaches. The dark in the leaf veins and between the roots is the antique finish, so keep lemon, salt and tamarind off it or the canopy flattens out.\u003c\/p\u003e\n\u003ch3\u003eDoes it stand on its own?\u003c\/h3\u003e\u003cp\u003eYes. The roots splay out at the bottom and are the base, with no separate plate under them. On a flat shelf it stands without help, and on a soft cloth it leans slightly until you settle it.\u003c\/p\u003e\n\u003ch3\u003eCan I hang it on a wall?\u003c\/h3\u003e\u003cp\u003eNo. There is no hook, no keyhole and no flat back, because the roots are cast to spread on a surface and the trunk is round in section. Treating it as a wall panel will bend the outer branches.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945312481602,"sku":"PP-BR-DEC-TRE-119","price":3499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_155923_jpg_833a1251-2294-471d-a781-36439403aa47.jpg?v=1776689355"},{"product_id":"radha-krishna-ji-brass-antique-idol","title":"Antique Brass Radha Krishna Murti, 2.6 kg","description":"\u003cp\u003eA brass Radha Krishna murti standing on a lobed base under two fanned crowns.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast as one with the base\u003c\/li\u003e\n\u003cli\u003eWeight: 2,600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses in the pleats and crown cuts\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna at the flute in a crossed-leg stance, Radha standing square with a raised right hand and a bud held in the left\u003c\/li\u003e\n\u003cli\u003eMotif: Leaf-cut crown rays behind both heads, wider than the heads themselves, and a raised fan of rays along the front edge of the base\u003c\/li\u003e\n\u003cli\u003eBase: Lobed slab, flat underneath, with both figures set back from the front edge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Radha Krishna murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eBoth figures stand on a shaped slab with a lobed front edge, and a raised fan of cut rays runs along that edge below their feet. Behind each head is a crown opened out into leaf-shaped rays, wider than the head itself, so the pair read as two discs from the front. Krishna crosses his left leg behind the right and lifts the flute, and the far end of the flute carries a small floral top with a tassel under it. Radha stands square, her right hand raised open and a bud held in the left. Their sashes fall to the sides in flat pleated fans that stop short of the slab.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Radha Krishna murti is cast as a standing pair, the flute at Krishna's mouth and Radha turned in beside him, and it is the form most often installed at home for Janmashtami.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The pair and the base come to 2,600 g together, which is cast brass, and a plated or filled figure of the same height would weigh a fraction of it. A kitchen scale settles it in a second.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same. The finish moves. The dark in the pleats and behind the crown rays can sit heavier or lighter from one piece to the next, so the contrast reads differently in the hand than on a screen.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after and get a cloth between the crown rays, where water sits in the cuts longer than anywhere else and dries into pale streaks down the leaf edges.\u003c\/p\u003e\n\u003ch3\u003eWhat is the fan behind their heads?\u003c\/h3\u003e\u003cp\u003eA crown opened out into leaf-shaped rays, cast as part of each figure. It reads as a disc from the front and gives the pair their outline on a shelf, which is why the piece is wider than it looks tall.\u003c\/p\u003e\n\u003ch3\u003eDoes the pair come apart?\u003c\/h3\u003e\u003cp\u003eNo. Krishna, Radha and the lobed base are one casting, so nothing lifts off and the spacing between the two is fixed. Lift it by the base rather than by the flute or a raised arm.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. That dark is the finish and the pleats and ray cuts only read because of it. Lemon, salt and tamarind take it out and the surface goes flat. A soft dry cloth on the raised brass is enough.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945686233410,"sku":"PP-BR-IDL-RAD-084","price":6499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_162024_jpg.jpg?v=1776689366"},{"product_id":"shree-ram-darbar-brass-antique-idol","title":"Antique Brass Ram Darbar Murti with Arch","description":"\u003cp\u003eA brass Ram Darbar murti cast on one plate, with an arch rising over all four figures.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 4,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Ram at the centre with a bow and a raised right hand, Sita and Lakshman either side, Hanuman kneeling at the corner\u003c\/li\u003e\n\u003cli\u003eMotif: Three-band arch on two pillars with a makara head at each capital, engraved petal border to the plate\u003c\/li\u003e\n\u003cli\u003eBase: Rectangular plate on four short cast feet, with an engraved petal band along the edge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ram Darbar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe whole group is cast on one rectangular plate that stands on four short feet, with a band of engraved petals running along the edge. Two round pillars rise from the plate and carry an arch over the figures. Each pillar head is worked as a makara, the creature cut at the springing of a temple arch, and the arch itself is built up in three bands, beaded on the outside and ribbed on the inside. Ram stands at the centre under the crown of the arch with a bow at his side and his right hand raised. Hanuman kneels at the left front corner with his hands lifted, small enough that his crown clears Lakshman's knee.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn a Ram Darbar the four figures are always read in the same order, Ram and Sita at the centre, Lakshman to one side and Hanuman low and kneeling, which is what separates the group from a single Ram murti.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The plate, the pillars, the arch and the four figures come to 4,000 g together, which is cast brass and nothing else. Put it on a kitchen scale the day it arrives and the number settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same. The finish is not. How dark the recesses under the arch and inside the folds of cloth read varies from one piece to the next, so the contrast can look softer or stronger than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNot measured, so not printed. A murti is the easiest thing in this trade to misjudge from a photograph, which is exactly why we are not going to estimate it from one. The weight above was measured. Tell us the shelf it is going on and we will measure the piece and answer.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water, but the arch makes it awkward. Water runs off the top band into the space behind the figures and stays there, so tip it forward and dry that hollow before it dries into pale marks.\u003c\/p\u003e\n\u003ch3\u003eDo the figures lift off the plate?\u003c\/h3\u003e\u003cp\u003eNo. Plate, pillars, arch and figures are one casting. Nothing is pinned or glued, nothing can be lost, and the spacing between the four is fixed as it left the mould.\u003c\/p\u003e\n\u003ch3\u003eWhat are the heads on the pillars?\u003c\/h3\u003e\u003cp\u003eA makara at each capital, the creature carved where a temple arch springs from its pillar. On this piece they face outward and carry the weight of the arch band above them.\u003c\/p\u003e\n\u003ch3\u003eWill the dark finish wear off with handling?\u003c\/h3\u003e\u003cp\u003eOn the high points, slowly. The raised brass on the crowns and shoulders will brighten where hands touch it while the recesses stay dark, which is how an antique finish is meant to age. Do not chase it with polish.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945690362178,"sku":"PP-BR-IDL-RAM-082","price":10599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160932_jpg.jpg?v=1776689366"},{"product_id":"ganesh-ji-brass-antique-idol","title":"Brass Ganesh Murti in a Rocking Chair","description":"\u003cp\u003eA brass Ganesh murti seated in a rocking chair with an open book held in both hands.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses in the chair panel\u003c\/li\u003e\n\u003cli\u003eIconography: Turban wound over the head with a fan crest at the back and a brooch at the front, an open book held flat in both hands, eyes lowered to the page\u003c\/li\u003e\n\u003cli\u003eSeat: Rocking chair cast in one with the figure, panelled back inside an engraved scroll border, arms rolled over into flat discs, two curved rockers\u003c\/li\u003e\n\u003cli\u003eBase: The two rockers, not feet, so the piece wants a hard level shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti in a rocking chair\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe sits back in the chair with his feet over the front edge and the toes cut one by one. The book is open flat across both palms, the covers taking the weight, and the eyes are lowered to the page rather than out at the room. A turban is wound over the head with a fan-shaped crest standing up at the back and a small brooch at the front. The chair is worked as furniture in its own right, a panelled back inside an engraved scroll border, arms that roll over into flat discs, and two curved rockers underneath that lift the feet clear of the shelf.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eGanesh is cast in many household postures, seated, dancing or at rest, and the murti of the elephant-headed deity is usually the figure a home mandir starts with before anything else is added.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The figure and the chair together come to 2,700 g, which is what cast brass at this size weighs. A plated shell would be light enough to lift with two fingers, and this is not.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting is the same each time. The dark in the recesses is not, so the scrollwork on the chair back and the punched surface of the dhoti can read heavier or lighter than they do in the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would not. Water runs off the figure and pools in the seat behind the legs and under the rolled arms, where it is hard to reach with a cloth and dries into pale marks. A dry wipe is the safer routine.\u003c\/p\u003e\n\u003ch3\u003eDoes the chair actually rock?\u003c\/h3\u003e\u003cp\u003eNothing moves. Figure, chair and rockers are one casting, and the two rockers meet the surface along two curved lines rather than at four points, so it needs a hard level shelf to sit still.\u003c\/p\u003e\n\u003ch3\u003eWhat is he reading?\u003c\/h3\u003e\u003cp\u003eThe pages are cast blank. There is no lettering or engraving on either side of the open book, so nothing is named and the form reads as a figure at rest with a book rather than at any particular text.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark is the finish, and the scroll border on the chair back only reads because of it. Lemon, salt and tamarind lift it out and the whole panel goes flat. A soft dry cloth is enough.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945698652482,"sku":"PP-BR-IDL-GAN-083","price":6599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/brass-ganesh-murti-in-a-rocking-chair-peetal-parampara.png?v=1787530595"},{"product_id":"ganesh-ji-brass-antique-embedded","title":"Antique Brass Ganesh Murti with Stone Inlay","description":"\u003cp\u003eA brass Ganesh murti with coloured stone set into the ears, the trunk and the body.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, with coloured stone set into the metal\u003c\/li\u003e\n\u003cli\u003eWeight: 7,500 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses across the engraved work\u003c\/li\u003e\n\u003cli\u003eIconography: Om cut into the open right palm, a second Om on the forehead and a short three-pronged mark above the eyes\u003c\/li\u003e\n\u003cli\u003eMotif: Coloured stone in bezelled cells on both ears, along the full length of the trunk and over the body, in red, green, blue and white\u003c\/li\u003e\n\u003cli\u003eBase: Two cast feet under the body, no separate base, so the figure sits straight on the shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Ganesh murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe head is worked oversize against a low, wide body, and the trunk swings out to the right and curls down, ending in a banded cuff over a rounded tip. Stone sits in bezelled cells all over the figure. A single line of it runs the length of the trunk, rosettes fill both ears, and rings of red, green and blue circle raised centre bosses on the body. The right palm turns out with an Om cut into it, and a second Om sits on the forehead between the eyes. Two small feet come out under the body. At 7,500 g, moving it is a two-handed job.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Ganesh murti is a cast figure of the elephant-headed deity, kept at the front of a home mandir, where the first offering of a pooja is made before the rest of the shrine.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. At 7,500 g nothing plated comes close, and a kitchen scale settles it the day the murti arrives. The stone is set into the metal rather than laid on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two come out the same. The stone is set by hand, so the colours fall in a different order from one murti to the next, and the darkening in the recesses shifts with the finish.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eWe would keep it to a dry wipe. The stone sits in shallow cells and the maker has not yet confirmed how each one is held, so standing water at the edges is a risk worth avoiding until that is settled.\u003c\/p\u003e\n\u003ch3\u003eWhat are the coloured stones?\u003c\/h3\u003e\u003cp\u003eColoured stone set into cells cut in the brass. They have not been identified and we will not put a name to them until the maker confirms it, so read them as colour rather than as a named stone.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark in the recesses is the antique finish, not dirt. Lemon, salt and tamarind strip it out and the cut work flattens. A soft dry cloth on the raised brass is the whole routine.\u003c\/p\u003e\n\u003ch3\u003eWill it stand level on a shelf?\u003c\/h3\u003e\u003cp\u003eIt stands on two cast feet rather than a flat base, so it wants a hard level surface. On a cloth or a runner the feet sink unevenly and the figure leans.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945724604738,"sku":"PP-BR-IDL-GAN-078","price":22799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-murti-with-stone-inlay-peetal-parampara.png?v=1787530595"},{"product_id":"radha-krishna-ji-brass-antique","title":"Antique Brass Radha Krishna Murti with Cow","description":"\u003cp\u003eA brass Radha Krishna murti on a lotus base, with a cow standing behind the pair.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Krishna at the flute in a crossed-leg stance, Radha veiled at his shoulder, a cow standing behind the pair\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lotus petals ringing the base, a punched ground inside them, small flowers worked over Radha's skirt to a banded hem\u003c\/li\u003e\n\u003cli\u003eBase: Oval lotus-petal base, flat underneath, both figures standing on the punched ground inside the ring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Radha Krishna murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe base is an oval ring of raised lotus petals with a punched ground inside it, and both figures stand straight on that ground rather than on a base. Krishna crosses his left leg behind the right and brings the flute up to his mouth, and the far end of the flute carries a small bird top with a cloth tassel hanging under it. A cow stands behind his shoulder with its head turned in, the body half hidden by the fall of his dhoti. Radha leans in from the right under a veil that runs from the crown of her head to her hip, and her skirt is worked with small raised flowers down to a banded hem.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Radha Krishna murti pairs the flute player with Radha at his shoulder in one casting, so the two are installed together in a mandir and are rarely bought or kept as single figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The group weighs 4,200 g, which is what cast brass at this height comes to, and a plated or hollow-filled figure would be a fraction of that. Put it on a kitchen scale and the number answers it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe form is the same on every one. What moves is the finish. The dark sits differently in the folds of the veil and the dhoti from one casting to the next, so the contrast can read lighter or heavier than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after and get a cloth into the petal ring on the base, which holds water longer than anything else on the piece and dries into pale rings if it is left.\u003c\/p\u003e\n\u003ch3\u003eWhy is there a cow behind them?\u003c\/h3\u003e\u003cp\u003eThe cow belongs to the Krishna form and is cast as part of the same group. It stands behind his shoulder with the body largely covered by his dhoti, so it reads as depth rather than as a second figure.\u003c\/p\u003e\n\u003ch3\u003eDoes it come apart?\u003c\/h3\u003e\u003cp\u003eNo. Krishna, Radha, the cow and the lotus base are one casting, so there is nothing to line up and nothing that can be lost. Lift it by the base rather than by the flute.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. That dark is the finish, and the folds of the veil and the flowers on the skirt only read because of it. Lemon, salt and tamarind take it out and the surface goes flat and uniform.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945726603586,"sku":"PP-BR-IDL-RAD-080","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-radha-krishna-murti-with-cow-peetal-parampara.png?v=1787530595"},{"product_id":"shiv-parivar-brass-antique","title":"Antique Brass Shiv Parivar Murti on Nandi","description":"\u003cp\u003eA brass Shiv Parivar murti with four figures seated together on a standing Nandi.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 6,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses on the group and on Nandi\u003c\/li\u003e\n\u003cli\u003eIconography: Shiva with a coiled topknot and a trishul, Parvati beside him, the child Ganesha between them and Kartikeya at the far right, all carried on Nandi\u003c\/li\u003e\n\u003cli\u003eMudra: Shiva's right hand raised in abhaya mudra, the palm open and turned out\u003c\/li\u003e\n\u003cli\u003eBase: Nandi's four hooves, each ringed with a cast anklet, no separate base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Shiv Parivar murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eNandi carries the whole group on his back, standing on four legs with an anklet cast at each hoof and his tail curled up against the right flank. Shiva sits at the left with his hair coiled into a tall topknot, his right hand raised and his left arm resting along a trishul whose shaft runs the full height of the piece to the floor beside the bull. Parvati sits to the right, the child Ganesha between them with his own small trunk and crown, and a fourth figure at the far right holds a curved blade. Nandi's brow carries an engraved plate and a worked medallion sits on his shoulder.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Shiv Parivar murti sets Shiva, Parvati and their children in one casting, so the family is installed in a home mandir as a single group rather than as separate figures.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. Six kilograms of cast brass in a group this size is what the number means, and a plated or filled piece would come in far under it. A kitchen scale settles the question on day one.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. Each casting is cleaned and finished by hand, so the depth of the dark in the recesses and the crispness of Nandi's engraving move a little from one to the next.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eNo height here, because nobody has measured this casting yet, and a guess two centimetres out is worse than a blank. Go by the weight in the spec above; that is the figure that separates a solid murti from a light one. Ask us and we will put a tape to the piece and come back to you.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after, particularly along Nandi's back and in the folds of the group, because water left standing in the cuts dries into pale spots against the darker finish.\u003c\/p\u003e\n\u003ch3\u003eIs the trishul a separate part?\u003c\/h3\u003e\u003cp\u003eIt is cast with the piece. The shaft runs from Shiva's hand down past Nandi's shoulder to the floor and carries part of the weight, so nothing lifts out and nothing needs assembling.\u003c\/p\u003e\n\u003ch3\u003eWho is the fourth figure?\u003c\/h3\u003e\u003cp\u003eKartikeya, at the right of the group. A Shiv Parivar is normally read as Shiva, Parvati, Ganesha and Kartikeya together, and the figure holds a curved blade in his raised hand.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark sitting in the recesses is the finish. Lemon, salt and tamarind lift it out and the engraving on Nandi and on the jewellery goes flat. Keep a soft dry cloth to the raised brass.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945727717698,"sku":"PP-BR-IDL-SHV-079","price":15299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-shiv-parivar-murti-on-nandi-peetal-parampara.png?v=1787530595"},{"product_id":"hanuman-ji-brass-antique","title":"Antique Brass Hanuman Murti with Gada","description":"\u003cp\u003eA brass Hanuman murti seated cross-legged with a gada standing at his left shoulder.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Crown against a scalloped halo, a ribbed gada at the left shoulder, a raised medallion on the chest\u003c\/li\u003e\n\u003cli\u003eBase: Round, stepped twice, the upper step banded with engraved petals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass Hanuman murti\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eHe sits cross-legged with the right fist closed and lifted, and the left hand steadies a gada that stands upright at his shoulder, its head cut into ribs like a melon and its shaft twisted. Four strands of beads hang down the chest to a raised oval medallion with a small seated figure inside it. Behind the crown a plain ring rises against a scalloped disc, and the round base is stepped twice, the upper step banded with engraved petals.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA Hanuman murti shows the devotee of Ram, most often with the gada in one hand, and the seated form is the one kept in a home mandir rather than the leaping form sold for a wall.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, and cast rather than pressed. The weight is the number that proves it and the variant record carries none, so it is being weighed this week. Lift it before you unwrap it and the mass answers first.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe casting repeats. The finish does not. How dark the recesses sit behind the beadwork and inside the petal band on the base varies from one piece to the next, so the contrast can look softer than the frame.\u003c\/p\u003e\n\u003ch3\u003eHow tall is it really?\u003c\/h3\u003e\u003cp\u003eWe have not put a tape to it, so there is no height on this page and we will not print an estimate. The weight is the number we do have, and on a cast figure it tells you more than height does, because two murtis of the same height can differ by a kilo. If the height decides it, write to us and we will measure this one before you order.\u003c\/p\u003e\n\u003ch3\u003eCan I do abhishek on it?\u003c\/h3\u003e\u003cp\u003eBare brass takes water. Dry it straight after, especially in the beadwork and the petal band, because water left standing in the cuts dries into pale spots that show against the darker recesses.\u003c\/p\u003e\n\u003ch3\u003eWhat is the medallion on the chest?\u003c\/h3\u003e\u003cp\u003eA raised oval with a small seated figure worked inside it, cast as part of the body rather than fixed on. It sits below four strands of beads and above the waist cloth.\u003c\/p\u003e\n\u003ch3\u003eShould I polish the dark out of the recesses?\u003c\/h3\u003e\u003cp\u003eNo. The dark in the recesses is the antique finish. Lemon, salt and tamarind lift it out and the cut work goes flat. Keep a soft dry cloth to the raised brass and leave the rest alone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52945728930114,"sku":"PP-BR-IDL-HAN-087","price":5399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_161319_jpg.jpg?v=1776689364"},{"product_id":"brass-singhasan-antique","title":"Antique Brass Singhasan with Arch","description":"\u003cp\u003eA brass singhasan with a pierced arch back and a lion face at the apex.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eIconography: Lion face at the apex, an elephant at each side of the arch\u003c\/li\u003e\n\u003cli\u003eSeat: Flat engraved plate with a rosette at the centre\u003c\/li\u003e\n\u003cli\u003eUse: Seats a murti inside the mandir\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass singhasan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eA lion face crowns the arch, and the arch itself is cut right through in floral rosettes, so the wall behind shows in the gaps. An elephant stands at the foot of each side of it. The arms come forward as two birds with their beaks curved back to their own bodies, and the seat between them is engraved with a whirling rosette at the centre. Four corner posts stand up as plain cones, the one plain thing on the whole piece.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA singhasan is the small throne a murti is seated on inside a mandir, with a raised back so the figure has something to sit against and rails or arms that frame it from the front.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The arch, the rails and the seat are cast and pinned together, and the whole throne weighs 2,000 g. A plated version would be pressed sheet and would flex when the murti went in.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The rosettes in the arch are pierced by hand, so the openings differ slightly in size, and the antique finish leaves more or less gold showing on the raised work.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a chowki?\u003c\/h3\u003e\u003cp\u003eNo. A chowki is a flat platform with no back at all. The singhasan has the arch behind the seat and rails at the sides, so the murti is framed as well as raised.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth on the seat and a soft dry brush through the pierced arch. Leave the dark in the recesses alone, because that is the finish, and lemon or tamarind will strip it out.\u003c\/p\u003e\n\u003ch3\u003eWill my murti fit inside the arch?\u003c\/h3\u003e\u003cp\u003eMeasure the base of your murti first. We have not measured the seat or the arch, so we cannot give you the two numbers that would settle it from the page. Send us the width and height of your murti and we will put a tape to this piece and answer before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe raised surfaces will darken with handling, which is the same brass everywhere else in the mandir doing the same thing. A dry cloth brings them back; the recesses stay dark by design.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52947442368834,"sku":"PP-BR-POO-SIN-052","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_160211_jpg.jpg?v=1776689357"},{"product_id":"peacock-platter-brass-antique","title":"Antique Brass Peacock Leaf Tray, 1.6 kg","description":"\u003cp\u003eA cast brass tray in the shape of a single leaf, with a peacock standing at one end.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eMotif: Leaf with cut veins, peacock with a fanned tail spread outside the rim\u003c\/li\u003e\n\u003cli\u003eFeet: Short cast feet under the leaf edge and under the tail tips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 cast brass peacock leaf tray\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe dish is a single leaf, with one long point at the far end, a raised midrib down the middle and veins cut out to a wavy edge. The peacock is cast at the other end, neck up and crest showing, and its fanned tail does not lie inside the tray at all. It spreads outside the rim over the near corner, and the feather tips drop to the table, so the whole piece stands on short cast feet rather than flat on its underside.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA decorative tray is the shallow open dish kept out on a table for keys, incense or a few sweets, made to be looked at when it is empty as much as when it is full.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast as one piece at 1,600 g. Lift it by the peacock's neck and the whole tray comes with it without flexing, which a pressed and plated dish would not do.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eCast pieces vary. The leaf and the bird will be the same, but the antique finish sits differently in the veins on every tray, so yours may read warmer or greyer than the one shown.\u003c\/p\u003e\n\u003ch3\u003eHow big is it really?\u003c\/h3\u003e\u003cp\u003eNo dimensions yet, because none have been taken. The weight is the measured figure we can stand behind, and on a cast or raised piece it is a fair guide to bulk. If size is the thing that decides it, write to us and we will measure it before you order.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe bright edges will darken. The dark in the veins and the tail is the antique finish and is meant to stay, so keep lemon, salt and tamarind away from it or the pattern goes flat.\u003c\/p\u003e\n\u003ch3\u003eCan I serve food on it?\u003c\/h3\u003e\u003cp\u003eDry food only, and on a leaf or a paper. There is no tin lining here, and anything oily or sour pulls at both the bare metal and the finish in the recesses. Keys, incense and dry sweets are the honest uses.\u003c\/p\u003e\n\u003ch3\u003eDoes it sit flat on a table?\u003c\/h3\u003e\u003cp\u003eIt stands on short cast feet, not on the underside of the leaf, so there is a small gap beneath the dish. On a hard table it can rock a little if one foot is proud, and on cloth it settles.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52948154286402,"sku":"PP-BR-DEC-TRA-115","price":4999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151858_jpg.jpg?v=1776689363"},{"product_id":"ganesh-diya-antique-handcrafted-brass-oil-lamp","title":"Antique Brass Ganesh Standing Diya","description":"\u003cp\u003eA brass standing diya with a seated four-armed Ganesh above the oil bowl.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered inside and out, cast and assembled\u003c\/li\u003e\n\u003cli\u003eWeight: 4,200 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses and the raised work rubbed back to gold\u003c\/li\u003e\n\u003cli\u003eBase: Domed, banded with punched dots over a twisted rope, on four cast scrolled feet\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and a cotton wick for daily pooja, aarti and festival evenings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a Ganesh figure\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eGanesh sits four-armed on a lotus seat at the top of the stem, crowned with a tall conical crown, one hand open toward the room. Below him the oil bowl carries a flat lobed flange that steps out past the bowl in squared tabs, so spills run onto the flange instead of down the stem. Two cast scrolls brace the stem on either side, each curling in on itself. The domed base is ringed with a punched dot band above a twisted rope, and four cast feet lift the lamp clear of the shelf, each one worked with a scroll and a rosette. It takes two hands to lift the lamp and one steady hand to fill the bowl.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA standing diya is a tall oil lamp on a weighted base, lit in a mandir or at a doorway, so the flame sits well above the ground rather than in the palm of a hand. The oil goes into an open pan.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The lamp weighs 4,200 g, which is cast metal the whole way through; a plated shell of the same size would come in at a fraction of that. Put it on a kitchen scale the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. The antique finish is worked by hand, so the dark sits differently in the recesses of the crown and in the base band from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an aarti thali?\u003c\/h3\u003e\u003cp\u003eNo. An aarti thali is a flat plate carried in the hand and circled before the deity. The lamp stands on its own base and stays where it is put.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the oil bowl out with a dry cloth while it is still warm, then a soft cloth over the body. Keep lemon and tamarind off it, since acid strips the dark out of the recesses and flattens the pattern.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee burns shorter and leaves a firmer residue in the bowl, so wipe the bowl out the same evening rather than the next morning.\u003c\/p\u003e\n\u003ch3\u003eHow many wicks does the bowl take?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The bowl is a single open well with a lobed flange over it, and the wick rests are being counted from the lamp in hand rather than from the photograph.\u003c\/p\u003e\n\u003ch3\u003eWill the brass go dark over time?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens as it is handled and as oil reaches it. The recesses are meant to stay dark on an antique finish, so let the raised surfaces brighten with use and leave the rest alone.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"Peetal Parampara","offers":[{"title":"Default Title","offer_id":52951326163266,"sku":"PP-BR-POO-GAN-045","price":11899.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-ganesh-standing-diya-peetal-parampara.png?v=1787530595"},{"product_id":"brass-antique-gift-box-1","title":"Hand Engraved Brass Keepsake Box, 600 g","description":"\u003cp\u003eA round brass keepsake box with an engraved lid and a cast flower for a handle.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 600 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eInterior: One open round compartment, bare brass, no tray or divider\u003c\/li\u003e\n\u003cli\u003eBase: Cast leaf band standing on three short feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass keepsake box with lid and flower on top\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe engraving is the same medallion twice, once on the flat of the lid and once on the wall. A rim of small round beads runs along the lid edge. The top is cast separately and set into the centre of the lid on a small rosette collar, a five petalled flower with two leaves on a bent stem. A cast leaf band runs under the wall and sits on three short feet.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA keepsake box is a lidded metal container given as a gift or kept for small things that have nowhere else to live, dry fruit and sweets at a festival, then coins, keys and cufflinks after.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. It weighs 600 g for a box that fits in two hands, and the engraved lines cut into yellow metal rather than through a surface layer into something else underneath. Weigh it if in doubt.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The scrollwork is cut by hand, so the pattern runs slightly differently on every lid, and the flower on top is a separate casting that sits at its own angle.\u003c\/p\u003e\n\u003ch3\u003eWill it mark what I keep inside?\u003c\/h3\u003e\u003cp\u003eBare brass can leave a dull mark on silver and a faint metal smell on paper or cloth left in it. For sweets or dry fruit, use a paper case; for jewellery, keep pieces in pouches.\u003c\/p\u003e\n\u003ch3\u003eHow big is it inside?\u003c\/h3\u003e\u003cp\u003eNot measured yet. The outside of a box in a photograph tells you very little about the inside, so rather than guess we will measure this one if you write before ordering.\u003c\/p\u003e\n\u003ch3\u003eHow do I keep the engraving clean?\u003c\/h3\u003e\u003cp\u003eA dry cloth on the raised metal, and nothing wet in the cut lines. The dark sitting in the scrollwork is the finish; lemon, salt and tamarind lift it out and the pattern flattens to plain yellow.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951762043202,"sku":"PP-BR-BOX-KPB-204","price":3299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260124_185715_jpg.jpg?v=1776689352"},{"product_id":"brass-decorative-diya-d2","title":"Antique Brass Four Peacock Diya, 2 kg","description":"\u003cp\u003eAn antique brass diya with four cast peacocks ringing a single turned column.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, cast in parts on a turned column\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses and the raised work rubbed back\u003c\/li\u003e\n\u003cli\u003eMotif: Four cast peacocks, two held out on curved arms and two on turned pedestals\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and cotton wicks for daily pooja and for aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass peacock diya\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour birds ring the column. The upper pair are held out on curved arms, the lower pair stand on their own turned pedestals on the base plate, and all four have the same hooked beak curling back to the breast. The oil pan above them is lobed rather than pointed. The base plate carries more oil than the pan does, with a leaf-shaped well at the front and a shallow oval behind each of the lower birds, and it sits on cast feet spread out like fanned tails. The dark lies deep in the recesses while the raised metal has been rubbed back to gold, so the birds read light against a column that stays dark in the hollows.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA peacock diya is an oil lamp that carries the bird as its motif, cast on the stem, the rim or the top, and lit the same way as any other diya, with oil in the pan and a cotton wick laid in the rim.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The birds, the pan and the base plate are all cast, which is where the 2,000 g goes. A plated lamp built to the same outline would be hollow and would feel light in the hand.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The antique finish is rubbed back by hand, so how much gold shows on the birds and how dark the recesses stay differs from one lamp to the next.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as an aarti lamp?\u003c\/h3\u003e\u003cp\u003eNo. An aarti lamp has a handle and is carried in a circle before the deity. This one stands on a base plate with its own oil wells and is lit where it is placed.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe each well out with a dry cloth while it is still warm. Keep water and lemon away from the recesses, because the dark in them is the finish and acid takes it straight off.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. Ghee hardens in the shallow wells on the base plate as they cool, so wipe those out the same evening or the residue holds the next wick off the metal.\u003c\/p\u003e\n\u003ch3\u003eWho is the figure at the top?\u003c\/h3\u003e\u003cp\u003eWe are not naming the figure yet. It stands on a turned seat at the very top of the column, above the peacocks, and the identification is being confirmed with the maker before a name goes on the page.\u003c\/p\u003e\n\u003ch3\u003eHow many oil wells does it have?\u003c\/h3\u003e\u003cp\u003eWe have not printed a count yet. The pan at the top is one lobed well, and the base plate adds a leaf-shaped well at the front with a shallow oval behind each lower bird. The full number is being checked from the lamp in hand.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951890723138,"sku":"PP-BR-POO-MAY-049","price":5799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150541_jpg.jpg?v=1776689346"},{"product_id":"brass-decorative-diya-d3","title":"Brass Parrot Standing Diya with Chain","description":"\u003cp\u003eA brass standing diya with a cast parrot holding a hanging oil pan on a chain.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,450 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eBase: Fluted dome on a low pierced platform with cast feet\u003c\/li\u003e\n\u003cli\u003eUse: Lit with oil and a cotton wick beside a murti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass standing diya with a chain-hung oil pan\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe parrot perches at the top of a turned column with its tail swept down one side in engraved feather lines, and the chain runs from its beak. At the end of the chain hangs a small shallow pan, with points pulled out of its rim and a short post standing in the middle. Because it hangs, the pan swings when the lamp is carried and settles level again on its own. The base is a fluted dome on a low pierced platform.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging diya is an oil lamp whose pan swings free on a chain instead of sitting fixed on a stem, so the flame moves with the air in the room and the pan can be lifted down to be filled.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The column, the bird and the pan are cast brass and the chain is linked brass, coming to 1,450 g together. Plated sheet at this height would not hold the pan steady on the chain.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. The feather lines on the tail are cut by hand and the chain length is set by hand, so the pan hangs at a slightly different height on each lamp.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a samai?\u003c\/h3\u003e\u003cp\u003eNo. A samai is a plain standing lamp with the pan fixed on top of the stem. Here the pan hangs on a chain from the bird's beak, so it swings free and lifts off the ring to be filled.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eLift the pan off the ring and wipe it out on its own, which is easier than reaching into it on the chain. A dry cloth on the column, and nothing wet in the pierced platform.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The hanging pan is shallow, so ghee fills it faster than oil and sets as it cools. Lift the pan down and wipe it while the metal is still warm.\u003c\/p\u003e\n\u003ch3\u003eIs the bird a parrot or a peacock?\u003c\/h3\u003e\u003cp\u003eIt reads as a parrot, with a hooked beak, a small crest and a long tail worked in engraved feather lines rather than the fan of a peacock. The maker's own name for the motif is being confirmed.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951892066626,"sku":"PP-BR-POO-PAR-054","price":4199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_151550_jpg.jpg?v=1776689333"},{"product_id":"brass-decorative-diya-d5","title":"Antique Brass Parrot Diya with Bell","description":"\u003cp\u003eA cast brass parrot diya with a side oil pan and a bell hung below the arm.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 700 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eWicks: One, in the pinched spout at the end of the oval pan\u003c\/li\u003e\n\u003cli\u003eBase: Square stepped base under a turned stem\u003c\/li\u003e\n\u003cli\u003eUse: Lit on the mandir shelf, with the bell sounded by hand at the aarti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass parrot diya with a hanging bell\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe bird sits at the top of a turned stem on a square stepped base, tail sweeping down the left in long feathered strokes. An arm curves out to the right and carries an oval pan with a ridged lip and one pinched spout. A small bell hangs from a scrolled bracket under that arm, free to swing.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA decorative diya carries its oil pan on a cast stand worked as a figure or a motif, so the lamp reads as a standing piece on the mandir shelf when no wick is lit in it.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass at 700 g, with the weight sitting low in the square base so the arm and the pan do not tip it. The feather cuts run into the metal rather than over a coating.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Every casting is filed and finished by hand, so the crest, the beak and the sweep of the tail differ from one lamp to the next, and the antique darkening sits where it settles.\u003c\/p\u003e\n\u003ch3\u003eCan I use ghee instead of oil?\u003c\/h3\u003e\u003cp\u003eYes. The pan is shallow and open, so ghee melts through soon after the wick catches. It sets hard again as the lamp cools, so wipe the pan out before it is put away.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eWipe the pan while it is still warm and the oil comes off in one pass. A soft dry brush gets into the feather cuts. Keep lemon and salt off the bird, or the dark lifts out of the carving.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52951900258626,"sku":"PP-BR-POO-PAR-074","price":1799.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/antique-brass-parrot-diya-with-bell-peetal-parampara.png?v=1787530574"},{"product_id":"brass-decor-peacock-set-of-2","title":"Brass Peacock with Stone Inlay, Set of 2","description":"\u003cp\u003eA mirrored pair of cast brass peacocks with coloured stone set down the tail.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered, with coloured stone set in raised bezels\u003c\/li\u003e\n\u003cli\u003eWeight: 2,000 g for the set\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eMotif: Fanned peacock tail worked in round and square stone cells\u003c\/li\u003e\n\u003cli\u003eBase: Plain round brass disc under each bird\u003c\/li\u003e\n\u003cli\u003eQuantity: Set of 2, cast as mirror images of each other\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 brass peacock with the head turned left\u003c\/li\u003e\n\u003cli\u003e1 brass peacock with the head turned right\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe two are cast as mirror images, meant to flank something. One head turns left, the other right, and set side by side the beaks lean in. Each bird stands on a plain brass disc, and above it the stem swells into a small pot form before the body begins. From there up, almost every surface carries stone, with round bezels down the neck and breast, squares along the folded wing, and a run of larger cabochons down the tail where it falls to the base. The turquoise and coral sit in raised collars, so a fingertip catches every one of them. Cast rather than pressed, the feather cuts stay as sharp in the recesses as on the high points.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA peacock showpiece is a cast metal bird kept for the shape of the fanned tail, set on a shelf, a console or a mandir step where the spread of feathers reads from across the room.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast in two mirrored moulds. The pair comes in at 2,000 g, and a hollow plated bird of that height would be light enough to slide when you push it. A kitchen scale settles it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eThe birds will match in form. The stone will not match cell for cell, because each cabochon is cut and seated by hand, so the run of colour down the tail differs between one pair and the next.\u003c\/p\u003e\n\u003ch3\u003eHow big is it really?\u003c\/h3\u003e\u003cp\u003eWe have not measured it, so the page carries no width or height. That is deliberate. An estimate a couple of centimetres out is worse than an honest gap, particularly for a piece going onto a shelf that is already full. The weight above is measured. Ask and we will put a tape to this one.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eThe bright metal on the base discs will darken. The dark on the body is the antique finish and is meant to stay, so keep lemon, salt and tamarind off it or the pattern will flatten out.\u003c\/p\u003e\n\u003ch3\u003eHow many do I need?\u003c\/h3\u003e\u003cp\u003eTwo, and they are sold that way. The birds are mirrored, so one alone always looks as though the other has walked off. A second pair is only worth it on a long mandir step or mantel.\u003c\/p\u003e\n\u003ch3\u003eWill the stones fall out?\u003c\/h3\u003e\u003cp\u003eEach stone sits in a cast cell with a metal wall standing proud at its edge. Everyday dusting will not move them. A knock on the tail, where the cells are largest and least protected, is the real risk.\u003c\/p\u003e\n\u003ch3\u003eCan I light a diya in it?\u003c\/h3\u003e\u003cp\u003eNo. We list it as a figure and not as a lamp. There is a small pot form cast into the middle of the stem, and we are checking with the maker whether it is an open well before saying anything about oil.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954575831362,"sku":"PP-BR-DEC-PEA-113","price":5399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_152210_jpg.jpg?v=1776689353"},{"product_id":"brass-hanging-bells-antique-finish","title":"Antique Brass Hanging Bells with Deity Panels","description":"\u003cp\u003eNine brass bells hang from four cast deity panels linked in a vertical string.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Four square cast panels, each framed by a milled border\u003c\/li\u003e\n\u003cli\u003eIconography: Ganesha on the second panel, Saraswati with a veena on the third\u003c\/li\u003e\n\u003cli\u003eUse: Hung at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with nine bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eFour square panels hang one under the other on plain rings, each panel framed by a milled border and carrying a figure cast in relief. Ganesha sits on the second panel and Saraswati plays a veena on the third. Two bells swing from crescent hooks at the sides of every panel, and a ninth hangs alone from the bottom ring, lower than the rest so it is the one a hand catches first.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the vertical run of small bells hung at a doorway or over a mandir arch, sounded by a hand or by the door as it swings.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass, 800 g across the panels, the rings and the nine bells. The dark sitting in the recesses is the antique finish rather than a coating that could flake off the raised work.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo two are the same. Each bell is cast and finished by hand, so they differ a little in wall thickness and in tone, and the string never hangs with all nine at exactly the level shown here.\u003c\/p\u003e\n\u003ch3\u003eIs this the same as a pooja ghanti?\u003c\/h3\u003e\u003cp\u003eNo. A pooja ghanti is the single handled bell rung during aarti. A hanging string stays fixed at the door and is sounded by a hand or by the door itself.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth over the bells and the raised figures, nothing more. Lemon, salt or tamarind will strip the dark out of the recesses and the panels will read flat.\u003c\/p\u003e\n\u003ch3\u003eDo all nine bells ring?\u003c\/h3\u003e\u003cp\u003eYes, each carries its own clapper. They are cast at slightly different weights, so the string sounds as a spread of notes rather than as one pitch.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954577142082,"sku":"PP-BR-POO-GHA-068","price":2399.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155751_jpg.jpg?v=1776689355"},{"product_id":"brass-hanging-bells-antique-finish-1","title":"Antique Brass Hanging Bells with Swastik","description":"\u003cp\u003eSeven brass bells hang from three cast plaques, the lowest carrying a swastik.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 750 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003ePanels: Three scrolled cast plaques with foliate arms and beaded frames\u003c\/li\u003e\n\u003cli\u003eMotif: Raised lettering on the top two plaques, a swastik on the lowest\u003c\/li\u003e\n\u003cli\u003eUse: Fixed at a doorway or over the mandir arch and sounded on the way in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass hanging bell string with seven bells\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eEach of the three plaques is cut as a scrolled cross with foliate arms rather than as a plain square. The top two carry raised lettering inside a beaded frame, the pair of words set either side of a doorway at Diwali; the lowest carries a swastik. Two bells hang from crescent hooks on the arms of every plaque, and a seventh drops from the bottom ring on its own.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eA hanging bell string is the run of small bells fixed at a doorway or over a mandir arch, sounded on the way in so the household hears the rite begin.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid cast brass across the plaques, the rings and the seven bells, at 750 g for the string. The dark in the scrollwork is the antique finish, not a lacquer sitting on top of it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNo. Each plaque and each bell is cast and finished by hand, so the depth of the scrollwork and the tone of the darkening move from one string to the next.\u003c\/p\u003e\n\u003ch3\u003eWhat does the lettering say?\u003c\/h3\u003e\u003cp\u003eThe top two plaques carry the pair of words traditionally set either side of a doorway at Diwali, cast in raised relief. The third plaque carries a swastik instead of lettering.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean it after pooja?\u003c\/h3\u003e\u003cp\u003eA dry cloth, nothing wet. The scrollwork holds the dark that gives the plaques their depth, and lemon, salt or tamarind lifts it straight out and leaves the pattern flat.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be hung?\u003c\/h3\u003e\u003cp\u003eAt the mandir arch or on the inside of the main door, high enough that the bells clear a head and low enough that a hand reaches the lowest one on the way past.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954579009858,"sku":"PP-BR-POO-GHA-072","price":2199.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260312_155828_jpg.jpg?v=1776689357"},{"product_id":"brass-urli-heavy-antique","title":"Antique Brass Urli on Tortoise Base","description":"\u003cp\u003eA brass urli on a cast tortoise base, with loose bells hanging right round the rim.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 1,850 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eRim: Small cast bells hung on loose rings the whole way round\u003c\/li\u003e\n\u003cli\u003eBase: Cast tortoise, four feet flat on the table, bowl carried on a short turned stem\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass urli on a cast tortoise base\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe bowl does not sit on a ring foot. A cast tortoise takes it, legs splayed and head out, with the shell worked in scroll and leaf and the dark sitting down in the cut lines, and a short turned stem lifts the bowl clear of the shell. Small bells hang from loose rings the whole way round the rim, close enough that they touch, so the bowl answers when the table is knocked.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eAn urli is the wide shallow open bowl set out with water, flower heads and floating diyas, low enough that the surface of the water is what a person sees first.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs this brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid. The bowl, the stem and the tortoise together weigh 1,850 g, and a plated shell of the same span would come in far under that. Put it on a kitchen scale the day it arrives.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eClose, not identical. The bells are cast and hung by hand, so their spacing shifts a little, and the dark in the cut lines of the shell sits differently on every base.\u003c\/p\u003e\n\u003ch3\u003eHow big is it really?\u003c\/h3\u003e\u003cp\u003eWe have not measured it, so the page carries no width or height. That is deliberate. An estimate a couple of centimetres out is worse than an honest gap, particularly for a piece going onto a shelf that is already full. The weight above is measured. Ask and we will put a tape to this one.\u003c\/p\u003e\n\u003ch3\u003eWill it tarnish?\u003c\/h3\u003e\u003cp\u003eYes. Unlacquered brass darkens in air, and an antique finish is already a darkened surface, so the change reads as a deepening rather than a stain. A dry cloth on the raised parts is enough.\u003c\/p\u003e\n\u003ch3\u003eCan I fill it with water?\u003c\/h3\u003e\u003cp\u003eYes, that is what the form is for. We have not measured what it holds, so there is no millilitre figure here. Float flower heads and a diya, then empty it and dry it so water does not stand against the brass.\u003c\/p\u003e\n\u003ch3\u003eDo the bells make a noise?\u003c\/h3\u003e\u003cp\u003eThey hang loose on their rings, so they move and sound when the table is knocked or the bowl is lifted. Nothing at the rim is fixed rigid.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954580418882,"sku":"PP-BR-DEC-URL-120","price":3499.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260130_150455_jpg.jpg?v=1776689360"},{"product_id":"brass-tortoise","title":"Antique Brass Vaastu Tortoise, 650 g","description":"\u003cp\u003eA cast brass tortoise with a scaled shell and the head carried clear of the ground.\u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: Brass, unlacquered\u003c\/li\u003e\n\u003cli\u003eWeight: 650 g\u003c\/li\u003e\n\u003cli\u003eFinish: Antique, with darkened recesses\u003c\/li\u003e\n\u003cli\u003eShell: Scutes filled with overlapping scale work, a border of oblong panels at the rim\u003c\/li\u003e\n\u003cli\u003eBase: Four short legs, so the belly sits clear of the surface\u003c\/li\u003e\n\u003cli\u003eUse: Kept indoors as a vaastu piece, often on a plate or in a shallow bowl of water\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat is in the box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003e1 brass tortoise\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eAbout this piece\u003c\/h2\u003e\n\u003cp\u003eThe shell is divided into scutes and every one of them is filled with overlapping scales, cut small enough that the pattern changes direction from panel to panel. A border of oblong panels runs round the rim below them. The head is up and forward rather than tucked in, with the eye cut as a ring and a pair of scrolls at the cheek. Dark sits in the cut lines and the raised scales stay bright; that is the finish, not dirt.\u003c\/p\u003e\n\u003ch2\u003eWhat it is\u003c\/h2\u003e\n\u003cp\u003eIn vaastu practice a tortoise, or kachua, is kept indoors as a household emblem, often set on a plate or in a shallow bowl of water near the entrance. We describe the practice; we make no claim about outcomes.\u003c\/p\u003e\n\u003ch2\u003eCare and use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWash by hand with a mild dishwashing liquid and a soft sponge. Dry fully with a cloth before putting it away — water left standing is what causes spotting.\u003c\/li\u003e\n\u003cli\u003eBrass darkens. It reacts with air and with the oils on your hands, and a piece in daily use will dull within weeks. That is the metal telling you it is not plated.\u003c\/li\u003e\n\u003cli\u003eTo bring the shine back on the raised surfaces: a soft dry cloth, and nothing more. The dark in the recesses is the finish, not dirt — lemon, salt and tamarind will strip it out and the pattern will flatten.\u003c\/li\u003e\n\u003cli\u003eDo not use steel wool, scouring pads or bleach.\u003c\/li\u003e\n\u003cli\u003eNot dishwasher safe. Not microwave safe.\u003c\/li\u003e\n\u003cli\u003eIf you would rather it stayed dark, leave it alone — a settled patina protects the surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eQuestions\u003c\/h2\u003e\n\u003ch3\u003eIs the brass solid or plated?\u003c\/h3\u003e\u003cp\u003eSolid, cast in one piece. At 650 g for something that sits in a palm it could not be anything else, and a kitchen scale will confirm it faster than we can argue it.\u003c\/p\u003e\n\u003ch3\u003eWill it look exactly like the photograph?\u003c\/h3\u003e\u003cp\u003eNot exactly. The scale work is chased in by hand and the dark in the recesses settles unevenly, so the balance of bright and dark shifts from one tortoise to the next.\u003c\/p\u003e\n\u003ch3\u003eWhere should it be placed?\u003c\/h3\u003e\u003cp\u003eIn vaastu convention a tortoise is kept near the entrance or in the north of a room, often on a plate or in a shallow bowl of water. Households differ on this and we would not tell you your practice.\u003c\/p\u003e\n\u003ch3\u003eIs it solid or hollow?\u003c\/h3\u003e\u003cp\u003eSolid all the way through, including the shell. Nothing is filled or weighted, so the 650 g is metal, and the piece stays put if a hand brushes past it.\u003c\/p\u003e\n\u003ch3\u003eCan it sit in a bowl of water?\u003c\/h3\u003e\u003cp\u003eIt can, and standing water will darken unlacquered brass and can mark the bowl under it. Lift it out and dry it whenever the water is changed, and expect the bright areas to dull in time.\u003c\/p\u003e\n\u003cp\u003eEach piece is shaped and finished by hand, so small differences in weight, size, finish and surface marking are normal and no two are identical. Colour on screen can differ from the metal in daylight. Handmade in India.\u003c\/p\u003e","brand":"PEETAL PARAMPARA","offers":[{"title":"Default Title","offer_id":52954592411970,"sku":"PP-BR-VAS-TOR-176","price":3599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/files\/20260422_152454_jpg.jpg?v=1776925466"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1004\/0003\/8210\/collections\/antique-finish-collection-peetal-parampara.png?v=1787534460","url":"https:\/\/www.peetalparampara.in\/collections\/antique-finish.oembed","provider":"PEETAL PARAMPARA","version":"1.0","type":"link"}